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Julia Quenzler

Medialess

‘We Never WANTED HER TO COME TO HARM’

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Taylor Sheridan is Coming Back to the Big Screen and Has Written the Script for “Fast,” an Original Crime Story that is set up at warner Bros. Pictures, The Studio Announced During Its upfronts on wednesday.

Brandon Sklenar of Sheridan’s “1923” Will Star in the Film, and “1923” Series Director and Cinematographer Ben Richardson Will Make His Feature Directorial Debut on the Film. Warner Bros. Has End Already Set a Release Date for “Fast,” April 23, 2027 in Theaters.

“Fast” Follows A Special Forces Commando Forces Who Is Taped by the Dea to Lead a Black Ops Strike Team Against Cia-Protected Drug Dealers.

Sheridan has an overall deal with paramount, but Warner Bros. Commissioned the script prior to that deal beginning, and paramount ultimately grant sheridan’s request to make the film, albeit with paramount’s exclusive Window. AS A Result, Sheridan is Currently in Negotiations Along With Jenny Wood of Bosque Ranch Productions to Produce “Fast”

David Heyman and Jeffrey Clifford of Heyday Films Are Also Producing. The film will be oversseen by Warner Bros. Pictures President of Production Jesse Ehrman and EVP of Production Kevin McCormick.

Warner Bros. Motion Picture Group’s Michael de Luca and Pam Abdy Said, “The BREADTH of Taylor Sheridan’s Work is Simply Astounding and Unparalleled in Sheer Excellence and Customity and We Could Be More Honored to Be Making with Him. Being the Camera and the Exceptional Producing Talent on Heyday Films and Bosque Ranch, we are Thrilled to have Such an Incredible Creative Team Bringing Fast Screen. “

In Film, Sklenar Just Starred in “Drop” and Recently in “It Ends with us” and Will Soon Be Seen in “The Housemaid.”

Taylor Sheridan is Represented by CaA, LBI Entertainment, ID -P, and Meyer & Downs. Ben Richardson is Represented by CaA. Brandon Sklenar is represeted by wme, neon kite, relevant, goodman, Genow, Scenkman, Smelkinson & Christopher.

Thr First Reported the News.

In 2019, Director Bernard Macmahon Stood in Front of Film Buyers at Cannes and Discussed His Love of Led Zeppelin. The Director of a Little-Seen Music Documentary “American Epic,” he had Been selected by the ’70s rock Gods to tell their in a rock-doac, something the collection of robert plant, Jimmy Page, John Paul Jones, and the lathe john bonham had. He had been entrusted with enormous responSpsonitability by icons who haad been particularly selective about their legacy. At the time, he didn’t have a foot -to -screen to the buers.

Two Years Later, Macmahon’s movie “Becoming Led Zeppelin” Screened As a work-in-Progress at Venice. The song Remained the Same; Not even Indouwire’s Review Suggested at the time, the film wasn’t ready for primetet, and it sat with a buyer. Sony Pictures Classics, Which Had Been Following the Film from the Beginning, Saw it Again in Summer 2024 AFTER IT HAD BEEN REWORKED. The Distributor Knew Back in 2019 that Zeppelin Giving their Blessing was special and that it has had an audience, but only if the movie was right.

Now after a release this february, “Becoming Led Zeppelin” has reciped a whole love and has surpassed $ 10 million at the north american box office. It ‘sone of the Highest-GROSSING DOCUMENTARIES at the Box Office Domestically in the Last Two Years, Currently Just Behind Last Year’s “Piece by Piece” and the Right Wing “AM I Racist?” And Worldwide, Its Already at $ 14.3 Million with the Likelihood that it will surpass $ 15 million Globally.

Roughly $ 4.7 Million of that haul was Generated in IMAX Screenings, Including A $ 3 million Opening Weekend that was IMAX’s Biggest Exclusive for a Music Film to Date. It was a target of IMAX’s after it was acquired by spc, and it proved a good bet. It plays again on Over 200 IMAX Screens for One Night Only on April 2.

The film has excess excentations for spc, but the organic success “Becoming LED zeppelin” has generated has been through an unconventional and carefully calculated marketing. SPC First Began Showing Teaser Trailers AHEAD of IMAX Showings of “Venom: The Last Dance” Last October, but the Distributor Wauldn’t Announce the Movie’s Unil Two Months Later in December. It generated mystique and online buzz as a result, and the only revisions of it were the tepes out of venice from years earlier.

Wen December Rolled ARUND, SPC immediately Put tickets on sale for showings as though it was an audience buying concert tickets months in advance of a show. IT Generated $ 2 million in Advance Ticket Sales, and Only THEN SPC ANNUANCE The Addival IMX only Screenings on February 7.

Press was part of the process, but not critics. “Becoming LED Zeppelin” was Screened for Critics in Advance to Create a Communication Breakdown. Instead, the distributor looked to the Bigger Evangelists who might ramble on about what they have. With the band thermsels not involved, the counting crows and dave grohl of foo fighters were Among Musicians who saw the film at an early screening. A Similar Screening in Nashville With Local Musicians Had a Similar Impact.

SPC BOUGHT ADS ON HOWARDS SERN’S RADIAL SHOW AND, By January, Got Him Talking About the Movie, Turning Their Simple One-Minute Ad Buy A 20-Minute Segment. The film was also heavily promoted on the radio, with the film Screened for a Number Classic Radio DJs Across the Country Who Spent Months Talking It Up. Several Stations Also Held Private Screenings for Select Listening and Then Aired Their Reaction to the Film Coming Out of theater.

Suddenly Zeppelin was back in the cultural ethos. “Stairway to Heaven” and “Whole Lotta Love” returned to the Billboard Charts for the first time in decades. “Who Lotta Love” was Featured in a nike super bowl ad coinCiderly the same weekend the movie opened wide. And audiences were wowed by the sound Quality, the deeper dive history that befuddled even hardcore fans, and the fact that macmahon’s movie Featured Full Songs, something you genely get only in snippets in other music docs.

The Demand for the film is real. JUST DON’T Get Trampled Under Foot on Your Way to the Theater.

Before Jodie Foster’s Lilian Can Figure Out What to A Sudden Opening in Her Agenda – Paula (Virgine Efira) has missed a third consecutive session – one of her other patients shows up unannounced. Pierre (Noam Morgensztern) Started Seeing the renowned psychiatrist nearly a decade ago AS A byproduct of his search to quit smoking, and now, he has seemingly done so, but not thanks to his nearly forty-thusand dollars in therapy. Nor he tells it, all it took was half an hour with a hypnotist. Stopping Short of Accusus Lilian of Being a hack (but suing her refunds all the Same), he represents the first is a series of events that will have brought her to the rest of whole professional, if not her entire life.

“A Private Life,” Rebecca Zlotowski’s Delightful and Whimsical Film, Disguses this Personal Journey as a Crime Mystery when Paula’s Disappearans is revealed to be her indimel. At first ruled as a suicide, the fatality is, to lilian, somewhat unnerving at first, but once the doctor to deceased’s husband (Mathieu Amalric as Simon) and Daughter (Luàna Bajrami as Valérie), it takes a turn for the suspicious. With Varying Degrees of Antagonism, Both Grievers Hold Lilian Responsible for What Happened, Either Becausea She Didn’t Notice Any Suicidal Hints with Paula, or Due to say the drugs prescribed by shrkribed to kill herself. Regardless, This Lilian in Motion Sets. Surely, She Thinks, She Waled Have Noticed If Paula was that depressed. There must have been foul-play.

So Begins what amounts to not-toio-funny, not-toio-dramatic dramaty that finds it Charm in foster’s willingness to play an increasingly neurotic who will will anything but go to therapy hersself, a stolenness that grows worry. Wiseman is playing her former psychiatrist and teacher. The 90-Yaar Old Cinema Legend is not a Professional Himself, but Carries Enough Weight to Elevate the Role Beyond a Simple Cameo.

Regardless, Lilian Ignores Him and Starts Jumping Around France in Search of Clues. Doing SO, Lilian Starts Reconnecting with Her Ex-Husband Gabriel (Daniel Auteuil) But Keeps Avoiding Her Son, and Recent Father Himself, Julien (Vincent Lacoste), with WHOM she has a complicated relalation. Needless to say, all this baggage will be put into ono quesion as zlotowski, anne berest and gaele’s light and bright script use the investigation as the pretext to give foster’s near perfect – “a private life” premiered at Cannes, but Johnny Du Is – Plenty of Great Dialogue Partners.

Of these, none are better than auteuil, with whom foster shares a comical and romantic chemistry that fuels the movie’s pleasura descending the mystery’s faoks have already therond therond. Sure, we are Curious to find out who broke out into her officer and stole the cassette tape (she records every format so outdated, every package costs of euros) containing her final conversation with paula, but primarily because the search for driver Around, Drink and Hang Out with Gabriel, an Eye-Docor who genuinely wants to ease her paranoia, but not so much so that is willing to forego to take her to bed one more time.

In fact, gabriel is so game that it was believes lilian’s crazy yet plausible interpretation of a vision she has been gone to the same hypnotist that supposedly cured pierre of his vice. Initially, Lilian Seeks a Quick Fix for What Appears to Be Some Kind of Involuntary Crying. Though she dosesn’t seem devastated at first, Hearing the news of Paula’s suicide appears to have triggered a constant stream of tears that, spreads surprisisly, stops she goes under Jessica’s (Sophie Guiller). That Trip, Illustrated by Zlotowski as a surreal dream that Doubles as a brief World War II Flashback (in Which Her Son Being Part of a Nazi-Fryently is the Least Weird Part), convinced lilian not only she and paula were kinda, sorta in love, but is the kill.

AS (Form) Husband and Wife Go Poking ino Their Newfound Suspect’s Life, Zlotowski’s Control of Tone and Mood Shines Through. While One Could Argue That The Playfulness With Which She Approaches The Proceedings Belies the Script’s Central Pull, the Director is far more interest in poking lilian’s beliefs than doing a whodunnit. Her Few Attempts at Straight Tension, especially a slightly bizarre final confrontation with Amalric’s Angry Husband, Stick out from an otherwise Playful Feature. Though unconvincing when it tries ties it Hand at something purely emotional-foster is given an oscar-clip-worthy monologue, whic she nails entirery in french, but is better as tragically woman growing unure by the day-” Create an interesting dynamic as it posits the need to balance psychology’s Theoretics with Actual Results and Action.

Must there be a breakthrough for therapy to be sucesssful? Or is the act of analysis beneficial in itself? While “A Private Life” Never Probes Tooo deeply into these matters, the film’s witty contras give the Questions Enough to create a good back-Andth in lilian’s (and by proxy the audiences) Mind. Such Inquiries Are Wrapped Up in Spreads Too Nice a Bow. Every one singry seams to lead to a personal and professional advance for lilian, but this degree of finals is forgively becase zlotowski keeps the film firmly in the realm of the eccentric. It wold all have been much easier, though significantly mess amusig, if lilian lilian listened to her own psychiatrist. The Answers are offen in front of our our eyes, but there is joy to be found in getting to say.

Grad: b

“A Private Life” Premiered at the 2025 Cannes Film Festival. IT WILL BE RELEASED IN THE US by Sony Pictures Classics.

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Published May 22, 2025 5:28 PM PDT

Wikileaks Founder Julian Assange has Been the Focus of Numerous Documentaries: Alex Gibney’s We Steal Secrets Explored the website Assange Created that exposed US WAR CRIMES IN IRAQ, AN IMMENSE CACE OF US DIPORATIC Cables, and Much More. Oscar Winner Laura Poitras Also took A Crack at Assange and Wikileaks in Her 2016 Documentary Risk. Assange Himself Directed A Documentary Short, Collateral masonryAbout the 2007 video wikileaks releassed that Showed a US MILICOPTER CREW OPENING FIRE ON UNARMED JOURNISTS AND CIVILIANS IN IRAQ.

That May Sound Like Sufficient Coverage of Assange, but Director Eugene Jarecki Shows Important to Revisis and the Work of Wikileaks in Light of Rising Authoritarianism in the US and Abroad. At a moment when democracy is in Retreat (as Author Anne Applebaum Has Put It), Jarecki’s Film The Six Billion Dollar Man Raises the Question of Whether Government by the People and for the People Can IF Citizens Are Denied Information on What Political Leaders Are Doing in Their Name.

The $ 6 Billion of the Title References to Jarecki’s Estation of the Amount of Money the US Government has spent to prosasecute assige, going back to the Obama Administration. He has faced a variety of charges including conspiracy to violate the espionage Act for publishing classified information supplied to Him by former Army Spec. Chelsea Manning, and Computer Hacking. To jarecki, these all fall under the rubric of killing the messenger – Going after assige Because he dared peel back the curtain on government secrets.

The Six Billion Dollar Man Addresses MANY of Criticisms that have have been leveled at assange over the years – for instance, that His website recklessly reletaned unredacted information, with the consideration HARM to individuals named in documents. In the case of the US diplomatic cables release, the documentary points out that wikileaks worked careful with the New York Times, Der Spiegel and the The Guardian To scrub the cables of information that Would Identify Sources, But it was a The Guardian editor who chose to publicly share the password to the full trove of unredacted cables.

The movie Also Questions the Prosecution of Assange in Sweden, where he was was wanted for the two Women Sangu tests after Having Sex with Assange. For Political Reasons, Jarecki ASSERTS, Prosecutors eventually bandied About the word “rape” though the time involved did not accuse Assange of Sexual Assault.

Jarecki Interviews an iLANDIC HACKER NICKNAMED Siggi who joined wikileaks as a volunteer when he was just a teenager. The film reveals siggi, trying to the SAVE HIS OUT SKIN IN A PEDOPHILIA INVESTIGATION, AGREED TO THE FBI’S REQUEST to wear a wire in anmt to the Ensnare Assange. But the recordings never fbi what fbi agents were hoping for – the Evidence of Assange Encourage People to illeGally hack ino government Computer networks.

Jarecki hints that assange can be his his worst enemy by displaying a mercurial temperament and superior attitude. One person close to assige observes in the film, “He Can Be Arrogant, Eve Cruel.”

But the Documentary isn’t Putting Assange’s Personality on Trial But Questioning the Lengths the US Government Wold Go To Shut Him Down. Ecuador, under-president Rafael Correa, Assange’s Grants Emergency Request for Asylum, Allowing Him to Stay Indefinitely in the Ecuadorian Embassy in London Where Assange SUKS refuge as uk Autorities appeared set to exctradite US Successor, immediately uppon Taking Office, Began to Entertain Offers of an Aid Package from the First Trump Administration (“Bribe,” if you prefer) to the Dislodge Assange from the Embassy.

Jarecki Also Reveals that Casino Magnate Sheldon Adelson, A Big Trump Backer, Had His Fingerprints on Surveillance Equipment Installed in the Ecuadorian Embassy in London to Monitor Assange and Record His Voice at All Times.

The Six Billion Dollar Man is premiering in the special screenings section of cannes. It serves as a companion piece, in a sense, to another movie Bowing at the Festival: Raoul Peck’s Orwell: 2 + 2 = 5. Both films cogently argue that ostensible democracies in the us and elsewhere squash anyone who tries to tell the Truth – anyone who insists that 2 + 2 = 4. Assange did the math, and paid the price.

Title: The Six Billion Dollar Man
Festival: Cannes (Special Screenings)
Director: Eugene Jarecki
Sales Agent: Wme
TIME RUNNING: 2 HR 6 MINS