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  • ‘Smiling Friends’ Team Launches New La-Based Animation Studio

    ‘Smiling Friends’ Team Launches New La-Based Animation Studio

    Exclusive: Smiling Friends Creators Michael Cusack and Zach Hadel and Producer Aron from Have Teamed to Launch Zam Studios, A New Los Angeles-Based Independent Animation Studio.

    Zam Will Focus on High Quality Animation, VFX, Production and Post-Production of All Types, Acciting to Cusack, Hadel and Fromm. The Studio Will Also Offer Client Services for Television, Feature Film and Commercial Projects, As Well As Creating Original Content.

    “Zam Will Focus on What Matters Matters Mont in Animation-High-Quality Work Made by People who undertand the process, are obsessed with craft and have a knack for producer that it is recepture of years past,” Cusack, Hadel and Fromm Said in a non-staff.

    The Studio is Handling All Specialty and Mixed Media Animation, Live Action, Compositting and VFX for the Third Season of Smiling Friends, Which Premieres Sunday, October 5 on Adult Swim and Monday, October 6 on Hbo Max. The Quarter-Hour Series Follows the Employees of a Small Company Dedicated to Bringing Happess to A Bizarre Yet Colorful World. The New Season Features a Mix of Claymation, High-End 2D Animation, CG Animation, Stop Motion and Live Action Elements.

    Cusack (Yolo: Crystal fantasy) and Hadel (Oneplays, hellbenders) Are Co-Creators and Fromm (SESSIONS WITH STAN, Mike Judge Presents: Tales from the Tour Bus) Serves as a Producer/Director on Smiling Friends.

    Zam Studios’ Additional Credits Include The Smiling Friends Shorts, Smiling Symphonies, Billy Idol Should Be Dead Documentary, and bumpers for Rick & Morty and Adult swim.

    Zam Studios is represeted by Fourth Wall Management.

    You can check out the website here.

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  • George Clooney On Kimmel, Biden As Broadway ‘Good Night’ Hits Streaming

    George Clooney On Kimmel, Biden As Broadway ‘Good Night’ Hits Streaming


    EXCLUSIVE: Without advance notice, Magnolia Pictures on Friday will release Good Night, and Good Luck: Live From Broadway on Prime Video and other digital platforms. The David Cromer-directed film is is a live-capture of the Tony-nominated play that broke records during its limited Broadway run at the Winter Garden Theatre. George Clooney directed the acclaimed 2005 film and played CBS producer Fred Friendly, but this time he plays Edward R. Murrow, the chain-smoking iconic newsman who took on Joseph McCarthy and his House Un-American Activities Committee cancel campaign undertaken to root out communists at the height of the Cold War. His on-air stand helped stunt McCarthy’s momentum by exposing the fearmongering and disinformation done to ruin perceived enemies. That stand came at high cost to Murrow and cohorts that included future 60 Minutes architect Don Hewitt.

    Magnolia owns worldwide rights and releases the film through 2929, which produced the original film with Participant. The live-capture film going on sale and rental platforms stars Ilana Glazer, Glenn Fleshler, Clark Gregg, Carter Hudson, Paul Gross, Christopher Denham and Fran Kranz. Clooney and Grant Heslov wrote the play from their original script for the 2005 movie. The film premiered in a one-night-only showing on CNN in June. Todd Wagner & Mark Cuban, who own Magnolia & 2929, produced the original film with Jeff Skoll, and they were investors in the play as well.

    Clooney just bowed Jay Kelly at the Venice Film Festival, starring with Adam Sandler in the Noah Baumbach-directed Oscar-buzz Hollywood tale. That film will be front and center for him, but he took time to discuss his Murrow movie with Deadline. Beyond a barrage of images about seismic TV events from 9/11 to Elon Musk’s alleged Nazi salute, there are strong parallels to current events. That includes the temporary shelving of Jimmy Kimmel and the pressure on corporate parents that prompted the multimillion-dollar settlements of dubious lawsuits against ABC News and CBS News. Clooney also lends clarity on his decision to write a gutsy New York Times op-ed piece urging Joe Biden to not seek reelection, after Clooney set up a lucrative fundraiser for the incumbent and observed close up the decline in mental acuity that other Democrats were downplaying. Buckle Up.

    DEADLINE: Good Night, and Good Luck follows Edward R. Murrow and his CBS News cohorts’ decision to confront on-air Joseph McCarthy’s steamrolling campaign to call out communists, which prompted the notorious Hollywood Blacklist and heightened paranoia. The “Junior Senator from Wisconsin,” as Murrow dismissively referred to McCarthy, used threats and bullying tactics like falsely accusing Murrow and his colleagues of concealing communist ties and sympathies. Great pressure was placed on CBS chief executive William Paley, who hung in there but kind of waffled at the end by placing Murrow’s See It Now off primetime and onto a weekend day slot. The parallels to what is taking place right now, especially the suspension of Jimmy Kimmel, is uncanny.

    GEORGE CLOONEY: Yeah, it really is that. Those conversations Bob Iger is going through is very much the conversations that Paley was going through, and the idea of what part of this government incursion are you going to cave to? It is really fascinating.

    DEADLINE: A big difference now is that we don’t have a Murrow, a prominent broadcast journalist trusted by the masses who might stand up to the government. Both the corporate parents of CBS News and ABC News have paid off Trump on lawsuits that seemed shaky had they gone to court. Instead of Cronkite or Ted Koppel, that burden of bravery has fallen upon late-night talk hosts with comedy backgrounds, including South Park’s Matt Stone and Trey Parker. You played a role in helping put that show on Comedy Central, after that duo made The Spirit of Christmas (the short introduced the South Park kids and a death battle between Jesus and Santa) for a Fox exec who sent it as a holiday greeting to friends. How much of an idea did you have that you might be unleashing First Amendment warriors who relish prodding President Trump in most personal ways?

    CLOONEY: Are you kidding? No way. I saw it on a VCR, and I kept sending it out to the guys at Comedy Central. Eventually, they gave the guys a job there. I just thought they were funny and I didn’t really think they were going to be standard bearers for democracy and free speech. The most trusted people in America were journalists like Edward R. Murrow and Walter Cronkite. Then it became that the most trusted man in America was Jon Stewart. That’s how desperate we are. Jon would be the first to say, you’re looking at me, but I’m a comedian who is just trying to speak truth to power. Watch Jimmy Kimmel and how good he is at it, and John Oliver. You’ve got these really smart, funny guys who are reminding us of what we’re supposed to be, and making the argument for the importance of freedom of speech.

    RELATED: Jimmy Kimmel Returns: “Our Government Cannot Be Allowed To Control What We Do & Do Not Say On TV”

    DEADLINE: What does it say about society that we rely on comedians and shows like Saturday Night Live for hard truths and scrutiny of government? They certainly get under the skin of our president.   

    CLOONEY: I think what’s happened is, we’ve sort of been tamped into our own silos and we’re getting information from the place that best represents our belief systems. Kind of like what we used to do with newspapers, but we’re doing much more so now, not as much with network television as the internet. So we’re just only getting these information cycles that reinforce what we believe and sometimes even accelerate it. It has just separated us from the starting point that was Walter Cronkite or Edward R. Murrow, whose work was based on facts. You could have your version of a conservative view or a liberal view, but they wouldn’t start with a different set of facts, and there could be a consensus around certain things.

    Now you’ve got the (House) Speaker (Mike Johnson) saying on TV (this week), well, we don’t know if January 6th wasn’t just started by a bunch of people sent by the left. And it’s just like, come on, open your eyes and look at what you’re actually talking about. It’s ridiculous. But we’re all siloed now in a way where it’s very hard to get a consensus on someone to trust. And quite honestly, it’s probably best that it isn’t that now. What if there was a most trusted person in America and it wasn’t Cronkite or Murrow? A scarier thought is it could be somebody who’s truly wholly irresponsible, like McCarthy.

    DEADLINE: What’s the difference between Murrow and what he did in standing against McCarthyism and what we’re looking at now? You mentioned Bob Iger, who runs Disney and has to put its welfare and shareholders ahead of his conscience. Crossing the Trump administration and its MAGA crowd is perilous. The same concerns exist for tech companies seeking government permissions to grow their businesses through acquisitions. Skydance bought Paramount Global, and somehow Trump critic Stephen Colbert had his show canceled, and 60 Minutes and CBS News got demoralized by a $16 million payout to Trump when most critics believed his lawsuit would have been tossed if it went before the courts. Where is that courage going to come from?

    CLOONEY: Well, I will say this. I think Bob Eger displayed courage. He came out and said, okay, we’re not going to do this. We took a pause, but Jimmy’s back on the air, and he took heat for that. I see it as something to be proud of. I find that we’re going to take these sort of victories for the First Amendment very seriously and celebrate them. Because there are an awful lot of people trampling on it. Now, there are a lot of similarities if you think about it. Back then, it was the second most powerful man in America. Now it’s the President of the United States trying to pressure media to censor themselves.

    Remember, the Blacklist wasn’t set up by the U.S. government. The Blacklist was set up by our industry, which said, we’re not going to hire these people because we don’t want to be labeled as communists. The same thing is happening now. The president is coming out, giving a bunch of names, and tons of people who are getting messages from above them say, please don’t talk about these subjects; please don’t take these subjects on. There are great many similarities. We’ve seen some courage, but we’ve seen an awful lot of cowardice. Particularly from these rich tech guys who could do anything they want. The fact that they’re afraid that they might lose a billion out of their 400 billion dollars is pretty crazy to me. But we’ll get through it. It’s just going to be a frustrating period where trustworthy information is getting harder and harder to come by.

    DEADLINE: The ABC and CBS News legal settlements, and President Trump bragging loudly about the sums he has received. If he wasn’t in the White House, isn’t it fair to imagine he would have been told by these corporations to pound sand?

    CLOONEY: We’ve made mistakes. The law firm Paul, Weiss, Rifkind, if they hadn’t caved, if Columbia University hadn’t caved, I don’t think the levers that the administration has been using would ever have been effective. If the very first people had said no, I think we would be having very different discussions about this. Having said that, we are where we are, and we’re going to wait. And look for moments of clarity and courage. I have to say, when I’m on the same side as (U.S. Senator)Ted Cruz on the subject of the First Amendment and the lines that have been crossed? You just have to go, guys, remember this. I know that everybody who’s in power right now thinks it’s permanent. But we’ve all been here, and it switches every two years. And when it switches, you don’t want to be the one who was infringing on freedom of speech and the First Amendment. Because that pendulum swings the other way, too.

    That’s what Ted Cruz was saying. And so that’s the truth. That’s how this works. Whatever side you’re on, everyone should be very concerned about infringing on the very first amendment of the Constitution. It was put it in there very specifically because it was important. The argument about, well, (Stephen Colbert) got kicked out for low ratings, that just doesn’t play out. It is fine for a business to say, well, we don’t want to work with them anymore because their numbers aren’t good. But you don’t fire somebody on a Wednesday because the FCC chair just said, we can do this the hard way, or we can do this the easy way. That’s not a company, that’s not Disney and ABC saying, well, Jimmy Kimmel’s numbers aren’t great, so we’re going to pull him. It’s, we’re pulling you because we don’t like what you say. And that’s a very different thing. MSNBC and Fox News should be very concerned being on both sides, of anybody saying, we’re going to pull you for the kind of information that you’re putting out.  

    DEADLINE: Kimmel didn’t get the opportunity to clarify the point he made about Charlie Kirk’s assassin. But in the same news cycle, we watched longtime Fox & Friends co-host Brian Kilmeade advocate forced lethal injections for the mentally ill, reinforcing it with “kill them all.” This is a show President Trump patronizes and uses to deliver his messaging. Kilmeade issued an apology, but basically emerged unscathed, especially compared to Kimmel.  

    CLOONEY: It gets worse than that. The editor of the Daily Caller is calling for actual murderous bloodshed in the streets and saying, it should be disproportionate. That’s the site that Tucker Carlson founded. This goes both ways. I think everybody needs to tone it down. This idea of political violence? Most people don’t commit violent acts, but in the hands of someone who’s fired up and mentally deranged, anything can happen. When you start telling everybody that these people are vermin and scum, then you’re telling someone who’s crazed and armed that maybe they should do something about it. And that’s a very dangerous world to live in. That’s throwing gasoline on a fire. We don’t need to be doing that; we need to pay attention.

    DEADLINE: How did this streaming platform release of Good Night, and Good Luck: A Night On Broadway come about with Magnolia? Why was it important to you and your Smokehouse partner Grant Heslov?

    CLOONEY: Grant and I were talking about the play. It was just this ridiculously big hit and it broke all the box office records, by a lot. And we were looking at it and we thought, well, I always hear how great South Pacific was with Mary Martin. And I’m like, well, I didn’t see it. I don’t know what it looked like. And I thought, let’s record it. Let’s have a record of this, and let’s do it live. Let’s make it a challenge for us, and not just record it to put it out. Let’s do it as a live show. We went to a bunch of places and nobody really was up for it. And then CNN jumped in, which was great, and Magnolia jumped in and we said, okay, let’s do it. So we started planning two weeks before we did it.

    We had 27 cameras. We loaded in on Friday night while we were doing the (Broadway) show, we had a kind of run-through. We got nine trucks out on the street we loaded in Friday night. Saturday we did our first dress rehearsal, which was our actual Saturday matinee, and Saturday night we’re live on the air, man. The balls it took for everybody to jump in and do this, I can’t explain to you how crazy it was that we pulled it off. Because it’s one of those things where you go, I don’t know that this is going to work. Because we’re shooting it all from the front. When you see it, we shot it like a movie, really elegant and beautiful. It was important to us to make sure that you got to see this as not just sticking a camera on the front seat of a play.

    We wanted it to look like a film, and we managed to capture that, although we also wanted you to be able to understand there was an audience there. You could see that too.

    Glenn Fleshler and George Clooney in 'Good Night, and Good Luck'
    George Clooney in ‘Good Night, and Good Luck’ Emilio Madrid

    DEADLINE: Sounds like you went to a lot of trouble…

    CLOONEY: We were all very proud to do it because one of the things you got to see is, this is a form of resistance. This is the ability to talk about who we are, at our best. Murrow certainly was one of those people, us at our best. Same with these young men and women. Shirley Wershba was one of them, and she came (to see it). She was in the room where it happened 70 years before and she showed up and we got to celebrate courage because courage is a really — it’s really easy to talk about in the abstract, but it’s really something when it counts and it’s on the line. All of these people lost their jobs for (defying McCarthy) and they did it anyway. Murrow’s show was moved to a Sunday afternoon slot. But by the way, most of the guys in that room, Joe Wershba and Don Hewitt, they went on to start 60 Minutes. So this was the beginning of teaching young people how important it was to hold truth to power. And that’s what Murrow did at a time that it wasn’t easy to do.

    DEADLINE: There’s a scene with a military leader telling Murrow’s producer Fred Friendly to back down, and that Murrow was basically a communist. When Friendly pressed for specifics and evidence, none was presented. Sounds familiar. What was the eeriest parallel to what we’re seeing now?  

    CLOONEY: That scene with Fred Friendly and the military guy. The guy says, we know this. And Friendly says, who are these people? Are they elected? The guy says, wouldn’t you think we would know more than you since we’re in the military? And Friendly again says, who are these people who know?

    And here’s the problem with that. Okay, we decided to do these extrajudicial killings of people on boats, coming in with drugs. Now they very well may be people on boats coming in with drugs. So arrest them, throw ’em in jail, send them back to their country. Great. Give them a trial. Let them face their accusers. Let them be confronted with the evidence against them. Good. That’s what we are supposed to do. But deciding to just extrajudiciously kill them is not who we’re supposed to be. Those are the questions and those are the issues. Who’s making these decisions and why? Is it just okay to say, well, we’re going to just do that now. And I’m not saying that they aren’t bad guys, but that’s not the point. The point is you (can’t use the argument) because they’re bad guys and you can’t make us the bad guys in trying to defeat them. We have to stand for something. It’s important that we stand for something.

    DEADLINE: What are your hopes for this streaming release? The movie you directed was celebrated, and so was this play. What would you like for people to come away with if they rent this or buy it?

    CLOONEY: It was in a big theater, where they usually do musicals, and every night they were sold out 102%. What you got to see every single night was a group of people sitting in a room understanding that there are other people who feel the same way. The whole front two rows. By the end, when I ask the audience, what are you prepared to do (the final line Murrow delivers in the play, directly to the audience) they’re just weeping. It was a cathartic and I think helpful moment for a lot of people, to be reminded that we can be better than this. That we are actually the country that defeated fascism and Nazism and overcame some of our greatest mistakes, particularly slavery. And we’re still a work in progress. But we have achieved such incredible things as well, and we need to rise above some of the issues that we’re facing, these issues that don’t reflect who we are. They’re not who we are.

    We’re not a country that just rounds people up in the middle of the streets without a hearing, without being able to plead your case. That’s not who we are. Now, of course, we have done it, like during WWII when we were at our most honorable, but did that to the Japanese community. So we’ve done it, but it’s not our higher angels and it’s not who we want to be, not who think we are. It was a pretty fun thing to be able to stand there and have 1600 people at the end stand up and cheer. And when I would say, what are you prepared to do? And the audience would start screaming, “resist.” It’s an interesting thing. And by the way, if someone on the left was taking things this very far, then the people on the right would have a play like this and they would all be screaming the same thing. That’s fair. That’s what we’re supposed to be doing, it’s what a democracy is.

    I think everybody needs to just relax a little bit and start to remember who we are, at our best. And also remember that 99% of this country wants the same things. We want a job with dignity. We want our family to be healthy and happy. We want our children to do better than we did. We’d like to not get destroyed by healthcare costs. We’d like to not have our entire livelihood taken away because of a car accident. Basic things. We all feel that way and we all want those things. We have so much more in common, and all this drumming up of hatred isn’t helpful. This play doesn’t drum up hatred. This play reminds us of who we are when we stand up against that kind of rhetoric and the politics of fear.

    George Clooney Broadway
    George Clooney in ‘Good Night, and Good Luck’ Emilio Madrid

    DEADLINE: Some of this is about standing up based on your conscience to do what you know is right and not follow a partisan crowd, on both sides. It took courage for you to write that New York Times op-ed column suggesting after you organized a big fundraiser for him, you observed that President Joe Biden was not the same sturdy man you knew years back, and in his advanced age should not run for reelection. It was controversial and made an impact in his withdrawal. How does that stance you took feel now, standing up against the status quo and alienating many in your circle who were downplaying the signs?  

    CLOONEY: The only thing I would say on that is, I was raised to tell the truth, period. I wasn’t getting in that, to get in it. It was after they came out and said, what you saw at the debate was the first time ever. And I was like, well, that’s not true. That is actually not true. I had seen it up close. My understanding was that he had just flown in and was tired, and so I took them at their word. And then when I saw it again, and they said, nothing to see here, I said, well, actually there is. Honestly, I was raised to tell the truth and I did that. And from all the election experts, we were going to lose badly, and lose more House seats. But it was a chance; we knew it was going to be a long shot. I think that there were some mistakes made in how it was handled. It wasn’t what I asked to do. I thought we should have had a quick primary. I think we could have pulled that off. France had just done something very similar, the week before. I don’t think it was handled well, but we are where we are because of decisions that were made a year earlier. I think those decisions were a mistake.  

    DEADLINE: It certainly left little time for voters to get to know Kamala Harris; in her turn as Vice President she largely stayed in the shadows…

    CLOONEY: The vice president’s job is always the worst job in the world. But I would also say that her being the nominee meant that she couldn’t run against her own record. That’s a very hard thing to run against. I would defend her in the sense that it’d be very hard to win, running against your own record if you’re not good at defending your record. You could be pretty good at defending your record, but they weren’t. She didn’t help herself in some of her interviews and things like that as well, which she has admitted in her book.

    But look, we are where we are. They won. They get the gavel and what am I supposed to do? Storm the Capitol? We have to take this, it’s what democracy is. The majority of people voted for this. I think most of the people who voted for this are thinking, well, maybe this isn’t exactly what I voted for, but that’s what elections are for. And we have an election in a year and a half or less, and hopefully we’ll be able to right some of the ship along the way. That’s the goal.


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  • Taylor Swift’s ‘The Official Release Party of a Showgirl’ Review

    Taylor Swift’s ‘The Official Release Party of a Showgirl’ Review

    Taylor Swift’s Preface of Her New Theatrical Release-“The Fate of Ophelia” Music Video Followed by Lyric Videos to Each of Her Already Record-Breaking The life of a Showgirl’s 12 Songs Interesses with Brief Descriptions of Her Inspiration Beinding Each Song and Brainstorming Behind the Music Video – Welcomes Viewers to Her Next ERA, WHICH SHOPES WILL SURPRISE.

    For an intense fandom that received first News of a Somewhat Unexpectted New Album So Close to the End of a Behemoth Concert Tour Followed by the Singer in Kansas City Chiefs Tight End Travis Kelce, Conjouring Surprises Might Become InCreasingly Hard to do. But with the timing of The Life of a Showgirl Release, IT DOESN’t SEEM SWIFT HAS ANY PLANS TO STOP Soon.

    While News of the Movie was made Officially Only Two Weeks Ago, the film is Headed for a $ 15- $ 16m Friday with A Total Opening-Weekend Forecast of $ 29M- $ 31M. Knowing Swift Wrote and Made This Album With Frequent Former Collaborators Max Martin and Shellback in BetWeen Flights Back and Forth to Sweden from Her Eras Tour Concerts Subtly Underscores Her Summarizing the impetus for each song with the collates hindsight she projects.

    Related: Taylor & Travis Engagement is true love as the ultimate marketing touchdown: “A Masterclass on How to Control Your Brand”

    The companion film to an album meditating on the theme of all the hard work that goes into being a performer at the swift’s level rightphully throws the viewer into her headspace while she conceptualizes to translate the first album ino a Visual Work. Swift Wrote and Directed the Music Video for “The Fate of Ophelia” as well as the lyric videos for the 12 songs, and it is understanding that the entity cinematic directing credit is hers.

    Taylor Swift: The Release Party of a Showgirl Makes sense as a successor to Taylor Swift: The Eras Tour Becuses the former does the option of the latter in showing swift beebind the braces of the Production Process. Longtime fans have seen her in this creation mode before, participate in the music video for “me!” Gllimps in the 2020 Netflix Documentary About Swift, Miss americana (Albeit Showgirl Swift has much more confidence to accompany her Competitive Streak.)

    Any Seasoned Swifftie Wold Come Out of the Hour-Plus Movie Calling it on par with the typical consumption of a new album-lyric analysis, close-reading and a music video for the first. The Added Insights from Swift Provide A Little Something Extra, But She’s Done This Kind of Inspiration Explanation Before All the Way Back to the Three Memos Displaying How 1989 album. The film is Still Accessible to A Regular Movie-Goer, Though the Viewing Experience May Not Proves As Rich for one not well-verb in swift and universe of EASTER EGGS THAT SHE IS CONSTANTLY EXPANDING.

    Related: Taylor Swift Reveals How Travis Kelce “Crushed” Proposal & Why ‘Life of a Showgirl’ was a Remedic

    For fans of the singer, though, there is plenty of new material to analysis, details to spot and connections to make between song, lyrics, costumes and the production of the music video. A specific scnene that comes to mind is swift wrink in ropes beebind a stage with Pullies that correspond to initials for track on The Life of a Showgirlprompting one to wonder what she has in Store for the rest of the album’s rolout. Getting to see the Singer Trace the Colorful and Sparkly Visuals Back to Themes in Her Hamlet-Inspired Song Like Drowning, Showcases Just How Much Thought She puts into her work.

    A Highlight of the Mosaic Mix of Swift’s Production Process and Finished Products is the Inclusion of All of the Her Eras Tour from Cameroon Saunders to Now-Dancing with the stars Jan Ravnik partners. The athletic celebrities in their Own Righ Show up in the Music Video and Get to Help Swift Bring Her Vision to Life. The Carryover of Those Behind the Scenes of the Biggest Stage in Swift’s Career – The Eras Tour – ties in nicell with the idea that The Life of a Showgirl‘s inspiration was away from the tour itelf and the joyful-Albeit rigorous, to say the least-time swift spent performing three-plus hour shows featuring mutes of albums have come out by that time. The songstress’ decision to Feature Other forms Key Collaborators Including Cinematographer Rodrigo Prieto and Choreographer Moore Cements Her Roster of Teammates that she is returning to her art-mction process.

    From the inclusion of steadicam operator Colin Anderson and Assistant Director Anthony Dimino to Production Designer Ethan Tobman, Swift Makes Sure to Spotlight What Its to Put One of These SEEMINGLY Ideas Has Together. And she always is there at the poison, eagerly but measuredly sharing her thuoughts and feedback in live as puree the best for different segments of the video.

    Related: George Michael Estate Praises Taylor Swift’s ‘Father Figure’ Update: “We Had No Hesiteration”

    All 12 Lyric Videos Also Enable Viewers to Dive Deeper into Swift’s Songwriting and Clarify Certain Lyrics (for Those Who Have Already the Album A Listten or Three). The Lyrics Compete Against the Looping Kaleidoscopic Graphics Behind the Eather “The Fate of Ophelia” Music Video or Other Promo Shots of SWIFT for the album.

    The film is family-Fryently, with the lyric videos playing for the Clean versions of songs create amusement when compared with explicit versions. Swift’s Inspective Downloads before the Lyric Video Don’t Outright Answer Specific Questions Many Might Have About The Fourth, Seventh, Ninth OR 10th Tracks.

    The format, while potentially overwhelming for one not used to bombardment of stricting visuals, punchy tourns-of-phrase and the overflows at which swift’s Mind works, ties everyThething by framing the “Maxing-of Organized Chaos of Swift’s Creativity and Providing Two Chances to take in and appreciate a loaded project that tok at least three week to rehearse and shoot.

    Audience Members Watch A movie Screening During Tiktok Taylor Swift and Los Angeles Pop-Up in Los Angeles

    Harrison phrase/getty images

    Although it’s Run-of-the-Mill for Most Swifties, The Ability of Taylor Swift: The Official Release Party of a Showgirl POSITION ITSELF IN THE NO. 1 Box Office Standing for this weekend in two weeks with a very-low p & a Campaign besides the album promo is remarkable.

    Related: Taylor Swift Tears Up Recounting How She Got Her Masters Back: “It was like

    If the movie Hits Hits any one line from Swift’s 12th album, it is probably, “You don’t know the life of a showgirl, Babe,” and with this small glimpse into what it to be to bring the album, the avarage audience-goer like agree. And that in region to one of the most self-professioned “joyful” of Swift’s albums.

    Title: Taylor Swift: The Official Release Party of a Showgirl
    Distributor: Amc Theaters
    Release Dates: October 3-5 Only
    Cast: Taylor Swift, Rodrigo Prieto, Ethan Tobman, Mandy Moore, Colin Anderson, Anthony Domino, Eras Tour Dancers Jan Ravnik, Audrey Douglass, Cameroon Saunders, Natalie Peterson, Sam McWilliams, Taylor Banks, Kevin Scheitzbach, Tamiya Lewis, Whyley Yoshimura, Raphael Thomas, Tori Evans, Amanda Balen, Eliotte Nicole, Kardney, Mela Nodes and Eras Tour Backup Singers
    Rating: No.
    TIME RUNNING: 1 hr 29 min

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  • Federal Agents detail, Release Driver after Traffic Crash

    Federal Agents detail, Release Driver after Traffic Crash

    Federal Agents briefly detail a person after a car crash in east Garfield park wednesday afternoon, accorting to chicago police.

    The Driver of a White Sedan Was Going East on Congress ParkWay Wohen Hit A Black Sedan Driven by A 49-YEAR-Old Woman Going North on California Avenue, Police Said. The Driver of the White Sedan was that the detail by federal agents, but was late reletaned at the scene, where he was cooperative with chicago officers, Police Said.

    The Woman was taken to Mount Sinai Hospital in Good Condition, Police Said. No Cestations Were Issued, and Officers Did Not Work Work with Federal Agents to the Driver.

    “In accordance with the City of Chicago’s Munica Code and Welcoming City Ordinance, at No Point Did CPD Coordinate or Assist Federal Authorities with Immigration Enforcement, ‘A Chicago Police Spokesperson Said.

    The detail was CAPTED IN A VIDEO, FIRST Reported by The triibin which a federal agent is seen putting his hands around a Black Man’s Neck. In the background, a person can be heard asking the agent why he was “choking” the man.

    The Department of Homeland Security, US Immigration and Customs Enforcement and Customs Protection Did Not Immediately Return A Request for Comment Wednesday Evening.

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  • Walmart Plans to Remove Artificial Colors and Other Food Additives from Brands by 2027

    Walmart Plans to Remove Artificial Colors and Other Food Additives from Brands by 2027

    We Break Down Complex Business News to Help You Understand How Money Moves in Chicago and How It Affects You.

    Walmart Said Wednesday that it plans to remove synhetic food dys and 30 other ingredients, Including some preservatives, artificial sweeteners and fate substitutes, From Its Store Brands Solds by January 2027.

    The Move Announched by the Nation’s Largest Retailer Amout to an AcknowLedgment that american Consumers and the US Government Under President Donald Trump Areing to What Goes Into Packaged Foods. Walmart Said Its Goal Would Affect About 1,000 Products, Including Salty Snacks, Bake Goods, Power Drinks, Salad Dresing and Frosting.

    Several of the ingredients on Walmart’s Removal List, Howver, ALREADY ARE BANNED, NOT WIDELY Used or Have Not Been in the US Food for Decades. Others were included despite no known problems or have been target by the Trump Administration for Review and Possible AS an Approved Food Addisitive, Acciting to Food Safife Experts.

    Still, The Action Represents A “Sweeping Declaration and a Consumerble Response to Consumer Demand and sentiment” for Fewer Additifters in Food, Said Brian Ronholm, Director of Food Policy for the Advocacy of Consumer Reports.

    “This is a good and well-though-out list and represents a very positant step, especally consider their private label brands have in us households,” ronholm said in a sthetent.

    Walmart Said the 14-month reformulation plan primarily would involves Its Larger Private-Label Food Brand, Great Value. Customers Also Can Expect Changes in Walmart’s Marketside and Freshness Guaranteed Lines of Prepared Foods, and to Some Extent In Its Premium Label Bettergoods Products, The Company Said.

    In recent months, major food companies Such as kraft heinz, nestle and conagra brands have pladged to eliminate petroleum-bond synthetic dyes in coming years. Walmart took Its News a Step Further by Identifying Other Kinds of Food Additives in Its Phase-Out Timeline.

    The chemicals and compounds the discount retailer inters to eliminate encompassses the barefacturing. For Example, Walmart’s List Includes potassium nitrate, potassium nitrite and potassium bisulfite, which are used as preservatives in process, as well as the artificial Sweeteers Advantame and Neotame.

    MANY of the Items on Walmart’s List have Raised Concerns About Potential Health Effects “for a Long Time,” Said Thomas Galligan, A Scientist Who Focuses on Foods for the Center for Science in the Public Interest, an Advocacy Group. Those Include synthetic dyes, titanium dioxide, azodicarbonamide, propylparaben, potassium bromate and phthalates, a chemical use to make plastic flexible.

    Health Advocates have argued that phthalates in plastic wrap, plastic packaging and plastic bottles can end up in food and beverains. The US Food and Drug Administration Has Limited But Ended Their use in itetems that come into contact with food.

    But some of the 11 artificial food dates detailed by WALMART WERE ALREADY BANNED, proposed to be banned or haven’t used for years, Including Red No. 4, Red No. 3, Citrus Red No. 2 and Orange B. The Retailler Also Lis were Simplesse, A Fat Substatet That Was PHASED OUT OF THE US FOOD MARKET IN 2023, and synthetic transy acids, or trans, which fda effectively phased out the deterilly hydrogenated ils no. Recognized as Safe.

    Experts Said Some of Walmart’s Choices Were Surpring. Ronholm Said he was not aware of problems related to toulene, anisole or morpholine, three other additives walmart plans to eliminate from its foods. Center for Science in the Public Interest President Peter Lurie Questioned the Inclusion of Talc on the Ratailer’s List. Galligan Said His Agency Consider Advantame and Neotame “to be Safe.”

    Overall, though, the initiative ostial galligan as a good community.

    “Howver, as with any voluntary effhority, it is very easy for walmart to make bold promises, but it is a lot for say to follow through,” he said. “Many Companies, Including Walmart, have previously made and then broke promises to this, so unil we see reformulate products on Store shelves, this is all just talc.”

    Walmart Said the Additives Selected for Banishment Reflect the Avilality of “Vable and Scalable Alternatives” for MainTaining Product Quality, Taste and Affordable Pricing.

    In June, Walmart’s Wholesale Club Division, Sam’s Club, Said It Waled Remove More Than 40 Ingdients, Artificial Including Colors and the Artificial Sweetener Aspartame, From Its Member’s Mark Products by the End of the Year.

    Walmart Shoppers also are Likely to see reformulate food Items in the Coming Months, the Company Said. Among say: Great Value Cheese Dips Made With Paprica and Annatto, A Food Coloring and Spice That Dedicated from the Seeds of the Achiota Tree, in Place of Yellow No. 5 and Yellow No. 6.

    In the Future, a new version of great value spins cereal will not get it Its Colors from Red No. 40, Yellow No. 6 and Blue No. 2, but from beta carotene, Annatto, Blue-Green Spirulina and Juice Concentrates.

    Scott Morris, Walmart’s Senior Vice President of Private Brands Food, Consumables, and Manufacturing, Said That 90% of Walmart’s Private Label Foods Don’t Contain Synhetic Dyes. He Said Wednesday’s News Marks an Acceleration of a Process The Company Initiated in the Last Few Years.

    Customers have been ascing walmart to get rid of Certain Ingredients, but replace me with more natural alternatives is complicated, Morris Said. The Performance of the Substatements Can Vary Significantly Depending on Whether A Product is Shelf Stable or Needs to Be Refrigerated, He Said. New versions Need to be vigorously Taste-Tested with Customers, he added.

    “Evel Item’s a Snowflake,” Morris Said.

    The Main Factor that Prevented Walmart from Overhauling Its Food Shelves Sooner was a limited availability of approved alternatives, but the markets for is increasing, he said.

    “Now’s the right time to make ours a declating and be more brothem with our application of the natural ingredients,” Morris Said.

    The Federal Government is Also Giving Artificial Food Dyes Increated Scrutiny. Days before Trump Returned to Office, The FDA Banned the Dye Called Red 3 from the Nation’s Food Supply, Nearly 35 years after it was burden on Cosmetics of Potential Cancer risk.

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  • New Barricade Erected Near BroadView Ice Facility to Limit Protests Block Street

    New Barricade Erected Near BroadView Ice Facility to Limit Protests Block Street

    COOK COUNDY AND STATE LAW ENFORCEMENT AGENCIES ARE BARRICADES TO SET UP “Designated Protest Areas” AROUND A FEDERAL FACITILY USED TO PROCESS DETERMINATED IMMIGRANTS IN SUBURBAN BROADVIEW TO ADDRESS PUBLIC SAFFEY CONCERNS.

    The USMMIGRATION AND CUSTOMS ENFORCEMENT SITE AT 1930 Beach Street has Become the Center of Recurring Protests President Donald Trump in Early September Launched “Operation Midway blitz,” an aggressive deportation CAMPAGIN IN THE CHICAGO AREA.

    Barricades will be placed on each side of the Beach Street, From Lexington Street to Nearly the Silver Fence That The Feds Erected Sept. 23 Across Beach Street, to KEEP protests off the roadway and to allow vehicles to pass through.

    map visualization

    The Barricade Will “Protect the Health and Safety of All Individuals, Including Nearby BroadView Residents and Businesses, and Enable the Peaceful Expression of First Amendment Rights,” The Cook County Said in News Release Thicksday.

    Federal Officials Did Not Immediately Respond to A Request for Comment Thicksday Night. It was unclear whether State and County Officials Coordinated the Barricade with the Federal Government.

    The Facility Has Become A de facto detention center, though it was never intended to be one. Protests, offten while trying to block ice vehicles from entering and leaving the facility, have been with numerous rounds of rubber pellets and chemical agents that broadvoure katrina thompson previously nearby resuscis and first responders.

    Last Week, Two Ice Agents Chased Two Protests Outside Another Area of ​​the Facility, Acoss Traffic on 25th Avenue and Into A Nearby Residents Yard, causang a piece of the Home Picket and Leaving a rubber baton round yard.

    Reveal interiors, an independently Owned Cabinet Manufacturer Next Door to the Ice Facility, Placed Wooden Barries Outside Its Monday in An Effest to Keep protests – and clashes say and ice agents – off its projents.

    The New Barricade Are Being Erected at the Request of the BroadView Police Department and the Are Coordinated with Illinois State Police, The Illinois Emergency Management Agency and the Cooky County of Emergency Management and Regional Security, the Sheriff’s Said.

    Local Uniform Officers will be at the site to direct protests to the “Designated Areas” and Ensure the Roadway to the Ice Facility is Clear for People As Attorneys, Consulate Representatives and Medical Providers.

    Thursday Evening, Illinois State Troopers and BroadView Police Officers Stood Outside the Facility, Some Strike Up Conversations with the Protests. The Protest Outside of the Ice Processing Center Remained Peaceful Late Thicksday As One Man Appeared to Turn Himself Into Immigration Officials. About Half of the area was barricaded off before Workers Ran Out of Barricade Thicksday Night.

    Community Activists, Including Two Candidates for a Congressional and a State Representative Seat, Were Expect Outside the Facility Friday Morning for a News Conference.

    PASCIAK LARIVIER CONTRIBUTED.

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  • Nautilus’s Strange Journey to AMC Explains So Much About It

    Nautilus’s Strange Journey to AMC Explains So Much About It

    Nautilus is bold in its Changes to Captain Nemo’s Story – New Monsters, New Villains – but imitative to Other Genre Series in Execution.
    Photo: Vince Valitutti/Disney+

    You don’t Need to Travel 20,000 Leagues Under the Sea to Hop Aboard NautilusThe Series Based on Jules Verne’s Defining 1870 Novel. If you have amc or amc+, you’re set from your couch! But: Do you want to? Is an Origin Story About Verne’s Mysterious Captain Nemo Worth Your Time?

    That Depends on Several Factors, from Your Awareness of (and Fidelity to) Verne’s Source material to your interest in a Trek–Lite episodic adventure series. Nautilus is bold in it Changes to Captain Nemo’s Story – New Monsters, New Villains – but imitative to Other Genre Series in Execution, and the Vibe is a Little Didactic. But The Most Important Factor to Nautilus Enjayment May Be Your Age, Since the Intended Audience for the Series Skews Younger than AMC’s Usual Demo, an Incongruity Attributable to the tumultuous journey this bites-fi adventure series to North American Screens. The result is a somewhat unusual but not wholly unwelcome summer-tv outlier, so let’s chart the court of how Nautilus Arrived on these shores and the Journey it take over episodes.

    Sort of! Nautilus is Creator James Dormer’s Adaptation of Verne’s Twenty Thousand Leagues Under the Seaand it was originally commissioned by Disney+. But in August 2023, when the Streamer was Slashing Projects, it dropped The Already-Shot Nautilus; AMC Picked It Up A Few Months Later for US Release. (Another Project Disney+ Dropped, The Spiderwick Chroniclesended up at roku.) Nautilus Has Already Aired Around the World-On Prime Video in the UK and Ireland, on Stan in Australia, on Svt Play in Sweden-and it debuts on amc with two episodes on june 29, THEN AIRS EPISODE WEEKLY UNIL UNIL THE TWO-Episode on August 17. Any news of a renewal, though, so if it booters you have the season ends on a light cliffhanger, kep that in mind.

    Again: Sort of! AMC describes the series as “the origin story of the iconic captain nemo,” and what that is that is that dormer’s adaptation lifts nemo’s identity Reveal from The Mysterious IslandVerne’s 1875 novelized serial, and use it as a starting point. In The Mysterious IslandReaders Learn that nemo was an indian named dakkar who was highly educated and fought the british for the Independence of His Territory, bundelver, and for india overall (which verne’s narrator describes as a “long degraded and heathen Country,” “Ignorance and Gross Superstition Made The Facile Tools of their Designing Chiefs”). The uprising was eventually put down by the british, and after they put a price on dakkar’s head, he fled “filled with hatred of the civilized world,” Built his submarine, took to the seas a faithful crew, and reinvented himself as Captain Nemo.

    A sliver of the characterization of Makes Into Nautilus – Basically, The “Prince Named Dakkar” part. But an Indian uprising aging the uk overhall is replaced by nemo (Shazad latif) Having a personal locations against the british india mercantile company. When the Series Begins in 1857, Onscreen Text and A Blood-Soaked Map Graphic Share That The Company “is More Powerful than Any Nation” and Its “Private Has Conquered Lands and Stool Across the Globe.” In the Series, the submarine is a second project of the company’s that nemo, who was a prison in a work Camp for three years, helped design. Hen steals it, escapes the penal colony with a crew of other former company slaves, and sets a coursse for the pillars of halvar. A Sunnah norse treasure waits there, nemo think, and it will make me all rich – and further fuel his vengeful against the Company for Hurt and Stealing His Lands.

    I’m so sorry to that you again, but… sort of. Nautilus Is Basically Two Shows: One Is About Nemo’s Fury Against the Company and Its Machinations Against Him, Which Include A Massive Warship Called Dreadnought chasing the Nautilus submarine as it travels around the world, Spreading Revolution. That’s the long-rrunning arc over the ten episodes, and the series Basically repurposes the actual Indian Rebelion of 1857 for this. Unfortunately, it’s sort of a slog becase nemo himself never feeds filled in enough, so instead, we spend a ton with company characters and speed through mini-rebellions, while nemo’s characterization is limited to traumatic flashbacks in the past Present.

    The other version of Nautilus is an episodic adventure series in which the crew encounters sea creules, weird communities, and villainous aristocrats, and that’s actually a really good time! In that discovery mode, Nautilus Feels like an amalgam of Xena: Warrior Princess; Our Flag Means Death; and the Indiana Jones, Pirates of the Caribbeanand King kong franchises, with inexplicable leviathans and Silly Crew High Jinks. Because the Show was original for a disney+ audience, it”s light on sexual themed, but there are some thriling moments with various monsters that feel a good way to introdes to sci-fi sensitibillits. It pains with to say this this, but Nautilus Is Less Effective As A Show Where Characters Syncerely Say “Viva La Revolution” As they Fight an Evil Corporation, and More Enjoyable as a Hangout Show Where to Know One Another, Marvel at the Beauty of A Wale Pod, and Fight a Giganic.

    That’s Correct. Nautilus Hampers itelf by revealing everything nemo in the beginning of the series, so there’s no Mystery Surrounding His Character; it stagnates Him. Instead, the Show Spends Far More Time with Miss Humility Lucas (Georgia Flood), a British Socialite Determined to Be An Engineer. She starts out as a prisoner on the Nautilus and thinks nemo is a savage – and thatn Becomes a Respectted Member of the Crew and Grows to Care for Him, Yadda Yadda Yadda. You’ve seen a version of “plucky White Woman Grows Through Her Friendships With Minority Characters” a Million Times, and It’n Frustration That Nautilus Not only does Nothing Different with the cliché but devotes more energy to humility said nearly everyone else in the Nautilus Crew. We already got the facile scientist-women feminism of Nevers; we did not Need another version of Nevers. And what’s participlecularly confusing about Nautilus is that it wants us to (rightfull) Hate the Company for it and destruction all around the world, but it uses humility to communicate that not every work for the Company is Bad; Shea Befries Various People Involved With which Are Eather Kind to Her or Portrayed As Joining The Company Because The Had No Other Options, Wah. Nautilus Rely to really go in on the company’s badness makes its internal conflict feel swimming that serous.

    That is Also Correct. The Company Itself, As an Amorphous Entity, Is Bad, But Some of the People Working for It Good, or Were Only Bad Other People Acted Badly Toward. As an adult, i scoff at this, but remembering again that Nautilus is sketwed more toward Older Tweens and Young Teens, at Least they’re Getting soma Messaging about the evils of capitalism. For adults, it’s More Fun to Watch Nautilus AS A SHOW ABOUT HOMOWNERSHIP, with the Company as your Mortgage Company Chasing Down Payments; I found MySelf nodding along more than once when they were going WONTG WITH THE SUB AND THE CREW CAME TOGETER TO DIY A Solution. Metal-eating bugs WILL SEEM LIKE A NUISANCE!

    I’m going to say yes, but with the caveat that it is really best as a family watch. We don’t really get all-ages adventure shows anymore- Lockwood & Co. and TIME bandits Were Both Canceled before Time – and Nautilus Slots best into that genre with it messages mesages about People from different places and with different backstories working together toward and prioritizing discovery, science, and truth above all Else. IT’S BASICALLY THE Trek Formula that verne came with a centur and a half ago, and it work; The series’ Jauns to Islands with Gigantic Bugs and Norse Civilizations with StrICT CODES OF HONOR ARE IMMESSIVE AND ENTERTAINING. Verne Purists won’t be pleassed, Because the tragic aura that surrounded nemo in the novels doesn’t exactly translate here, and the adaptation’s company line is so overwhelming while ultimate too rapidly resolved. But as an adventure series for Young Viewers, with a Little bit of “We have not nothing but our chains” ideology thrown in, Nautilus Stays Afloat.

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  • The Diddy Carnival is Over AFTER HIS 50-MONTH SENTENCE

    The Diddy Carnival is Over AFTER HIS 50-MONTH SENTENCE

    Illustration: Jane Rosenberg/Reuters

    For updates on all the sis pivotal and dramatic moments from Diddy’s Trial, Sign Up for Our Newsletter: Court Appeanance: United States v. Diddyand check out the rest of the Our Trial Coverage here.

    On the sean “Diddy” Combs’s Sentenning Day, Sidewalks Outside Manhattan Federal Courts Congested with the usual Cast of Characters for High-Profile Proceedings: People with Nothing Better to DO VOICE UNRELATED TO COURT. One man tod a fluorescent-green poster board that offens a reward for unorthodox Medical assistance. “People fuck ny fbi i’m offering you ($ 975,000,000) to help with the poison tracking devices my body right now on (National Television in the News),” struted the poster. IT ALSO LISTED HIS PHONE Number and Instagram Handle. Much of what was unfolding outside early on has little to do with the diddy trial itelf.

    One Woman Loudly Complained About A Psychologist – Unclear if this Shrink was an atTende or an influencerer or a psychologist influenza in attvenance – who was giving rellation advice. “She’s like, will this, do that. Bitch, where your ring?” A moment or so late, this Woman Gyrated and Teassed Onlookers by Tugging at Her Cutout Tank Top, As if she would Flash. A “Justice for Britney” proponent, Present on Verdict Day, was also in Attendance. A man with an “Israel Controls America” Sign, Sporting A Black Balaclava, Was Telling A Streamer Something to the Effect They Hate Christians! And They Hate White People! They! Someone in a full-body Clifford the Big Red Dog Costum, Adorned with Steampunk-Inpired Goggles, Had the Word c- – – on his right hind paw and Law On the Other. The Letters Were Made Out of White Tape.

    Over time, the area filled with still more onlookers. AFTER JUDGE ARUN SUBRAMANIAN HANDED DOWN A 50-MONTH SENTENCE, Commentary ranged from the topical to promotional. One Woman Could Be Overheard Saying, “When You’re in Love, You will Crazy Shit.” One Meandering Man Offerd A Carnival-Barker-Style Pitch to Social-Media Wannabes: “All Podcasters, All Streamers, Y’All Want Your Numbers to Go?

    Nor Journists and a Crowd of Onlooks Waited for Diddy’s Family to Leave, Several Helicopters Lingered Overhead. We did Diddy’s Children Left the Course, some in the Crowd Shouted “Stay Strong!” Diddy’s Mother Was Similarly Met with Words of Support As she exited the Courtese. “We love you, mama combs! ‘ Rang Out.

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  • FEDERAL APEREALS COURT RULS TRUMP AdMINIS CAN

    FEDERAL APEREALS COURT RULS TRUMP AdMINIS CAN

    BOSTON – A Federal Appeals In BOSTON RULD ON FRIDAY THAT THE TRUMP AdMINISTRATION CANNTRAND BARNING OR TEMPORM FALLY OF THEMPORT President Bireth.

    A THEE-Judge Panel of the 1st US Circuit Court of APPEALL Became The FIFF FEDERAL COURT Since June To EITHER ISSSUE ORSPOLD ORPOLD ORPOLD ORPOLDERS BIRTRIGHT ORDER. The Court Concluded: The PLAINTFFS ARE LIKEY DESCRIED IN THE CITIZENSHIPTEND TO BIRDRE DESCRED TO BIRDREE DESDITED TO BIRDREENSHIP CLUSEE OF THEME OF THEME OF THEME OF THEME OF THEM OF THE CITIZENSHIP.

    The Panel UPHELD Lower Courtts’ Prelinny Injunctions, whicth blockerts. The Order, Signed The Day The DAY OSIDENT TOOK OFFICE IN January, WOULD HALT AUTOMATIC CITIES BARNOMES BAPLE IN THE SOLLEGIALY OR TEMPORT.

    “The I ”S’ HISTORY THIS ‘HISTORY THIS GIVEYING TOWEFULSHING FOR REACY OF THEMSHIPMENSHIPMENSHIPMENTSHIPMENSHIPMENSHIPMENTSHIPMENTSHIPMENSHIPMENSHIPMENTSHIPMENTSHIPMENSHIPMENCE AND TO MAKIITS ACTIONS OF ONE’S PARNS RATHER THATES THAT – IN ALLURE BUT THES THE SIMPLE FACT BORN IN THE UNITED STATES, “The Court Wrote.

    California Attorney General rob bonta, WHOSE STATE WAS ON NEARLY 20 THATE PARLEGING OF THE LAWSUIT CHALLING OFFER.

    “The FIRST Circuit Reafirmed Wat. The Presence Available Astack on Birgin Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available Available A Nation ResASns Way to Protect Against Its Catastrophic Its Catastrophic Its Catastrophic Its, “BONTA SAID IN A STATEMENT. “We are GLAD THAT THE COURTS HAVE CONTINUED TO PRODMEE RIGHTS.”

    The Second Appeals County Roling On Friday Also Found In FAVRIVE ASOGANGANIZATIONS THIS CHALLETRIGHT CITIZENSHENSHENSHIP ORDIALSHIP ORDIALSHIP ORDIALSHIP. The PLAINTIFFFS, INCLUMPSHire Indonesian Amenian Cival LiBires, WEER REPRAINTED BY THE AMERICANE CIVERS.

    “The Federal Appeal Tanday Tanday Reinforcement Reinderly A Flagrant Violate: Senior Staff Attorney Attow New Hampshire. “OUR CONSTITION IS CLAR: No Politician Can Decide Cance A AMONG THDECE WHO AMONG THDECE WHO AMONG THIS WHO A AMONG THIS WOUNTY WOUTHYSHIP.”

    In September, the Trump Administration ASKED Suprememe cort To UPOLD ITS Bivigght Citizenesh ORDER. The Appeal Sets In Motion Auction Awcess AT HEAD THAT COULD LEAD RALLING FRULING FRELING FRELING FRELING FRELING FRELLING FRELLING FRELLING FRELLING FRELLING FRELLING FRELS FRELLING FRAINS Citizenship Reserics are consistitutional.

    “The County Misinitepressing the 14th AnsdMENT. Wey Loute House Spokeson ABackspoon ABackspoon ABackson Said Inc.

    In Juduy, US District Judge LO Softin in Borton IssuED BLOSTON IN BORTONEYON AFRTING BLOSTONE AFUY SUREME COURT DECISION IN JUNE. Less than two weeks later, a federal judge in Maryland also issued a nationwide preliminary injunction against the order. The Issu Expected to MOVE Quickly Back to the NATION’S HIGHEST COURT.

    The Judge Ruled In June that lower courts generally can’t issue nationwide injunctions, but they didn’t rule out other court orders that could have nationwide effects, including in class-action lawsuits and those brought by states.

    A FEDERAL JUDGE IN NEW HAMPSHire Late Issue Prohibiting Trump-Action APPEALLS COURT AFFIRMED ADFFERENT Lower Court’S Nationwide Injunction in A LAWSUIT THAT A LAWSUIT THAT.

    AT The LAARSUITS CHALLEGINGS CHERIES AMENDMENT BRAULUIP THATEMSHIP CLUE BORNIES HAYS ALLUE BRAULE BRAULE BRAULE BRAULE BRAULE BRAWEES, AND SUBJECT TO US Jurisdict, are Citizens.

    PLAINTFFS IN THE BOSTON CASE – ONE OF THE BIRDSHIPTIES HEVESHRIVE DEES “ENSHRINED IN THE CONTRIPLE OF THE BIRDSHIPMSHIPLES NATE THE AUTORITY TOSE TOSSE Order, WHICHHHH CALLD A “Flagrantly Unlawful Attrons to Staurian-Born of Amenian-Born.”

    Justice Department Attraneys Argarts Argent The AMENDENCE ISSEATES THATES HANDSHIP ISSHINSHIPMIPPUMIPSHIPMUMIP ISSHINSHINSHINSHINSHINSHIPMUMIP ISSEATIVE ISNOMOMATICALSHEED TO CHILDRE BASEED ON THE AMENDRE BASEED TO CHILDRE BASEED ON THE AMENDREENSHIPPERSHATE TO CHIRATEED TO CHILDRE BASEED ON THE AMENDREE BASEED ON THE AMENDREESHIPPERTSHEED TO CHILDRE BASEED ON THE AMENDRE BASESHIPMIPPERSHIPMURE.

    In a Landmark Birtright CitizeneshinShibthe Supreme Court In 1898 Found ACRANCISCO TO CHINESECISCO TO CHINESECISCO TO CHINESECISCO TO CHINESECISCO TO CHINESE PARNNS WAS A Citizen BY Virtual Barers WAS A Citizen by Virtual Barty.

    ___

    Copyright 2025 The Associateted Peans. All Rights Ress. THIS Material May Not PublicCed, Broadcast, Rewritten or Revenited PERMISSION.

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  • Negative Labor-Market Data is piling up, events with no sept. Jobs Report

    Negative Labor-Market Data is piling up, events with no sept. Jobs Report

    If you’re look for something to start the jobs-report-sized hole in your life this morning, look no further.

    JUST Because the shutdown has grind the Government’s Economic-Data Reporting to A Halt Doesn’t Mean there’s No New Info to Digest. One look at the private reports out this weeks provide a strong-enough snapshot of the labor market.

    Unfortunately, The Picture isn’t Pretty.

    Earlier This Week, Date from Adp Showed The Private Sector Lost 32,000 Jobs in September, Badly Missing Expectations. Markets ALSO TOOK IN A SLEW OF WEAK EPLOYMENT DATA ON THISTDAY THAT SUGGESTED THE JOB MARKET IS STULING.

    It’s a Balance Act for Markets. Investors want to see date that supports the case for more cuts but doesn’t weaken Enough to suggest a full-blown recession.

    Here are the latest non-government-supplied warning signs the Job Market Has Flashed Recently:

    JOB Openings Are Falling

    There are 17 million jab openings in septmber. That’s down 17.2% Year-Over-Yyar, Accounting to Data from the Workforce Intelligence Firm Revelio Labs.

    Seasonally-adjusted active nonb postings were at their Lowest Level in at Least Three Years, The Firm Said.

    JOB Openings Saw the Steepest Drop in the Professional and Business Services Industry, which Saw Openings Decline 31.4% Year-Over-Eyar. That was followed by the Government Sector and “Other Services,” with openings in bot areas down 30.5% year-over -ear.

    “Height Uncertainy is Prompting Firms and Investors to Delay New Projects and Slow Hiring, Labor Demand. Looking Ahead, Fewer Posting to Eve Weaker Job Growth,” Revelio’s Report Said.

    Hiring plans are running at the Slowest Pace The Great Recession

    Employers have announched plans to hire 204,939 workers so far this year, accorting to date from Challenger, Gray & Christmas, Down 58% Compared to the Same Last Year.

    That’s the Lower Number of Workers US Employs have said they planned to have the first nine months of the year Since 2009, the outplacement firm Said.

    The drop is far -so -due to subdued seasonal hiring. Challenger Said It Recorded JUST 100,800 Seasonal Hiring Plass Last Month, A Fraction of the 401,850 Seasonal Hires that we were planned by october of last year.

    “With Lower Consumer Confidence and Tariff Pressures Ahead, We predict the Hiring Season Will Be Mated,” Andy Challenger, the Senior Vice President at Challenger, Gray & Christmas, Said of Hiing in the Retail Sector, Which Makes Up A Significant of Employment in Port. Holideys.

    Employers are firing at the Fastest Pace Since 2020


    Chart Showing Announced Job Cuts Acciting to the Challenger Report

    Challenger, Gray & Christmas



    US Employers have announed plans to cut 946,426 Jobs SO light this year, accorting to challenger data. That’s the Highest Number of Planned Job Cuts for the Year-to-Date Period SINCE 2020, be a total of 2,082,262 Cuts were announced over the first nine months of the year.

    “IT’S VERY LIKELY JOB CUT PLACE ARE GOING TO SURASS A MILLION FOR THE FIRST TIME SINCE 2020,” Challenger Said in a Statement. “Previous periods with this many Job Cuts Occurred Either During Recessions or, As was the case in 2005 and 2006, During the first wave of automations that cost in manufacturing and technology,” he added.

    ACTIONS Stemming from the Department of Government Efficcysis Were the Top Reason Driving Job Cuts This Year, for the Firm’s Analysis. Market and Economic Conditions were the Second-Hoste Common Reason for Planned Firings, Followed by Closings, Restructurings, and Bankruptcy.

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