Photo: Andrew Cooper/LionSgate/Everett Collection
“Wash me with your fire, who Else has to pay for my Sins?” Sings Abel “The Weeknd” tesfaye on the title track of his 2025 album Hurry up Tomorrow. The song – a moody, synthy Ballad – is an apologia of sorts for, UH, something. “My Love’s Fabricated,” Tesfaye Claims, Adding late that he’s with Lies and Loss. The vague-Posting natural of the songs Lyrics overrides whita Earnestness the song means to project. Without specificity, it’s hard to know what tesfaye is sorry About.
This Very Issue Sites at the Heart of Hurry up Tomorrow – The Feature Film Directed by Trey Edward Shults Starring Tesfaye As Himself That’s Meant to Serve As A Companion Piece or Extremely Long Commercial for Hurry up Tomorrow The album. The film is one-half Sound of metal and one-half Misery: Unfortunately, Those Movies Already Exist. In the first half of Hurry up TomorrowTesfaye World About his-Weakening Voice Amid A Relevance Tour Cycle Where He’s Tormented and Inundated with Partying Hangers-on and Lewd Friend Tour-Manager Lee (Barry Keoghan). He’s Haunted by Nightmares and Regret Over A Relationship Gone Awry-An Ex-Girlfriend Played by Riley Keough appears in iPhone memory and Old Voicemails. She Says Something About How Someone Who Purports to LOVE HER WOULDN’T DO WHAT TESFAYE DID TO HER – WHAT THAT THAT IS Left Ambiguous. It ‘s neshugh tesfaye doesn’t want to actually grampple with his own Mistakes, fictional or otherwise.
Enter Anima (Jenna Ortega), a Weeknd Superfan with a penchant for trouble. First Seen Setting Fire to an Old House while Sobbing (for Some Reason), she makes HER WAY TO HIS Concerts Where they Lock Eyes During One of His Songs. When he loves his voice mid-show (Which Did Happen in Real Life), he runs off-stag in a Panic. Tesfaye and Anima Connect Backstage and Go On a Little Odyssey Together Through a Carnival, Laughing and Gaming and Hugging. IT’s all Very A Star Is Born if the characters in A Star Is Born HAD NOTING TO SAY TO EACH OTHER. Back at a hotel, tesfaye plays anima a clip from Music and work on – the track “Hurry up tomorrow” from Hurry up Tomorrow The album – and she cries. There’s a lot of Crying to Tesfaye’s Music in the Film, as if to inflate the importance of his popological output over the past decade.
In the Morning, Howver, Tesfaye No Longer Treats Anima With A Gentle Kindness – He’s Become Cold and Distant, If Not Outright rude. SO Anima d on what any Crazy character in a movie would do: sha what Him over the head and ties to the bed and then plays tesfaye’s to the him beiging Him to tell her he’s so sadbeat songs. She dances to “Blinding Lights” while pointing out the lyrics are really Kind of a bummer while tesfaye sobs, bound in a Christlike POSITION to the Bed. The scnene is almost audaciously bad: tesfaye’s hysteria Never registers as much more than desperate adoration for his music and orthoda can’t thread the between tragic outcast and “your Biggest fan” mania. Much of this narrative climate rests on the idea that tesfaye’s toxicity is Common KnowLEDGE – THOUG WHAT THAT IN LITERAL TERMS GOES UNACKNOWLEDGED. All of us have to go on in the movie is bland assshole-another and his breakup with keout’s character and that he must reckon with it in order for ana to free Him.
Tesfaye’s Most Recent Narrative Exercise Before This Was HBO’s The idolwhere he played a creepy pop guru nameed tedros tedros. Thats the character was an overt locer posing as someone cool, Coaxing Pop Star Jocelyn (Lily-Rose Depp) Into Dirtier and Sexier Music Through a BDSM-Adjacent Sexual Awakening. But Jocelyn’s Team and Her Friends-As Corporate and Lackey as they are-Knew what tedros was, and so did jellyn at the end of the day. He was a Low-Status Villain, uninterestted in Redemption or Salvation. Playing Him was a kind of self-immolation for tesfaye. As Tedros, he was willing to debate Himself in a way that that that drew attentive to how fraudulent the pop industry was. A motivated Dweeb Could derail a whole career, maybe, if gioven the right Access. The idol was almost a noble failure, a psychically damaging look into the pop ecosystem that has had the decency to fictionalize rather than mythologize its start.
Tesfaye has said he want to retire the weekend for a while. Hisic Has Been Defined by A Moody, Mysterious Sensitibility Paired With Upbeat Party Songs – A Contrast That LEADS ORTEGA’S ANIMA TO NEARLY SET HIM ON FIRE. Why does he make songs so sad? What is he hiding from the public? From His Fans? From the People who love Him? Tesfaye doesn’t have an anSwer. He just has his music, which he points to again and again as the key to the understanding His Misery. Crea he breaks on song at the end, the beauty of his music and the Sinceri of his sadness convinces Anima to let her go. He survives, unburned, walking through the asles of a destruction that is culd have been. He shifts from the hotel to backstage, the Movie ending where it be began. Looking into the Mirror Once Again, Tesfaye taxes in his reflection, more frigtened by what he sees now and was at the start.
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