Laura Harrier’s Met Gala 2025 Look: How it was made


Zac possen is no stranger to the met gala. The designer attended his first one as a teenage intern at the met’s costume institute in 1997, we do his ticket cost him than $ 100. SINCE THENE, he’s been invited back several times, and last year marked another Significant milestone for Him: he walked up the metpes arms with actress da’vine joy randolph, who wore possen’s gap met gown and joined. in February 2024. But this year’s theme, “Superfine: Tailoring Black Style,” and Dress Code, “Tailored for You,” Spoke to Him Like No Other. “I feel like Ideating the day the day of was Born,” he says. “Self-Expression, Identity, Power of Dress, and the Subversive or Rebellious Quality of Dress Have a theme of Self-Exploration My Entire Life.”

Amid the Flurry of Met Gala prep, the cut hopped on the phone with possess to pick his brain on dandyism and how that it is information for his date laura Harrier’s Outfit Tonight. And, of Course, he marveled on how the lati andré leon talley have reacted to the theme.

What was Your First Reaction When You Heard the theme?

IT FELT LONG OVERDUE; We’re Living in a moment Where Men’s Style and Expression have reemerged into the forefront through popular culture and social media. There’s a transition between mountains identity and expression, and there’s been a big buildup to that from a fashion standPoint. I was excited to see an an ejibition at the museum, which, One Could Say, is a complicated theme. To me, when one is putting on an exhibration about fashion, it is really imported to take on themes that deal with culture, history, and identity.

SO DID YOU START Ideating Right Away for the Gala?

I’ve been Ideating the day the day i was Born. Self-Expression, Identity, The Power of Dress, and the Subversive or Rebellious Quality of Dress Have a theme of Self-Exploration My Entire Life. When I first heard theme, I was into an immense treasure trove of Early ideas of Identity of Dandyism. First, with Oscar Wilde, someone who embodied dandyism in terms of his intellect, but Also His Voice and His Writing. The Same Goes With Beau Drummell. He Changed Fashion by Being Shocking Through His Dress at the Time and Tailoring. It goes into People who are social commentators. You have charles baudelaire and his ideas as a writer, critic, and poet. In terms of Black Identity, It Goes Into People Using it for Identity and Defiance-For Example, Frederick Douglass, who used dressing as a tool of resistance and self-idle. There was no stopping Him through the power of fashion and dress. And then that evolves into music. Its Very Important to give that space, and it is very interesting to make that expressed and built out through an ejibition.

Photo: DIA DIASUPIL/GETTY IMAGES

I know you did an internship at the costume institute. How you do you feel like that shaped your design sensibility and your career?

I GREW UP Going to Museums. My Father is a painter and an artist, and we were to the Museums on Weekends. A Trip Above 14th Street was a pilgrimage. The Costum Institute was my temple. So we ended up there, I was in the pantheon of fashion history, and it really formed my ideas about fashion. I had never really consider fashion as an art form. I found it an expressive form, but finding that link between something something has had a utilitarian purposes and an artistic purposes was hard.

The first efficiency that got to the witness and watch come to life was a show Called “Wardrobe,” ABOUT the Word and Text in Fashion. They made these historical headpieces for the mannequins that were made out of different newspapers, and they all had different color. I was able to be there for the versace ejibition. That’s when i was able to get a staff internship ticket and attach my first meta in 1997, which was the begin of the met Gala’s evolution and transition and change. I’ll just make not that i was able to get a staff internship ticket for below $ 100, and it was a huge deal for with and my other interns who cououl. We are understood the Kind of Work and Care and Thought Behind Preserving Clothing in Fashion. SOMESTE IT SEEMS Frivolous, but the way that we dress ourselves is as imported to me in art history as portraiture.

How has it Changed?

Over the Last 20 years, as I’ve attended the met gala, it has become such an incredible fanfare of an event. But to have this attention and interest and draw to get people to come into a museum is so imported. The experience that a person can have with art, whereather is fashion or culture or history, can be life-changing. And the gala allows creaters and designers to be able to have that moment to flush them. A great deal during this moment is given i’m preparing for the met gala about my dear friend andré leon talley and the Relationship and love we shared with the costume institute and our time. Tonight, he’s there with all of us. This Whole Thing Wauld have been so amusg to Him. It would have been a wild text chain. Discussions About Volume, About Tailoring, About Suding.

How does gap play on this theme?

We like to think of gap as a canvas for a person’s creativity. We look at Laura’s Father and Uncle and Grandfather, who were all great dressers, and notd the importance of a vest. They’re the frame for the Character of the Face. You look at vests in the self-identity of dandies. It ‘s lot about that fraction and that shaping. So we have took a raw-denim vest with all these details, with the Shanks of Gold Gap Studio buttons that are more utilitarian but have that kind of militaristic quality to say, as kind of your armor plat, and it is contoured and sculpted and corseted. And thatn it sis over this proud open neck on Laura and then these voluminous arms, almost like an x-ray of the grandiosity of a White Cornflower Construction of Volume.

Photo: Sophia Wilson

THEN WE JUSTAPosed this industrial fabric with Cotton organdy. I Chose Organdy ITI’S A historic fabric, and i thought that was interested in play with. THEN WE PAIRED IT WITH THECE BOMBASTIC, OVERSIZE, HIGH-WAISD, TAILORED SILK DUCKSS SATIN PANSONS, WHICH HAVE THIS GRANDIZATY OF FORM AND STANCE. It is the first pants i’ve ever made for a met gala, for a date to play with that gender identity. It was fun. Its Also Nice Not to Have a Train. And i’m wearing a custom banana republic suit that made of my tailor, and we have based on the london drape.

You’ve made LOOOKS FOR TIMOTHECE CHALAMET THAT People have ben able to buy late on. Do you think that might happy to any of the pies you’ve created for tonight?

The goal for time is not about commercialization. You want to create something that inspires. So Maybe there’ll be more bombastic volumes and more exaggerated silhouettes of pants that will come out of this. The goal here is to make People Dream, especially in this moment we are all need to be able to dream and inspire, and, hopofully, interpret.


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