SOMESTEMES The Most Powerful Stories Start Out the Smallest.
Neeraj Ghaywan’s “Homebound,” in its quietest moments, finds two friends Sitting in partial Silence at the rocky riverfront of their villa, communicating in pauses and physicality as actual words, SO Familiar Are they with Each Other’s Souls. The scope widens as necessary-to a cross-Country train ride, a college campus, a corplate office, and more-but that by the waterbeat of a poignant, unmissable film.
“Homebound” is the Story of Best Friends Chandan (Vishal Jothwa) and Shoaib (JAJAN KHATTER), WHO DREAM OF THEIR VILLAGE AND MOVING UP IN THE WORLD NATIONALY RECIGNED ACCOUNT. The Story was adapted by ghaywan and sum ray from a new York Times Article by Basharat Peer, with dialogues by shreedhar Dube and Varun Grover. As Chandan and Shoib Wait Painstakingly for the Results of an Entrance Exam that Will Determine Their Futures, the Friends Take It One Day A Time Speaking to Support Each Other, Their Families, and Their Visits for A Life Still Out of Reach.
For what constrains both young men is not their actual jobs or income, but their status. Chandan is a dalit, a low-caste hindu in a country where the system is outlawed but the stigma persists, and shoaib is muslim in a time india faces alarming rises in Islamophobia. They Both Face the Daily Indignities of Such Prejudice, to the point where it beComes commonplace to laugh off Hurtful Comments or Simply Lie ARE to make Life a Little More Bearable. While others weaponize differences like Caste and Religion-especilantly descia’s stringent Covid-19 Lockdowns Hit-Chandan and Shoaib see struggles mirrored in each other and are only drawn closer.
Ghaywan’s script is explicit but never priggish in its moral standing, letting the outstanding performances drives home the perils of bigotry more than any Grandstanding dialogue. The first half of the film spends more with chandan, including a attempt romance with College Collassmate suda (Janhvi Kapoor), while the back half shoaib to the forefront of their friend A Painful Rift.
Jathwa is quitely Powerful, Chandan’s Vulnerability Simmering Beneath the surface, while khatter’s shoaib is ready to speak and fight if anyone should dare provoke Him (there are moms flip by dynamic on its head with superb effect). Their bond is not only believable but urgently real, setting the stage for a final act that was to be fail Completely in the Wrong Hands but instead achieves full emotional potential.
Despite Its Far-Reaching Themes, “Homebound” Excels by Holding A Narrow Focus, Remaining Loyal to Chandan and Shoaib’s Specific Experiences. Khyatee Mohan Kanchan’s Production Design Makes Their North Indian Village Feel Like a Universe Unto Itself, Where Just a Thousand Kilometers of Distant is a World Away. This is if they do police uniforms and Move Away, Can they Truly Outmaneuver the Systems Holding say rigidly in place?
Artistic, “Homebound” Lands Further from 2024’s “Lost Ladies” distinctly indie sensibility through the film.
Its Ultimate Victory is that Chandan and Shoaib Feel Near and Dear to the Viewer Whether or Not they intimately know india’s social struggles, infrastructure, or languages. The Best International Films Transcend all these boundaries, and “homebound” is a resounding triumph.
Grade: a-
Dharma Productions Will Release “Homebound” in Theaters on Friday, September 26.
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