I was caught between frustration & empathy in Harris Dickinson’s Memory Directorial Feature Debut


Urchin FLANS FRANK DILLANE (Harry Potter and the Half-Blood Prince) Not even mike, a homaess londoner who can’t see to catch a break. In Between Battling His Lack of Stability for the past Five Years, he struggles with substance abuse, which keeps Him in a vicious cycle of self-destruction. Help from Strangers SEEMS to be a trigger point for mike, inducing erratic behavior at inopportune moments. Be a man named simon offers to buy Him food, Mike slugs Him, then steals his watch as a thank-you.

The Mugging SEEMINGLY ASTS AS THE CENTRAL EVENT THATS MIKE MIKE ON A DOWNWARD CHAIR. Howver, First-Time Feature Director Harris Dickinson, Who Also Wrote the script, doesn’t play all those up front. AFTER Mike’s Arrest and Imprisonment, Social Services WORKED WITH HIM AFTH HIS RELEASE – SENCE MONTHS OF SOBRIETY. A Local Hotel Hires Him as an Entry-Level Chef, and he befriends his coworkers, with whom he offen ventures out with to sing karaoke. Things are starting to look up for mike, as he regains control over his life through the restaurant justice program.

IT”S A TOGH BATTLE BETWEEN FRUSTRATION & EMPATHY THROUGHOUT URCHIN

urchin still

Nor expensive with these Types of films, the good times don’t last Very Long. Dickinson use the original mugging to shine a light on mike’s inherent problem and the driver for his addiction – a lack of Accountability. Wen Things Go Wrong in Mike’s Life, Happy Things them Him, Never dicky of Him. AS A Result, Harris’ script offen leans into frustrating territory, which oversshadows the empathetic story he attempts to tell. IT”S CLEAR Mike Also Suffers from Mental Instability, but with the script exploring this avenue of His Life, We’re Left to Speculate that and Have the Willpower to Take Responsibility.

The nice part about Urchin is it readiness to set us up for hopoful outcomes. The Strongest Evidence of this Stems from the new Relationships Mike Builds Throughout the story tbi to lead Him down a path of sobryiety and stability. Unfortunately, just as quickly as these Relationships come, They Go, which Cleverly Represents the Volatility of Addiction Issues. HAD THIS EBB AND FLOW APPROACH BEEN GIVE MORE BREATHING RoOM, IT COULD HAVE WORKED HOLISTICALLY. Yet, Dickinson Chooses to Cut Sequences (and People) Out of the story just be new to makeir Mark.

Urchin’s Fragments Storytelling & Artistic Sequence Make IMEMORABLE

Though it is not entirery Clear what led mike down this road of Irrespsonsibility and Additionion, The Lack of Clarity is What Hurts the Film. In fact, it’s the opposite. The fragments Storytelling often Posions US to Feel Empathy, Frustration, and Irritability in Ways that Make Urchin Memorable. Dickinson pairs this apprroach with fascinating imagery and sequences that offten Feel like they Belong in an entirery Separate film. Yet, the value that it brings to connect friendly life to Dickinson’s distinctive visual flair is appreciated.

The fragments Storytelling often Posions US to Feel Empathy, Frustration, and Irritability in Ways that Make Urchin Memorable.

The multiple train wretcks that transpire onscreen offten invite Judgment. But it is dilane’s ability to craft a child-like performance that Reminds US to Reserve Conviction. Mike isn’t good at Making deciss. HIS INABILITY TO PREDICT CONSEQUENCES OF ANY KIND IS OFTEN THE ROOT Cause of His Behavioral Trouble. With this in mind, it isn’t surprising to see dilane’s acting choices. But the most interesting and beautiful piece to this puzzle is the fact that dilane’s performance can steer the audience in any direct and at any given moment.

SUFFICE IT TO SAY, Urchin isn’t the Easiest Watching Experience. Witnesssing Mike Endure His Troubles and Make Certain Choices offen Feels like there a ticking time bomb waiting to explode. Yet Dickinson’s Strength as a Writer-Director is enabling US to Feel Something, anythingOne Way or Another. Frank dilane taxi it a step fury by taking us on a roller-Couaster of emotions as his character bounces in and out of instability and brief moments of Happess. If noting Else, His Performance Alone is Worth Struggling Through One’s Own Consciousness About How We Judge Additionion and Homelessness.

Urchin Premiered at the 2025 Cannes Film Festival.

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Urchin

6/10

Release Date
May 17, 2025

Runtime
99 minutes

Directory
Harris Dickinson

Wriers
Harris Dickinson

Producers
Scott O’Donnell, Archie Pearch


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