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  • My Family Tried BJ’s Restaurant: Meal Was Good Value, but May Not Return

    My Family Tried BJ’s Restaurant: Meal Was Good Value, but May Not Return

    Ultimately, we spent just over $120 for drinks, an appetizer, entrees, and desserts for a group of five. It would have been around $132 without the 10% discount the server gave us due to my daughter’s issues with her entrée.

    At around $25 per person, the meal felt like a pretty good value, especially given the variety of food we received for the price.

    My son and his girlfriend, who were already big fans of the chain, would absolutely return to BJ’s for more pizza, burgers, and Pizookies.

    My husband and I, however, are undecided. We may return for a quick snack at the bar or to share a Pizookie dessert, but I’m not sure we’d take the entire family there again for dinner, especially given my daughter’s disappointment with the experience.

    There are other chains we’ve all enjoyed, plus we usually prefer to support smaller mom-and-pop restaurants when we dine out.

    Still, that Pizookie was really delicious, and I’ve definitely caught myself daydreaming about going back for one since.

    BJ’s Restaurant and Brew House did not respond to a request for comment.

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  • My Brother With Down Syndrome Just Became My Housemate

    My Brother With Down Syndrome Just Became My Housemate

    The week before my husband and I were supposed to become empty nesters, piles of laundry, bedding, suitcases, pink sparkly boots, Oregon Ducks hats, and shirts crowded the living room of our small cottage.

    Some of the piles belonged to our daughter, on her way to a university residence hall. Some belonged to my 50-year-old brother Mark, who has Down syndrome, and asked in August if he could move in with us.

    We were very close growing up

    My brother was born without any health issues, a robust, blond-haired baby, in 1975. “He’ll never be able to walk or talk,” doctors told my parents and suggested he should be institutionalized.

    Instead, my mother brought him home, enrolled him in pediatric physical therapy, and treated him just as she treated me. We camped, hiked, baked cookies, and did arts and crafts. Mark and I became friends and allies, particularly after our parents’ bitter divorce.

    When Mom died seven years ago, he moved to a group home, but I felt he could do better living with me. My family discussed the pros and cons of inviting him to move in with us, just as we would if one of my husband’s siblings wanted to become our housemate. In the end, we welcomed him with delight.

    He wants to work and feel useful

    I’m a former job coach for adults with intellectual and developmental disabilities. I know how few employers take a chance on hiring someone with a condition they don’t understand. My brother wants to work, to feel of use in the world, and I’m eager to help with the job search, but it’s going to take some time. In the meantime, he needs to stay busy.

    In September, I dropped my daughter off at her residence hall and turned Entertainment Director and chauffeur again. I reached out to our local Parks and Rec, the YMCA, arts organizations, and a dance studio. I registered him for daily classes so that he could make friends and integrate into the community.

    Our community has responded in beautiful ways. Now, when Mark walks into the YMCA, trainers and fellow bodybuilders greet him by name. He’s got friends at the rec center. Yes, there are challenges. I bring my laptop with me everywhere so I can grab an hour of work in the car, at the dance studio, or in the YMCA lobby. Mark needs help showering and walking up stairs, and he’d prefer my husband and me to lounge on the couch with him, watching movies instead of working. But he’s a loved and valued member of our family.

    It took one long, exhausting month to deal with the laundry piles and activity planning, as well as help decorate a dorm room with pink flamingos and fluffy pink rugs, and our spare room with Kobe Bryant and Michael Jackson posters.

    Mark looks forward to using a door-to-door shuttle for people with disabilities and to getting a job.

    Melissa Hart is the author, most recently, of Down Syndrome Out Loud: 20+ Stories of Disability & Determination. She lives in Oregon.

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  • Switching Between Homeschool, Public, and Private Shaped My Parenting

    Switching Between Homeschool, Public, and Private Shaped My Parenting

    When I was younger, I experienced almost every type of schooling: homeschool, private, and public. By the time I reached middle school and convinced my parents to send me back to the public school system, I spent a lot of my time resenting my parents’ decisions because I felt like an outsider in that foreign space — it was as though my peers were speaking in an entirely different language, and, as a result, I struggled socially. But becoming both a parent and a public school teacher shifted my perspective.

    I switched schools 10 times

    We moved around a lot because my father was a “church planter,” which meant that I switched schools 10 times. Not only that, my parents often switched between different schooling methods, from public to homeschooling to private, and then back again to public, depending on what was happening in our lives and what they felt best suited our current situation. Finances were consistently tight, so we didn’t always live in areas where my parents felt comfortable sending us to public school.

    During elementary school, I often resisted being homeschooled or attending a private evangelical Christian school, so the summer before seventh grade, I begged my parents to let me return to public school. They agreed, but that transition was also difficult. I felt like a fish out of water, completely naive and innocent in terms of pop culture and developmental knowledge. In other words, no matter which form of schooling I endured, there were real challenges: physical, mental, and emotional. No single method or school emerged as a clear winner.

    Now that I’m a parent, I look back and think about how my mom and dad — who became parents at 17 and 19 — did the best they could, given their tenuous life circumstances. They really tried to give us a good life, and, for the most part, they did.

    I became a teacher to pay it forward

    After graduating from college, I attended graduate school to become a secondary English teacher — mostly because I wanted to pay it forward as a thank-you to all the amazing teachers and mentors I’d had along the way. It was through my decadelong classroom experience that I learned, firsthand, how every child — and every family — is different.

    I worked tirelessly in Title I schools, doing my best to provide each student with the highest quality education possible. I taught students with a wide range of cognitive, physical, emotional, and language abilities. I customized learning plans and communicated with parents, faculty, and staff to ensure student needs were being met. Most of the time, my team and I were successful in our endeavors.

    However, there were times when a student needed additional support, and we weren’t able to meet their needs to the caregivers’ satisfaction. We had hard conversations with their guardians, and what we found was that if there was an alternative option on the table that felt better suited for the child, they’d transfer them to a different school.

    I remember feeling heartbroken on those rare occasions — like I’d let both the caregiver and the child down. But, in the end, I learned to trust what the guardian thought was best, and, now, as a parent, I understand this. I want what’s best for my children, too, and I’m in a fortunate place where I’m able to be somewhat selective about my children’s schooling.

    My experiences affected how I look at school as a parent

    Through my life experience, I’ve come to see that no single educational path is perfect, and each family makes it Besta choices they can with the options available — not always the ideal. Today, I have my kids in both public and private Montessori schools — my 5-year-old daughter attends a nearby public Montessori school, while my 3-year-old daughter took her older sister’s place at a private Montessori school this past fall.

    My husband and I plan for our youngest to remain there until kindergarten, and then we will revisit and decide which educational pathway we feel will best suit her needs. Our children are currently thriving, and we’ve chosen to place both of them in Montessori schools because we believe in the goal as defined by Maria Montessori: “the development of the complete human being, oriented to the environment, and adapted to his/her time, place, and culture.”

    It’s a solution that works for our family at the moment, but may change in the future. I’m fully aware and accepting of this truth. Parenting, like education, isn’t a straightforward path — it’s a journey full of detours, hard left turns, and, very rarely, cruise control.

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  • Daft Punk’s Thomas Bangalter Features on Orelsan’s New Song “Yoroï”: Listen

    Daft Punk’s Thomas Bangalter Features on Orelsan’s New Song “Yoroï”: Listen

    The French rapper Orelsan recently released a new album called La fuite en avantand it closes with a song featuring former Daft Punk member Thomas Bangalter. Listen to “Yoroï” below.

    Bangalter is credited as a co-producer and co-writer of “Yoroï,” and he also played bass on the track. A representative for Bangalter told Pitchfork, “Orelsan and Thomas have been friends for some time, and Orelsan invited Thomas to make music together on one song for his latest album.”

    Since the end of Daft Punk, in 2021, Bangalter has released numerous projects, including Mythologies, Chiropteraand a soundtrack EP for Yes! He also recently joined Fred Again.. and others for a DJ set in Paris.

    Check out the column “Long Live Daft Punk’s Music Videos.”

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  • Hulu Drops Price on Basic Streaming Package

    Hulu Drops Price on Basic Streaming Package

    Photo: Thierry Chesnot/Getty Images

    Earlier in January, Netflix announced it is hiking prices for 58 million users in the United States by between 13 percent and 18 percent. (The platform hasn’t raised prices since 2017, when it upped the cheapest plan by a dollar and the premium plan by two.) On Wednesday, Hulu announced it is dropping the cost of its most basic plan — read: the one with ads — from $7.99 to $5.99 per month.

    In addition to the 25 percent decrease, Hulu also announced it’s keeping its ad-free plan price the same, at $11.99. Which is still cheaper, mind you, than the $13 Netflix is ​​going to charge users soon. Hulu’s Live TV plan, the basic subscription with over 60 broadcast and cable channels, is getting a 13 percent price hike. Instead of $39.99, it’ll now cost $44.99. This makes Hulu’s Live TV option no longer the most cost-efficient cord-cut offering from a streaming service; instead putting it about on par, or priced above, offerings from to YouTube ($40) and DirectTV (starts at $40).

    The Hulu cost changes mean you now have two things to consider when deciding if you’re going to choose just one streaming service: What it’ll cost you and also which Fyre Festival documentary you want to be able to stream?

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  • Why the Roomba Company Stopped Making Bots for the Military

    Why the Roomba Company Stopped Making Bots for the Military

    iRobot CEO Colin Angle with a Roomba.
    Photo: iRobot/iRobot

    In 1990, fresh out of MIT’s Artificial Intelligence Lab, Colin Angle co-founded iRobot, a company best known for that friendly little robot vacuum the Roomba. In the early years, Roomba was unprofitable, and the majority of iRobot’s profits actually came in from military and defense contracts. That changed over time, and in 2016 iRobot divested itself of its military and defense work to focus on robots for the home. Angle talked to Intelligencer about how he made the decision to divest from military projects, the difficulty in finding a new home for the defense division, and how his decision to focus completely on the Roomba means there’s now a robot vacuum that can empty itself.

    iRobot was founded in 1990. The product that we’re most known for, the Roomba, came along 12 years after our founding. We knew if we could create a vacuuming robot it would be good, mostly because people kept asking for one. I’d introduce myself: “I’m Colin, I’m the CEO for iRobot.” And people would literally say, “Good to meet you, Colin. When are you gonna build that Rosie the Robot that will clean my floors?”

    The challenge was, we didn’t know how to get there at any price point the average person could afford. It was a long journey that involved taking things from everywhere. The original algorithm used by Roomba to make sure it got every part of your room clean was taken from mine-hunting algorithms we had developed for the military. We built robot toys and patented them with Hasbro to learn how to build cheaper electromechanical devices.

    At the same time, we started working with the military. One early project we did was building an underwater walking robot that could detect mines in the surf zone. They were our crab robots, so we called them Sebastian and Ursula — although I’m not sure Ursula’s a crab.

    In 2002, we both launched the Roomba and sent our robots to Afghanistan. The military robots were instantly profitable. They brought in something like $160 million in revenue and funded the company quite effectively. Roomba didn’t make any money for a few years, because we had so much to learn on how to manufacture, distribute, and support them. During this time, 100 percent of our profitability was coming from our business in defense with the government.

    We went public in 2005, and the Roomba and military bots made for interesting bedfellows. We’d always get the question, “Why are you doing both?” And we’d say, “Well, because they’re both robots and the synergies between the kinds of robots we build for consumers and the robots that we build for defense are very real.”

    But by 2014 we were starting to face real questions about how valid that was. Over the years, that supplementary military budget went away, so the revenue from the military went from $160 million down to $55 million. Competition in the defense business on the robot side was increasing. The cost of our robots was going to need to come down, the capabilities of the robots would need to continue to improve, and the next steps were getting expensive.

    We were also seeing similar things with the Roomba, where competition was increasing. We wanted to make Roombas that could really navigate a room, and that required more dollars to be invested. Everything was getting more expensive and harder.

    We even had issues around the branding of the company. What colors should the company use? Because they have to both be appealing to an average civilian and to someone in the military, with military aims in mind, and those are pretty different consumers.

    The fact was we were increasingly two companies under the same roof, and we were continuously making decisions where we had to prioritize one of these business units over the other.

    But in 2014, we recognized that these were two very different businesses, and we were headed in a direction where we were going to have to choose. We couldn’t have had a great business if we invested in both home electronics and defense.

    It’s important to point out how culturally important the defense business had been for our company. One of the things that really drove us was the impact that our robots have had in the world. We used defense technology to explore the Great Pyramid in Giza. We sent a PackBot to map radiation levels after the Fukushima disaster. With the Deepwater Horizon oil well disaster, we sent defense underwater robots to identify these giant subsurface pools of oil that were going to create a long-term ecological disaster. And, of course, during the Gulf War, we saved thousands of lives using the robots to defuse bombs and render IEDs safe. The idea that we could go out and have a real positive, chest-thumping impact on the world by deploying our technology, that was pretty central to why people felt good about being at iRobot.

    On a rational basis, it was obvious that one of these things had to go, and the growth prospects were on the Roomba rocket ship, while the defense business was contracting. And on the emotional side, oddly, how much I cared about the defense side of our business drove me to realize that keeping it was killing it.

    We’d have these discussions, and then I would go home and really think about what I really wanted to happen. Which is a question I often ask myself when faced with a decision. Our defense side had done so much good in the world, so what I really wanted was for it to survive. So we hired a bank and we spent a year looking for the right place for it, and we just didn’t find it.

    The next time around, there was that ex-iRobot guy, Sean Bielat, who had worked on the defense side and then went to a private equity firm. He ended up convincing that private equity firm that iRobot should spin out our defense business and relaunch it. That made all kinds of sense. It meant that our defense side would be a startup again, and the new CEO would be a super well-respected ex-iRobot guy.

    The devil was in the details, and it took about six or eight months to work everything out. Finally, Sean and Tom Frost — who was the internal leader of the defense business unit at the time — and I jointly announced the deal. That was very emotional, because that was the moment that there was really no going back. I think Tom and Sean realized what it meant to me. Their very sincere message to me was, “We will take good care of your baby.” They would make this new business not just about maximizing profit, but about maximizing the positive impact on the world.

    The end game of the divestment coincided with this all-consuming proxy battle with an activist investor. He wanted iRobot to divest from defense, but he really didn’t want to hear from us that we were doing that. Some of the romance was stripped out of the experience by fighting this fight against a guy who wanted to replace our board and leadership, just so he could force the company to do something it was already about to do. That honestly was one of the most trying times. I’m trying to do the right thing by this company, and someone’s trying to come in and gut me.

    It meant broadening my horizons around what is this thing that is iRobot. It’s a public company. It has shareholders that haven’t dedicated their entire lives to the business, nor do they have to, but they have every right to expect to be heard because they took money out of their pocket to be part owners of the company. That is what being a public company is about. I needed to be okay with that and figure out how to embrace that. I had to accept that this journey to build the company that I’ve been on for my entire adult life — there is no divine right for me to lead it.

    I think I was rewarded for doing the right thing. Endeavor Robotics, which is what our defense business became, is thriving today. And investors in iRobot looked at the maturity of the leadership, its ability to make difficult decisions, and the overall good management during our proxy battle, and we ultimately won.

    For us, being able to focus on the home market meant that in 2017, consumer growth quadrupled. We just launched the i7+. You can get a Roomba now and bring it to your home, and it will operate a year without you touching it, because it can empty itself — you don’t even have to pick it up. If you’re in the kitchen and make a mess, you can say, “Okay, Google, clean the kitchen.” And the robot actually now knows what the kitchen is because of the advancement in navigation technology. We’re still very far away from fulfilling the potential that robots have, but we just completely changed vacuuming, and that’s pretty cool.

    If a company is like your kid, selling defense was like sending your kid off to college. Knowing that the people carrying the founding vision forward would do something great. That moment when Sean and Tom said, “We got this. We understand why it matters so much,” I knew letting go was the right thing to do.

    If you look back at iRobot’s trajectory, and say, “Gee, what would you do differently if you had to do it over?” I think you could come up with a long list of things that’ve gotten us to a better place faster. At the same time, I say, “If I could travel back in time and do it over, I wouldn’t want to.” Because one of my most powerful assets was that I had complete ignorance about the size of the challenges that we were facing. I’m happy I was youthful and ignorant.

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  • Moncler Threw a Shanghai Party With A$AP Rocky and Rihanna

    Moncler Threw a Shanghai Party With A$AP Rocky and Rihanna

    Photo: Courtesy of Moncler

    Moncler’s labyrinth, built in an old Shanghai shipyard near the Huangpu River, had no dark corners, monsters, or Minotaurs like in the ancient Greek myth of yore. Rather, its winding roads were filled with neon blinking lights, its nooks were populated with food stands serving miniature steamed buns and coconuts with straws, and instead of Theseus, Rihanna was our hero. In Moncler’s so-called City of Genius, there is only revelry to be had, and from my vantage point, the brand’s 8,000 or so guests that populated this man-made 320,000-square-foot town for a night did just that.

    Moncler’s event, which closed out Shanghai Fashion Week, was a behemoth that transcended the typical constraints and likely budget of a standard fashion event. Since 2018, the brand’s CEO, Remo Ruffini, has invited designers to collaborate with Moncler through its Genius program, hosting Richard Quinn, Pierpaolo Piccioli, Liya Kebede, and Simone Rocha in the past. Last year, Ruffini opened the program up to creatives beyond the fashion industry, which is how, at this Shanghai showcase, a powerhouse group of ten guest designers came together: Edward Enninful, Hiroshi Fujiwara, Donald Glover, Lulu Li, Nigo, Palm Angels, A$AP Rocky, Willow Smith, and guest appearances from Rick Owens and Lucie and Luke Meier, co-creative directors at Jil Sander.

    Clockwise from top left: Photo: Courtesy of MonclerPhoto: Courtesy of MonclerPhoto: Courtesy of MonclerPhoto: Courtesy of Moncler

    From top: Photo: Courtesy of MonclerPhoto: Courtesy of MonclerPhoto: Courtesy of MonclerPhoto: Courtesy of Moncler

    During a press conference in Shanghai, Ruffini said he envisioned an apartment building with some of its lights on, populated by “geniuses” in each window (one would have to look no further than the Genius logo to understand what he means), and he wanted to bring the ethos of this imaginary world to life. “It’s important for us to talk with the world, with all of our communities,” Ruffini said. “When you see a place full of energy, it says something interesting to the world.”

    The energy was certainly not lacking at the brand’s Saturday event. Each of these designers was given free rein (music to any artist’s ears) to build a tiny world, or neighborhood, if you will, of their own in Moncler’s city. Enninful’s vision was brought to life via a trek through the elements: Models posed in thick coats and languished in a sandstorm, windstorm, and snowstorm, the latter of which featured a desk with several publications he’s worked at — The Face, iD, British Vogue — and a framed photo of his beloved Boston terrier, Ru.

    In Fujiwara’s “city,” a collaboration with the sculptor Richard Wilson, there were pools of reflective thick black liquid, which a staffer on-site mentioned had ink in them, that mirrored the floating coats dangling above and played into “the theme of still waters running deep.” Even though signs outside the exhibit explicitly told guests not to touch the reflections, several did. “As we navigate through our routines, we encounter a variety of stimuli that influence our creative process,” Fujiwara told the Cut. His collection was inspired in part by his day-to-day life. “In today’s world, where information is so readily accessible, we are constantly absorbing new ideas and inspirations. Each piece in the collection is a reflection of moments, reinterpreted through my lens.” Fujiwara, whose collection featured quotes from Nietzche and Aristotle as well as cutesy bunny and kitten motifs by the Korean illustration studio Nayeon and Rang, added: “Playfulness in design can bring a sense of joy and creativity to adult clothing. I believe that clothing should not only serve a functional purpose but also reflect individuality.”

    In Glover’s corner, an orange grove (there had to be some play on words between Glover and grove that wasn’t utilized) filled the area with lush green grounds and an aromatic scent, taking inspiration from the multi-hyphenate’s farm in Ojai. Across the way, Willow Smith tapped into nature as well. CEO utilized a little wordplay herself, filling her space with overgrown plants in a postapocalyptic garden and one very large willow tree that swayed gently in the chilled breeze. It was her take on a future in which humans and nature can coexist, her collection filled with exclusively black and white pieces made with circular, natural motifs: formfitting dresses and bulbous, puffy leg warmers.

    Nigo and Palm Angels both leaned into the nostalgia and fun of cars, with the former utilizing a ’90s Mercedes-Benz G-Class and reimagining it with a puffy, cushioned shell. The latter built a miniature race course complete with actual drivers, made up of selected guests wearing their metallic and primary-colored collection, speeding alongside one another in go-karts. I was desperate to get behind the wheel of one, but to no avail. Lulu Li, notably the only Chinese artist to create clothing in this iteration of Genius, opted for a house of mirrors to showcase her AI-driven designs.

    Rick Owens, who is more popular and famous in China than even I could imagine (I saw Owens moving through the crowd at the event and thought it was Rihanna, who was also in attendance, because the swarm of people undulating around and following him was so massive), went full architect mode. Owens built a steel pod in a foggy room and dubbed the mountain “Refuge,” in which puffer-clad models walked around and whose insides revealed soft places to rest and sleep. For those desperate to re-create some version of a lunar landing in the safety of their home, fret not; the pod is for sale.

    Clockwise from top left: Photo: Courtesy of MonclerPhoto: Courtesy of MonclerPhoto: Courtesy of MonclerPhoto: Courtesy of Moncler

    From top: Photo: Courtesy of MonclerPhoto: Courtesy of MonclerPhoto: Courtesy of MonclerPhoto: Courtesy of Moncler

    For me, one of the standout exhibits was that of Jil Sander. In the Meiers’ corner, a white bubble was erected, its floors painted a buttery, pale yellow and the round screen encapsulating the room in the faintest of blues. With my massive coconut drink in hand (which I became emotionally attached to, my own Moncler-stamped version of Castaway‘s Wilson), I felt a bit like I’d died and crossed over to the other side; it was either a subdued and peaceful version of heaven or an incredibly pleasant purgatory. Here, runway shows were staged every 30 minutes during the four-hour event, featuring some of the most gorgeous knitwear I’ve seen to date: soft, floor-skimming shawls in pinks, reds, and grays; round, three-dimensional skirts dotted with tiny feather-esque paper balls that shivered with each step; and chunky boots so chic I wouldn’t mind hiking in them myself. Backstage, when asked why the designers staged a fashion show at the fashion event (shocking!), the Meiers said the catwalk was essentially their “expertise.” “When everything comes together properly, the music, the casting, the collection, we’re fans of that perfect moment,” Luke said. Lucie added, “We also love to see our clothes alive.”

    A$AP Rocky’s neck of the woods proved to be a crowd favorite and a personal favorite of mine. Inside, a futuristic space exploration was afoot, with a silver, metallic conversation pit framing the whole thing as scenes of real and AI-generated mountains passed by. At some point, Rihanna took her spot in one of these silvery seats to support her partner, much to the excitement of the fans around them. Models stood around the perimeter in coats and vests that melded into an alpine-meets-moto aesthetic. The music blasting into the place, I was told by a Moncler executive, were released and unreleased songs by the rapper intermixed with traditional Chinese music. The centerpiece of the exhibit was a new console A$AP Rocky had designed himself with 14 different functions, including recording music, watching DVDs and VHS, and listening to tapes and records. The console also included a coffee maker, an ashtray, and, perhaps most importantly, a cereal dispenser filled with Lucky Charms that I bravely refrained from eating. At the time, the nostalgia-inducing machine, which I was told would be for sale for a cool $100,000, had no name. But a kind executive shot a text to quench my nosy pursuit, and it turns out the pod had been christened with a name after all: the Cabinet. Straightforward!

    Performances by Chen Lijun and Henry Lau closed out the night, the latter of whom played the piano, the cello, a bottle (yes, a literal bottle), and a violin and has me now looking for “I <3 Henry Lau" merchandise online. According to a Moncler press release, the event was livestreamed across several digital platforms to over 57 million viewers. That's not including the impact and reach videos taken by attendees, who were visibly excited to be there and audibly screaming at the sight of their favorite celebrities like Anne Hathaway or Wei Daxun. In Shanghai, it's clear this was said event to be at. Although I’m sure Moncler paid a hefty price tag, hey, at least The Got to see Rihanna.

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  • ‘Grey’s Anatomy’ Recap, Season 21, Episode 11

    ‘Grey’s Anatomy’ Recap, Season 21, Episode 11

    Grey’s Anatomy

    I Still Haven’t Found What I’m Looking For

    Season 21

    Episode 11

    Editor’s Rating

    3 stars

    Photo: Anne Marie Fox/Disney

    I’m just going to say it: Thank God. Thank you Hit Cass Beckman has a weird habit of hanging out in hospitals where she doesn’t work. Thank goodness she has a strange passion for making PowerPoints, and thank the high heavens that some dumb college kids ruined Teddy Altman’s morning with a prank on her way into work this week. I had not yet given up on the possibility of Teddy hooking up with Sophia Bushwho wandered onto the show earlier this season as a trauma surgeon from a competing hospital — and whose open marriage might’ve opened up new possibilities for Grey’s Anatomy‘s most stagnant couple. (Sorry.) Now, we seem to be on the fast track towards just that.

    Cass came back to wait around while her husband got a colonoscopy, which gave her the perfect opportunity to make Teddy question the boundaries of her marriage. There’s a real spark there, and not just because Cass offered to take some work off Teddy’s hands. Teddy seems lighter around Cass — freer. Supported. Maybe because Cass seems to be the only one who recognizes how exhausted she is. Owen’s too busy daydreaming about his childhood friend, Nora.

    It’s not just that I don’t like Teddy and Owen Hunt together (I don’t; as the world’s most obnoxiously dedicated Owen hater, I don’t like him with anyone). I’ve simply spent years hoping that this show would give us some truly interesting relationship mess — some innovative romantic configuration to drag us out of the monogamous, two-person rut that most couples on this show have fallen into. Remember the incredibly layered and complicated mess that was Lexie Grey-Mark Sloan-Callie Torres-Arizona Robbins? I’ve been hoping for something that feels like that but with less biphobia. And now, it might finally be happening.

    The mechanics that got us here feel a little forced, but truthfully, I don’t care. Did Owen’s friend Nora just kind of show up out of nowhere? Yes. Does their chemistry feel nonexistent, even after she tried to kiss him? Oh, yeah. Does the whole thing feel drummed up to lead us to this week’s parking-lot conversation, where Owen and Teddy both admitted that even though they love each other, their eyes are wandering? Absolutely. And if all of this leads us to crack open this prison of a marriage and set Teddy free, I’d watch it all again a thousand times.

    There’s a nonzero chance that this week’s candid chat will lead to a breakup, but I’m not getting the vibe that we’re headed in that direction — at least, not yet. Would Owen, king of annoyingly retrograde opinions, really go for an open marriage, allowing himself to explore things with Nora while Teddy indulges in some couples spa days with Cass? I have my doubts! Still, this feels like a win; maybe they break up, or maybe they stop depressing us all with their passionless marriage, but either way, I’m cheering.

    In a way, this week was all about hanging onto deep, formative love. Besides advancing Teddy and Owen’s decades-long romantic saga, the Alzheimer’s tragedy of last week continued to unfold as Catherine Fox’s former protégé, Evan Moore (Lena Waithe), fought like hell to keep her wife, Tasha, from losing the donated liver that she secured by lying about Tasha’s condition. This drove an unexpected wedge between Meredith and Nick, which shouldn’t actually surprise anyone because if there’s one thing Meredith will do in a situation like this, it’s make the choice that pisses everyone off.

    That said, while I understand why Evan got mad at Meredith — no one wants to hear that a board of bureaucrats must deliberate over whether their loved one will live or die — Nick’s anger took a bit longer to parse. Obviously, he worried that Meredith could one day be in similar shoes to Tasha, which would put him in Evan’s role. At the same time, that doesn’t change medical protocol, which is all that Meredith was trying to enforce in spite of all of the intense feelings that this situation naturally brings up. Did Meredith show us those feelings? Of course not — this is Meredith Grey we’re talking about, after all. But you could see them simmering beneath the surface just the same.

    In the end, the important thing is that these two came to an understanding and Meredith shared a rare emotional disclosure: “I can’t imagine my life without you.” When I tell you I actually gasped and clutched my chest — this moment was so sweet!!!

    Also, because Nick is a McGenius transplant surgeon, he came up with a brilliant solution to our problem, splitting the liver into two parts and donating it to two patients — Tasha and a librarian named Lisa, who, like Devin on Love Is Blind season eight, has formed an unhealthy dependency on ibuprofen.

    Lisa’s case might not have been super interesting, but the absolute ego trip that she brought out of Ben Warren sure was. His review from Altman is in, and I’m sure you’ll be shocked to learn that it was not good at all. The problem for Ben is that his wife is also his boss, and if there’s one thing Miranda Bailey can’t stomach, it’s a bad review. As the two care for Lisa, she poked and prodded him for signs of insubordination, and in the end, when she brought up the review and told her hubby to stay in his lane and remember he’s still on a trial period, he came back with the most “Ben”-like response possible. He’s not a floppy-eared resident in his 20s, he said. He’s got knowledge! And experience! And with that in mind, he said, “I am going to do what is best and hope my boss can see that.”

    I’m sorry, but that is absolutely wild behavior. I don’t care how experienced this guy is; there’s a chain of command in every establishment, and they exist for a reason, especially in hospitals. Also, and I cannot emphasize this enough, Ben is still on a freaking trial period! Miranda’s nemesis, Sydney Heron, was right — the nepo energy is strong with this one.

    Then again, let’s face it: At Gray Sloan, everyone considers themselves an exception to the rules. Just look at Blue and Lucas, who snuck Blue’s ex Molly in for a cheeky EEG after she suffered a seizure. When Amelia caught them, she couldn’t help but take a look at the results and diagnosed Molly with temporal lobe epilepsy. Understandably, Molly wasn’t eager to undergo more brain surgery that could potentially cost her even more years’ worth of memory, but Blue is desperate to start a new life with her and didn’t want to hear it. Eventually, they landed on a compromise: Molly will do the surgery if Amelia also performs an experimental procedure to try and get her memory back. We’ll have to wait until next week to see if Amelia bites, but given her passion for impossible surgeries, I think we probably all know the answer.

    • Our other patient of the week, Cameron, felt a little disappointing. I did love the scavenger hunt subplot, and the visual of Cameron getting pinned to the MRI machine with a metal pole was fun, but overall, I wish the love triangle felt a little more … I don’t know … believable. Much like Teddy and Owen’s marriage, it felt kind of perfunctory.

    • Still, I’m glad that the college shenanigans at least inspired Jules to get over her post-Mika angst. Who needs vibe-killing sorrow when you can go to Joe’s and meet someone new? Also, she got to flex on everyone in the process by figuring out the final clue on her way out, which is almost as good as sex anyway.

    • Seriously, though, what do we think the odds are that Owen and Teddy choose an open marriage — and if they do, what are the odds that they actually stay together? Based on our knowledge of both of them, I feel like the odds are 70 percent and 0 percent, respectively.

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  • Rental Family Proves Some Movies Need Brendan Fraser

    Rental Family Proves Some Movies Need Brendan Fraser

    Photo: James Lisle/Searchlight Pictures

    A couple of years ago, at the height of awards season, I moderated an onstage Q&A with Brendan Fraser after a screening of The Whale. It was a SAG-AFTRA event, so the audience was made up largely of actors. Fraser had already been nominated for the Best Actor Oscar, but not everyone was convinced at the time that he would win; many considered Austin Butler the favorite for Elviswhile film critics were hoping for a Colin Farrell upset for The Banshees of Inisherin. As soon as Fraser took the stage, however, it was clear that the thing was his. The audience went bananas, and the star held them rapt for the next half-hour or so as he talked about not just his performance in The Whale but also his career ups and downs. Fraser had achieved success early — he was 23 when Encino Man came out and a megastar by his early 30s thanks to The Mummy — but because of the fallow periods of his later career, he could relate to the challenges of the jobbing actor. He understood the seesawing anticipation and disappointment that came with the profession.

    I kept flashing back to that evening as I watched Japanese director Hikari’s new film, Rental Familyin which Fraser plays a lonely, middle-aged American actor living in Tokyo for whom the good parts have largely dried up. Phillip Vandarploeug (Fraser), we’re told, went viral in Japan a few years ago for a series of toothpaste commercials in which he played a goofy, toothbrush-riding superhero. Now, he spends his time either auditioning and getting rejected or sitting around soundstages waiting to portray sentient plastic trees. One day, he’s enlisted to pretend to be a “sad American” at a real-life funeral and is startled to discover that the dead man lying in the coffin isn’t dead at all; rather, the whole event appears to be a cathartic pantomime designed to get the “deceased” to feel better about his life. These so-called “specialized performances,” arranged and orchestrated by a company calling itself Rental Family, are all designed to help clients “connect to something they thought was missing.” Sometimes they’re acts of self-deception, and sometimes they’re outright lies: For one of his first gigs, Phillip pretends to be the American groom at a Japanese wedding; the unsuspecting parents want peace of mind and a memory, while the savvy bride intends to move to Canada with her girlfriend as soon as the ceremony is over.

    The bulk of Rental Family follows Phillip as he pretends to be the long-absent father of a young Japanese American girl, Mia (Shannon Mahina Gorman), whose mother (Shino Shinozaki) hopes to get her into an exclusive school; the girl needs both parents to be there for the application process. Angry at her father for abandoning the family, Mia initially lashes out at Phillip but soon warms to the lovable lug. He gets to be the “fun parent,” the dad who shows up and plays with her at school and takes her out to street fairs and other events; the mom warns him, however, not to get too close, since he’ll eventually have to disappear out of their lives forever. During this period, Phillip also pretends to be a journalist interviewing an aging, fading, forgotten screen legend (Akira Emoto) for a big tribute interview.

    These setups might prompt you to doubt their plausibility. Rental Family‘s soft, breezy tone — complete with a gently jaunty score that never seems to stop — keeps things moving along, but its polished ease can leave questions in its wake. Is posing as someone’s parent for this long really that easy? Is it truly an act of kindness to pretend to interview someone if you have no intention of ever publishing anything? Sham weddings are one thing, but a sham wedding too a total stranger? And besides, isn’t somebody in Tokyo eventually going to recognize the enormous six-foot-three American who once played a superhero in a series of popular TV commercials? Rental Family has some grounding in actual rent-a-family services in Japan; Werner Herzog made a movie about it in 2019and Elif Batuman wrote an award-winning and controversial 2018 piece for The The New Yorker about it. (That specific article was partially debunked, but as far as I can tell, the rent-a-family phenomenon is quite real.)

    To its credit, Rental Family doesn’t try to present an anthropological portrait of an exotic, “weird” Japan. The combination of practicality and complication demanded by the rent-a-family business startles us — so many moving parts and so much pretending just to conjure something so simple — not so much the fact that ordinary people have such a need for friends, family, and affirmation that they’re willing to pay for it. Questions of logic aside, the whole thing slowly starts to feel like a not-so-terrible concept. Is it so wrong to hire someone to fill the gaps in our lives?

    The growing appeal of this idea might also owe something to Fraser’s onscreen charm. All the parts Phillip must play take advantage of his affability and outward kindness. As a parent, he’s eager to please; nor a groom, he’s deferential; nor an interviewer, he’s curious and patient. (We also see him play-acting as a simple friend for one unnamed man; he seems like an attentive and supportive pal.) It all works because Phillip could be Brendan Fraser, whose easygoing and sunny demeanor made him a unique star back during a time when most leading men were trying to smolder and brood their way into our hearts. Fraser was always something of an innocent, from Encino Man them Blast From the Past them George of the Jungle; his characters were perhaps a bit dim, but their personalities exuded brightness. Even when we didn’t like his films — and, let’s be honest, the man appeared in some terrible films — we couldn’t help but like him, because he always seemed so approachable. That was what made his performance in The Whale work, too: For all that film’s darkness, the character at his heart struggled to hang onto his wounded innocence, even as he embraced his self-destruction and death.

    This quality — of openness, of purity — is not just the key to Phillip’s success as a fake father and journalist and husband, it’s also why he eventually buys into his own deception. He starts to believe on some level that he must be a father to Mia. That’s not an unpredictable full development; the movie probably couldn’t exist without it. But there’s enough of a child peering through Fraser’s wide eyes and huge, all-American half-smile that we understand how this man would get carried away with his own Russian. Make-believe runs through Rental Family on all levels. Phillip and Mia build phony animals out of found objects; they go to carnivals where they get face paint applied. This is a world of karaoke bars and digital aquariums and screens — a surface-deep universe of constant performance not unlike our own. Everybody’s pretending, all the time, everywhere, and Fraser makes an ideal avatar for our own desire to disappear into phony realities (although because this is a movie, he actually gets to find enlightenment amid all this fakery).

    Fraser has had solid credits the past few years (he was in Killers of the Flower Moonafter all), but there’s still something slightly out of step about him. He’s signed on for another Mummy movie — which will hopefully be more like the 1999 original and less like its middling sequels — but he’s also far removed from his hunky heyday. He’s at his best when he’s exuding sweetness and light, and those qualities are not in high demand among big, important movies nowadays. His Oscar for The Whale made for a great comeback story, but it also put him in an odd position, because Fraser had never really been a critical darling; he made hits, sometimes dumb hits.

    Which brings us back to the image of the struggling actor, to which he clearly connects. Watching Rental FamilyI understand thinking, Wow, this is a perfect role for Brendan Fraser, but where the hell does he go from here? It’s not like there’ll be other roles like this. But here’s the thing: I also thought the same thing while watching The Whale. Sometimes, an actor seems so well suited for a part that not only can you not imagine anyone else doing the part, you also can’t imagine that specific actor ever doing any other part. It’s rare enough for it to happen once, and yet it keeps happening with this guy. This probably sounds insane, but maybe there’s just an empty spot in today’s cinema where Brendan Fraser needs to be. Rental Family might be a modestly likable, often uneven movie about a fictional American actor in Japan, but it’s also a thoroughly fascinating movie about a very real actor in the midst of one of the strangest careers I’ve witnessed.

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  • Pickleball Is Taking Over Empty Malls and Bed Bath & Beyonds

    Pickleball Is Taking Over Empty Malls and Bed Bath & Beyonds

    Photo: RichLegg/Getty Images

    We’re entering a new phase of history: A thriving American pastime (pickleball) is now subsuming a dying American pastime (the mall). As CNN reports, pickleball enthusiasts who have had to scrap over blacktop space with other adults and the occasional child field turning to now-empty retail space in malls. A former Saks Off Fifth in Stamford, Connecticut; a Burlington in Pleasantville, New Jersey; and a former Old Navy in a New Hampshire mall are all turning into pickleball courts.

    It’s a well-timed match. Malls have been floundering for years with landlords struggling to figure out what to do with their empty storefronts. And one of the communities most desperate for space is pickleball players, whose sport has become extremely popular but who have few places to actually play. Now, at least in Lake Saint Louis, they’ll be able to swing their little paddles in the vestiges of the once-great Bed Bath & Beyond.

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