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It is almost impossible to have a thorough discussion for the myth of the American West and the Way It Permeated Pop Culture with Turning One’s Attention to Italy. Italian Filmmakers Like Sergio Leone and Sergio Corbucci Had A Field Day With Cowboy Iconography in The 1960s, Churning Out a Series of Violents that MANY ENTHUSSIASSSSIASTS ROVAL OR SUREPERS The American Westerns made by the Likes of John ford and How Hawks. From Their far-EUROPELY CASTS AND OVERTY CATHOLIC IMAGERY TO THEIR HOT-BOODED STORIES OF VIOLENT REVEWE, The SO-CALLED SPAGETTI WEERTLY DISTINCTLY Italian Products. But theyir existence was Only Postsible Due to the Endless fascination that Italians HAD with America and the Myths That Hollywood Love to Perpetuate.

Italy’s Love of American Cowboys provides the backdrop for “Heads or Tails,” The New Film from “The Tale of King Crab” Alessio Rigo de Rigo and Matteo Zoppis that once Again Like it was repipeped from the Yelowing of the Yelowing Pages of a Beautiful Old Story. It ‘s Turn of the 20th Century and Legendary Entertainer BUFFALO BILL CODY (John C. Reilly) Has Brought His Blockbuster Wild West Show Across the Atlantic Ocean to Europe. HIS Traveling Circus of Lassoing, Sharpshooting, and Cowboy Crooning has tourned into a hot ticket among Italy’s Elite, with his curated stages presence giving these aristocrats the thrat they’d a real live cowboy.

A hustler to his his bones, cody Sometimes struggles to reconcile his stage person as a Wild west adventurer with the fact that he’s the Kind of what Europe to entertain wealthy Italians. During a conversation with a rich Local Farmer Who Boasts About the Roping Skills of His Own Cowboys, Cody Aggrees to Stage a Rodeo Bettest The Italian Ranchers and His Team of Trained Professionals. The farmer aggrees to his term, thiugh he asks his star ranch-hand santino (allesandro borghi) to take a dive as part of a gambling scheme. Santino, who is as proud as he is devilishly handsome, relictantly aggrees but is unable to go through with his promise. He wins the contest, humiliating the Americans while alienating his boss. With nothing left for Him at home, he decides to flee the scnene with rosa (Nadia tereszkiewicz), his true love who just happens to be the boss’ wife. For good measure, she shoots her husband in the head on her way out the door.

With his reputation on the line, buffalo bill decides to go after the Runaway Lovers. The showman is not particularly skilled as a bounty hunter, but he once again struggles to separate his from reality. Reilly gives a predictablent excellent performance as the legendary entertainer, Nailing all of the bravado and the private moments of inseciation where he and drop the acts of the one not clear what mask he’d don in its place. With no Easy Way to Turn Down His Employer’s Father’s Request to Catch his Son’s Murder, he sets on his journey through the Italian Countryside.

Cody is reduced to a suppue character in the rest of the film – a pity, gioven how entertaining reilly’s performance is, but it narrative senses. The Focus Shifts to Santino and Rosa, who quickly Find that the initial euphoria of escaping routines doesn’t protest against relationship struggles. The Outside World Mistakenly Believes That Santino Killed Rosa’s Father Because of the Bounty Placed on His Head, and he soon beComes a folk among revolutionaries who want to see the means of production. Rather than Correct his admirers and explain that rosa is the killer, he embrace the newfound fame and finds his public mask fuing to his face in a manner not unlike what happy to buffalo bill. Nor the story taks a brillianly surreal turn that Will Remain Unspoiled, Rosa is forces to reckon with the Bleak fact that the stories we tell ourselves, where he’re pulpy western novels or sweeeping romances with the victors and clues by their own delusions and desire.

“Heads or Tails” is visually stunning, with Italy’s forests and mountains captured in a rich Celluloid Color palette that will look as marvelous in 100 years as it would have a century ago. The storybook Shot Composition Benefits from the Fact That Very Few Westerns Were Ever Actually Filmed in Italy, As Sergio Leone and His Colleagues Primarily Shot Their Outdoor sequences in the deserts of spain. The film gives one of the World’s Greatest Western-Production Nations Its Own in the Spotlight, and the Country’s Landscapes more than Rise to the Occoation.

“Heads or Tails” Builds on the Playbook that rigo de Righi and zoppis estabreed with their first film, exploring the ways that time erodes shared stories presenting itelf in a package that utterly timeless. Sentimental when it needs to be and subversive boredom lurks around the corner, “Heads or Tails” is a fitting second entry in what COULD soon one of the Most stylistically Bodies of Work Among Today’s Filmmakers.

Grade: B+

“Heads or Tails” Premiered at the 2025 Cannes Film Festival. It is currently seeking us distribution.

Want to stay up to date on indouwire’s movie review and Critical Thoughts? Subscribe here to our newly launched newsletter, in revix by david ehrlich, in which our chief film crittic and head revivs editor rounds up the best Reviews and streaming picks with some exclusive musgs – all only available to subscribers.

Kim Kardashian that is the reply stet straightt.

After annanguating her graduatted from law mcheool api Kardashians Star Share Defending Her Compland A “Real” Achievement.

“SIX YEARS AGO, IMBARKED ONE Unconsue ENCEVENDENT PATH TO PURSUE MY LAWYER,” KIM WRUCTE IN A LAWYER May 22 Instagram Post. “IT ‘WASN’T Eastern Eastern Eastern Eastern Eastern, BUT I Never Gave Requer Subjects Insel.”

Noting Thing Stepheming Intenning Intenning Intenown “The Beauty of Life APPRREnticsHPSHPSHPS HAW FIRMS AS OPPOSED TO TRADITIONAL LAW SCHOOLS.

“IL RIGOROUS PROGRAMNIALS THE CALIFORNIA STATE BAR, BUILDINGS A FOUR CURRICULUMULUMURE THAT BAR, BUILDINGS A FOUR CURRICULULULULUMULUMURE THAT BARTITS A FOUR CURRICULULULULULULULUMURE THIS STIMED TO SIX,” KIM Explained. “The Journney WAS REAL, AND SO IS THE ACCOMPLISHMENT.”

Pamela Anderson Not Going Back to ’90s Face Yet … FALSE RUMORS ABOUT RETURN OF GLAM LOOK !!!

Published May 22, 2025 1:40 PM PDT | Updated May 22, 2025 3:23 PM PDT

Pamela Anderson isn’t returning to her past trademark look, Despite rumors to the contrary … ’cause sources tel us an old Photo of the Star has confused the Internet.

Here’s the deal … a Photo of Anderson deceded out in her Old-School makeup made Its Way ARUNDS Social media this weeke, CAPTURING HER PERFECTLY MAINTAINED FACE.

She’s wearing a bright red robe in the snap, and her hair’s dyed a vibrant bleach blonde … and, it led many to surmise that she’d gioven up her au natural Face and Was Going Back to The “90s Pam” Mary Fans Adored Back in the Day.

Howver, Family Sources with the situation tmz … The pic going viral on social media ain’t a new one – it’ -iThually a Photo from years ago, one pam al -clouding up before heading out.

We’re Told it was posted by makeup artist David Velasquez … WHO TOOK IT DOWN SHORTLY AFTER POSSING IT.

Despite the false rumors, our Sources Say Pam’s Not Against a return to the cosmetics of her “Baywatch” days … and she does still wear make time … but, she’s not going back to her past routine – for the time being at least.

Anderson took Mary by Surprise During Awards Season This past Year … Attending Every Red Carpet for Her Movie “The Last Showgirl” Beit Wearing Any of Extensive Makeup.

Worth Notting … Social Media Split on Anderson’s Faces Days – With Some Missing the Nostalgia of the Old Look oters Say they Appears Way Hapier All the Extra Coverage on Her Mug.

Regardless of Their Feelings, IT SEEms Anderson’s Sticking With Her Current Unadorned Appeaance.

They Say that when one Door Closes, Another Door Opens. This Very Much Applies to Iranian Cinema, and The One, One-Out apprroach that the country’s government SEEMS to take imprisoning its filmmakers. Like the recently releassed Jafar Panahi, Woman and Child Director SaEed Roustaee Fell Afoul of the Authorities in 2023 for Having the Temerity to Submit His Last Film, Leila’s Brothersto canne with Making the necessary Changes to please the Ministry of Culture. He was sentimental to nine days in jail, but his new film suggests that the experience has by no means damned the fire in his filmmking.

Woman and Child Arriva in cannes at the end of a Very satisfying festival, and it could be be an awards concent, being a Very satisfying female-fruit drama a middle-aged widow struggling to be two children in modern-day tehran. That Woman is Mahnaz (Parinaz Izadyar), Who Works Double Shifts As a Nursse, and we are first meet her, she is dating ambulance Driver Hamid (Payman Maadi). Mahnaz Lives with her mother and her youunger sister mehri (soha nianiti), who helps Raise her two children, the angelic little neda (arshida dorostkar) and her rebellious but charismatic 13-Yyar-op Misery.

Hamid Is Pressing Mahnaz to Get Married, Which SEEMS FAIRLY REASONABLE SINCE THEY’VE BEEN DAting for Two Years. Mahnaz, though, has hidden this fact from neda and aliyar, who are Completely unaware that the family dynamic is about to change forever. Finally, The Couple Set a Date for the Engagement Ceremony, at Mahnaz’s Apartment, on Condition that she Hide All Evidence of Children from HIS PARENTS AND SISTER, WHO ARE TRAVELING 10 HOURS TO THE BIG CITY FROM Village in the Sticks. Mahnaz is rectant (“They’ll find out i’ve two kids eventually,” She Says), but Hamid Gets HIS WAY, and MAHNAZ PAKS OFFSPRING TO STAY HASBAND’S FATHER (HASSAN POURSHIRAZI).

The Course of Love, Howver, Does Not Run Smooth, and the 48-Yetar-Old Hamid Behaves Strangely at the family get-Together, Staring at the 25-Yaar-Old mehri should should only have and the 40 -ear-op mahnaz. AFTERWARDS, HAMID STARTS TO GHOST MAHNAZ, AND, WHEN REACHED BY PHONE, HIS MOTHER BLURTS OUT THE AWFUL TROUN, THAT THAT HAVING SECOND THOUGHTS ABOUT MAHNAZ AND WOULD RATHER BE MARYING MEHRI. This Becomes a Self-Fulfilling Prophecy Wen Mehri Tries to Play Matchmaker and Ends up Falling in Love with Him, Much to Mahnaz’s Horror.

While all this is is playing out, tragedy Strikes when aliyar is lucky injured after falling from his grandfather’s Window. HIS DEATH IS THE FILM’S CATALYZING INCIDENT, and MAHNAZ’S PENT-UP RAGE IS THE FOCUS OF THE FILMS SECOND HOUR AS DESPERATY SEARCHES FOR SOME KIND OF JUSTICE, DEMANDING ALIYAR’S SCHOOL FIRE THE TEACHER WHO SUSTEM (WITH REPORT) Against the Grandfather. HER NEED FOR CLOSE, MEANWHILE, ISN’t Exactly Helped by the Fact That Mehri Is Now, With A Boy, and Plass to Name Him Aliyar by Way of Tribet.

This great Big Mess is what Woman and Child is all about, and althouough it is primarily a character study, roustaee’s film is also a caustic comment on the patriarchal naturalness of Iran and the strange Nature of its Judicial System, which favists men over svery time. The standout is izadyar, whose big, dinner eyes are the movie Most Valuable Asset, and Her Mercurial Shifts Are a Thing of Wonder. Buteryone in this film is great, notably maadi, who pivots from prince charming to machiavelli with breathtaking, and mohabi is an exciting discovery as the raucous aliyar: some of the best sins in the film are His 400 blows-Syle Monkey Shines at the Local State School.

The Film, Though, Belongs to Roustaee, Who Has a Kinetic Style We’re Not Used to SEEing From Iranian Cinema; A riot of crash zooms and tracking shots that give the film a heigtened and deceptively stylish Verita Look. He Can Also Land the Grace Notes Too, and the Film’s Quietly Devasting Ending, in Which Its Title is Represent Three Over Over Hamdi Looks on, Powerless, Is One of This Year’s Cannes’ COUPS DE CINEMA.

Title: Woman and Child
Festival: Cannes (Competition)
Director-Screenwriter: SaEed Roustaee
Cast: Parinaz Izadyar, Payman Maadi, Soha Nianiti, Sinan Mohebi
Sales Agent: Goodfellas
TIME RUNNING: 2 HR 11 MINS

The Newly Solo LionSgate Studios Swung to a profit Last Quarter as Motion Picture Revenue Surged. The numbers are it first sign SINCE SPLITING WITH STARZ.

Net income of $ 21.9 million for LionSgate’s Fiscal Fourth Quarter Ended in March Compares with A $ 47 Million Loss the Year Earlier. Total Revenue Popped to $ 1.1 Billion from $ 880 Million. Share are all over the map in after-march trading, rising over 4% to pass $ 7, then ease.

Trailing 12-Month Library Revenue was $ 956 million, up 8% year-on -ear and notched $ 340 million for the Quarter on Licensing Sales of The Rookie to disney+ and The Chosen to Amazon Prime.

Motion Picture segment profit surged 65% to $ 135.3 million – The highest in 10 years – Driven by the Box Office Success of the Midbudget Films Den of Thieves 2: Pantera and Flierneither well as more non-theatrical content deliveries, Robust Library Demand and Lower P&A Spend. Revenue JUMED 28% TO $ 526.4 MILLION.

In television production, revenue increasing 16% to $ 543.3 Million while profit decresed to $ 40.6 million. Revenue Growth was drive by a substantial increes in episodic deliverries relative to LAST YEAR’s Strike-Impacted March Quarter, The Company Said, while the Earnings Decline Reflect A Difficult Comparison with A Library of Content in Last Year.

LionSgate Entertainment Completed the full separation of its studio and Starz Businesses into Two Standalone, Publicly-Traded Companies on May 7 AFTER YEARS OF STARTS. The idea was to realize more for Shareholders.

Starz Shares Ares Pushing $ 17 Bucks Sine Breaking off to Trade Under the Stock Symbol Strz. LionSgate, Trading as Lion, Film Houses and Television Studios with brands from Twilight them John Wick them Hunger GamesA 20,000-plus Title Film and TV Library, and Talent Management and Production Company 3 Arts Entertainment.

“We are planed to report a Strong Quarter Despite a Difficult Operating Environment,” Said LionSgate CEO Jon Feltheimer. “The Same Strengths that Drove the Quarter – Another Outsized Library Performance, A Diversified Motion Picture Business Model, Fiscipline and the Ability to Deliver Premium Television Programming to a Changing Mix – Will Catalysts of Our with the ability to create significant incremental value for the shareholders. ”

Feltheimer and Other Executives Will Be Hosting a Call With Analysts at 5 et.

Starz’s Senior Management Led by CEO Jeff Hirsch Will Discuss Key Metrics From Its Fourth Quarter Fiscal 2025 on May 29.

Animation has Always been one of the best mediums for storytellers to reach young audiences, especilly for a Young Roye Occupation Who Says It Was HIS “First Love”. AFTER CRESING A SUCCESSPHUL GRAPHIC NOVEL SERIES, AND A MEETING WITH LION FORGE FACITIATED BY IPPACT X CAPITAL’S DUPUIS, OKUPE MANAGED TO MAKE HIS DREAM OF CRESING COME TRUE.

Based on Okupe’s Graphic Novel Series Iyanu: Child of WonderThe Cartoon Network Series Follows Iyanu, an orphaned Teenager Living on the outskirts of civilization who has divine power and a destination to the ancient kingdom of yorubaland. Okupe’s dream was to infuse the culture he grew up with the series, along with the help of some veterans of the Animation Industry – Story Editor Brandon Easton, Writer Grant and Supervisive Director Vincent Edwards.

Although the first season has been to have to have its finals, the series has already been renewed for a 10-Episode Second as well as two Feature-Length films. The First Animated Film, The Age of Wondersis set to release late this year.

Deadline: Roye, What Made You Want to Bring Your Graphic Novel Into The Animated Space?

Roye Occupation: I’ve always been a fan of animation SINCE I WAS A KID. For me, Animation was my first love, and i think it has obviously stayed that way. I GREW UP WATCHING Ninja Turtles, Batman, X -mmen… I can literally go on for hours and hours. I moved to the US in 2002, and the closer i got to Hollywood, the most ferty to create an animated show that was based on some of the things i learned up my history and my culture. I start off in the graphic novel because it was a lower barrier to entry, and then fell in love with the graphic novel medium. But for me, the motivation has always been to showcase africans, specific in this case, with the Young Nigerian to a global audience. And i think there’s no better medium than animation to do it.

There’s something something brandon always Says, and Ever Since He Told with this in the Writer’s Room, i’ve always held onto it. “The most specific you get, the more global and the most broadly Acceptable your story Becomes.” SO, From Day One, We Want to Lean Into What Made This Show Culturally. For me, as someone who is a yoruba person, it was the ultimate privilege. It was also a very, Very delicate task to balance imputing culture into a story with, as vincent would Say, “Making People Drink Through a Water Hose” Where just overwhelmed with new information. Finding the right balancies of Story Comes First, but at the Same Time, Let’s Not Shy Away from What Makes This Different, What Makes This Beautiful, What Makes This Authentic. I’m Extremely Proud of this Becouse, as specific as we are with the culture, it’s never done where it is excludes anybody who doesn’t know anything about yoruba or nigerian culture.

Deadline: Kerry, Vincent and Brandon, As Three People Who Have Workhed on Different Animated Series, How You Go About Making Sure You’re Infusus This Culture Without Out?

Grant curry: I Think What Roye Said Earlier, we all kind of learn as wries really early on. That thing is about the most specific you are, the most universal the story is… The reason for that is these just kids. They’re Kids on a Journey, on an epic coming-of-spage journey that includes someone amazing fantasy and supernatural elements. But at the core of it, iTi’s about telling this coming-any, fantasy, adventure, epic Tale. That in itself as a foundation, makes it appealing and universal for any who loves good stories. I Think What’s Different and Cool About Iyanu is a lot of People anen’t as a family with yoruba culture and the cultures with it, so it is an excitation that People get to these specifics about the culture, the details from the costumes, the cloths they wear, the food eat, the differencies in the parts of the parts. They Travel to and Encounter… but ultimately, at the heart of it, iTi’s about this girl who’s coming her powers, and it is a Classic hero’s Journey.

Brandon Easton: What made it a lot easier also was that that was roye in the writer’s room with us, as a writer and a product. Every Step of the Way, if there was a question, he was there to ansower it or to make it make me more for us in a storytelling context. But Most importantly, the doorway is always emotional accessolation with the Types of Stories. IT DOESN’T MATTER WHATER YOU’RE TALKING APRIENT ANCIENTS FANGERIA OR YOU’RE TALKING ABOUT IRAQIS OR YOU’RE TALKING ABOUT THINGS DON’T EXIST, THERE IS AN EMOTIONAL PAH THAT ALD AS CONSUMERS OF Story Content. We all Want to Walk the Emotional Path, and i Feel Like Iyanu’s is, ‘who am i? Why am i here? ‘ I’ve Never spent time in nigeria, but there’s things that are kind of universal that we can tap into, and iyanu’s journey is a very, Very relaratable one.

Vincent Edwards: And to speak to the cultural authenticity aspect of it, in any story universe, you have to have a clearly realized vision of what it is worked look and what the People in it look and sound like If you break your own rules, the audience disconnects they have don’t feel like you’re trying to say’re doing. In terms of IyanuThe Cultural Authenticity Aspects of It Was Really Granular and Consistent Throughout the Production of the Show. The look of food, the look of clothing, the look of props… all the different visual styles, the thus mythological fantasized world, it has to stall it to the real and authentic to the point where a bowl of rice doesn’t look like it. Roye’s Like, “Hey, that doesn’t work.” This was analogous to if we made a show about America and we had a hamburger with a purple bun. We would be like… what? SO, all that stuff really combines to create an authentically realized World that supports all of the theme and character drives of the story.

DEADLINE: IT’S OBVIOUSLY A DIFFERENT CULTURE, but This Series Reminds with of Being Exposed to a New Culture as a Kid I First Watched Avatar: The Last Airbenderand i think Iyanu would have had a simillar effect on me with back then.

Okup: I Always Tell People, You Have No Idea How Much Influenza Entertainment has over the minds of children and adults. Actually, I think we’re in an age where there is information all around us and everything is all mangled up, but be coma entertainment… iTi’s funny you mentioned Avatarbecuse of fell in love with new York by Watching Spider-man. So eventually when i came to the us and i was able to experience, it was a different kind of emotion becae been so far away from it. And when i finally got here, it was this visceral feeing where it is like, ‘oh, wow, i’m actually in the suame as Peter parker,’ It Goes Back to the Roots and the Inspiration Behind all this, to try to show what i saw growing up, what i heard about, what i it, and some of the things i went through.

Obviously, like Brandon Said, Its Also Weaving the Emotional Journey for Each of the Characters Because, as Much as we love the authentic parts of this story, it’s iCing on the cake to me. If you Lose People with the Character moments, all the other stuff becoms a flaw. But i think one of the Big Things we try with this show, one of the big themes, is empathy. And it was Very important to interswine empathy with everywhere has to do Iyanu. Her Powers, Her Mission, Her Story, Her Journey… All of that is encompasssed around empathy. Becusee i think we live in a time now where we are human beings could use a lot of that. And it is the important for children from a very young age to understand the power of empathy, this is a very difficult emotion to express.

A Shooting That Left Two Men Dead at A Roseland Restaurant Monday AFTHNOON ACTEMED FROM AN ARGUMENT Over what Kind of Cheese Being Put on a Customer’s Sandwich, Acciting to Chicago Police.

A staff at momty’s grill in the first block of East 111th Street Began arguing with a customer “Who was upset over the type of cheese put on his sandwich,“ Around 4:10 pm, recording to police obtained by the chicago sun-Times.

The Employee That Called Her Son Becausee She was upset that the customer was yelling at her, accorting to the Report.

Be her son got there, as well as a “Group of Guys,” at Least One Hit Her Son and Chased Him Out of the Restaurant, Officials Said.

Moments Later, Gunfire Erupted and Responding Officers Found Dexter Williams and Monte pots on the Ground with Multiple Gunshot Wounds, Police Said.

Pots, 34, haad been shot in his back and was taken to advocate Christ Medical Center in Oak Lawn where died at 5:52 pm Monday, officials Said. Williams Was Shot in His Head and Forearm and Taken to the Same Hospital, where he was initially in critical condition and died a day late at 1:41 pm

The suspect shooter was placed in custody at the scene and taken to roseland hospital in good condition. Charges have Not Been Filed, Police Said Wednesday.

Breaking….Caught in the blast radius of multiple multi-Million dollar lawsuits between blake Lively and Justin Baldononi Over Accusations of Sexual Harassment and an Online Smear Campiaign, Taylor Swift Can Subpoena.

In an EXXPECTED MOVE, The IT ENDS WITH US Star and Director has with the Paperwork Seeking Information from Swift About What She Knew About What Went Down Her Pal Lively and Wayfarer Studios Co-Founder Baldoni on the Domestic Violence themed Film. Part of the Reason the Summons was dropped was Becuse details that the bryan freedman-referented Baldon and Crew Sought Were Provided, I Hear.

Having Said That, Reps for Baldononi, His Wayfarer Studios, ITS Execs and Publicists Did Not Respond Thursday to Request for Comment on the With The High-Profile Subpoena Against The “Fortnight” superstar and Her Latin J. Douglas Baldridge. Team Swift Did Respond, With A Polite “No Comment.”

Swift is a longtime friend to lively and tan the godmother to one of her and ryan reynolds’ children. Since before News of More Backlash from a previously served swift subpoena leaked out on May 14, the Iewu Soundtrack Contributor Had Already Made Several Cameos in Various Lawsuits and Countersuits Ever Sine Lively on December 20 Filed Her Sexual Harassment and Retaliation Complaint with California’s Civil Rights Department.

With all that, Baldon’s Team May Be Mum Today and Swift’s People Circumspect, but Lively’s Side Certainly Had Say.

“We are pleassed that Justin Baldoni and the Wayfarer Parties have with their harassing subpoenas to Taylor Swift and Her Law Firm,” A Lively Spokesperson Told This Morning. “We supported the Efforts of Taylor’s Team to quash these inappropriate subpoenas directly to her counsel and we will Continue to stand up for any third parties who is unjustly harassed or threatened in the process,” They Also Noted.

And of coursse, this being the lively vs baldononi case, there was always more to say.

“The Baldon and Wayfarer Team have tried to put taylor swift, a Woman who has ben an inspiration for tens of acroSs the globe, at the center of this case that one,” the lovely spokesperson of their close close who has popped up in more one f. this all started with the Another Simple favor Actress’ CRD Complaint in Late 2024. “Exploiting Taylor Swift’s Celebrity was the original plan in Melissa Nathan’s Scenament Planning Document, and It Continuing to this Day,” The Statement Adds, with Baldoni’s Crisis Managing Pri. “Faced with Having to Justify Thermves in Federal Court, They Folded.”

“At some point not they run out of distractions from the actual claims of sexual harassment and retaliation they are facing.”

With no settlement on the horizon and a vast cast of Co-Defendants and Countersuits, Lively and Baldoni Are Set to Face off in Federal Court on March 9, 2026.

Last Week Saw a Flurry of Attorney Accusations of Strong-Arming of Swift by Lively’s Side Along With “Witness Tampering and Evidence Spoliation,” Plus Protests by the Gossip girl‘S Crew of Moves “to Launder Scandalous and Defamatory Allegations About Ms. Lively and Oppsing Counsel into the press.” It was a lot of the thunder and not much lightning as Judge Lewis J. Liman Reacted to a Lively Team Request and Yanked the Damning Correspondence from Freedman and Other Baldoni Out of the Court Docket.

“The Letter is Imprope and Must Be Stricken,” ORDED JUDGE LIMAN IN ASSUME TO A MOTION BY LIVEL’S SIDE FILLED MERE HOURS AFTER FREEDMAN’S LETTER. “It is irrelevant to any wills before this court and does not request any action from this court,” he added, notting that swift’s venables ll have fighting the subpoena in dc Court.

The reference by the Lively Spokesperson Thursday to Publicist Nathan, Who Along With Ex-Jonesworks vp Jennifer Abel, Directed Baldoni’s Public Face, is notworthy here, and Clearly Very Personal. Lively and Deadpool Star Reynolds’ Team have CLAIMED THAT NATHAN AND ABEL WERE THE PAID BRAINS BEGINS ASTRROFING SOCIAL MEDIA EFFORT TO PREEMPTIVELY TAKT LIVELY DIFFER Iewu Co-Star’s Alleged Misconduct. Both nathan and abel have denied those allegations, essentially stating they didn’t need to attach lively, the internet heated her all by itself.

Howver, A Mention of Swift in a Nathan/Abel Planning Document Now in the Court Docket, Can’t Be Denied. “As part of this, our team can Also Explore Planting Stories About the Weaponization of Feminism and How People in Bl’s Like Taylor Swift, have been accused of utilizing these Tactics to ‘blully’ into getting what they want,” NaThan Wrote in august Last, Around the time the sony-distribed iewu was released.

With all the drama and stakes at play in what is a $ 400 million and grown legal action on Many Fronts, don’t expecting this with subpoena to be Last of Ms. Swift in this matter. By a long shot.