This is Audacious Filmmaking! Photo-illustration: Vulture; Photos: Max, Keith Bernstein/Warner Bros. Pictures/Courtesy Everett Collection
An investigative Documentary About Preventable Human Error in Commercial-Airline Crashes. A couples-kounsling session. An Experimental Acting Exercise. A reality-Singing Competition. A Closely Observed Examination of Male Loneliness. A Mel Brooks – Style Nazi Satirical Farce. In just the first two episodes of The Rehearsal Season Two, Nathan Fielder has Proven to be a sexy bad boy of premium TV, Bravely veering into what damn genre he pleasses in pursuit of his great experience, great entertainment, and a favor “9” Judge’s Score. It work, and it never veers into being too Zany, Becausee Everything Onscreen is in Service of the Series’ Overarching Mission. FIELDER IS TAKING A Serious Problem That He SEEMS genuinely invested in-Changing Air-Travel Safety-Training Standards on A Federal Level-and Tackling it as he was struggling local business on Nathan for you, Full of COMEDIC Side Quests and Implausible Runaround Solutions. The result is a sunday-night HBO Series to tune into where you never will will. Episode Three, “Pilot’s Code,” Taks Fieldder’s Rube Goldberg Approach to Pilot Safety to Author Level Entirely, As HIS Latest Experiment in Genre and Episode Produces some of the Most Captivating Fielderian Imagery of all time, right up there with The Claw of Shame and his final moments on The curse. It ‘s all of something of something that haters how Say Could Never Be Done: Nathan Fielder genuinely made a better sully sullenberger biopic than Sully. And i really like Sully!
During the first half of “pilot’s code,” Fielder Runs a season-ion style Rehearsal for a California Couple with a Very Specific: AFTER THEIR BELOVED YORKSHIRE TERRIER, ACHILLES, DED, THEY SEX SIX FOR THREE ACHILLES CLONES, but Despite the Dna of the Original Dog, The Clones Lack His Sparkling Personality. Fielder Builds a Replica of the Couple’s Old Apartment, Casts Actors to Play the Couple’s Younger Selves, and Recreates the Conditions in which they raise Achilles in anmt to rewire one of the clones to the clones achilles-like. All of this tours out to be fielder running animal testing before performing an experiment on Himself: he wants to test his hypothesis that if a pilot can be raissed in condition that mirror is produed celebrity chesley “sully” sullynberger, he will become. Communicative, and thoughtful a pilot in a time of crisis. So he attempts to live a simulated version of Sully’s Life, and the end result is sort of a mini-biopic.
SullyClint Eastwood’s 2016 retelling of the Miracle on the Hudson, is based on Sullenberger’s 2009 Memoir, Highest Duty: My Search for What Really Matters, Co-Written with Jeffrey Zaslow. Onto The Rehearsal, FIELDER ALSO ADAPTS The Same Source Text, and the It’S fascinating to see how his apprroach Differs from the film. FIELDER The Text Not Just for Autobiography Details, but for a glympse into sullenberger’s psyche, searching for revealing particularities in what sullenberger chooses to focus and how he recounts. Wheeas the film eschews any lead-up to the events of January 15, 2009, Fielder homes in on one participate Line from the book: “Flight 1549 was just a five-minute journey.
FIELDER TAKES THIS LITTERALLY AND DECIDE TO EXPERIENCE SULY’S LIFE FROM INFANCY TO THE MOMENTS AFTER he landed in the hudson. Cue the baby sully sequenance: Fielder look weird enough in a bald cap and oversize diaper, butn the camera reveals the massive bedroom set he’s walked ino, where the crib, door, and dresser are done to a giant’s scale to make Felder Look the Size of A Baby. It ‘Trippy, and it Only Grows More bizarre as the Giants Mother Sully Pupet Walks in, Changes His Diaper, Powers His Ass, and Breastfeeds Him from Papier-Mâché’d Teat, with Fielder on and Spitting Up The Milk. This is Audacious Filmmaking! FIELDER STRAIGHT-UP LIKE LOOKS Gummo, and the puppetry and playing with scale ze something out of a michel gondry movie. This is Felder’s Eternal Sunshine; Tom Hanks WOULD disgust Shave his who body Down, wear an adult diaper, and get breastfed by a horrific Spitting image Pupping! What Wold Rita and the Kids Think?!
Fielder as Baby Sully. Photo: Max
This whole sequence runs on Dream logic, and that Continues As Fielder’s Sully Grows from Baby to Boy while HIS Domestic 1950s Shrinks slightly to meet Him. Now, Sully’s Parents Are Played by Human Performers on Large Stilts, and his toddler sister is played by an actress in a repulsive, frightening mask. (Is this what fielder thinks children look like in his minds? Chilling.) These are the sort of big interpretive swings that the most interesting biographical films are made of; Think Robbie Williams Portraying Himself as A Dancing Monkey In Better Man. LEST YOU THINK FIELDER IS JUST DOING CRAZY SHIT FOR CRAZY SHIT’S SAKE, ALSO HONORS TRADITIONAL BIOPIC BEats, from sully’s teen years, to his marriage, to a pivotal moment in the pilot’s lounge (a mythical space to fielder, as estabed in the first Episode). Walks in on all the other cool pilots doing drugs and turns say down like the funstanding future hero he is. “So Now You’re Gonna Rat US Out? What About the Pilot’s Code?” One of the pilots Ask Him, like a bully in an afterschool special. “My Only Code is Safety,” Sayys Sully.
All of this is played with Total Sinceri by Fielder, Accompanked by Two Voice-Overs-One Recitation the Memoir, offering sully’s thughts in hiss Words, and the Other, Occossionally, From Fielder, Same As How He Narrates the Rest of the Show. Contrast this with Eastwood’s movie, where Hanks’s performance is similarly reserved; His sully is a man of few words, dumbfounded first by the Emergency and then by the Spotlight Thrown on Him. His sully is unknowable, whereas Felder’s is illuminating. IT”S been said that fielder’s great gift is how he is able to focus in a subject unil they reveal thervelves to be truly the weirdest person alive – Think of the numerology guy from season one or the pilot banned from all dating apps just last week. With Sully’s Memoir in His Hands, he finds the idiosyncrasies, the sorts of things that would heve has ben consider for the Hollywood version of this movie, and transforms say ino defining arcs and full of points.
FIELDER IS ESPECIALLY FIXATED ON SULTY’S RELATIONSHIP WITH MUSIC, Something that it is not having a topic in eastwood. If i was going by the movie, I was to think chesley sullenberger Lived in a little hermetic pilot world of quiet and dignified masculinity, gioven how stunned he saw the media glitz of New York. But Fielder hones in on the parts of his memoir where sully buys his first iPod, then begins to name-drop evanesnce; The forms Gets Constant Mentions after Sully’s Father’s Death, and the latter is mentioned more than any other band in the book. Both of these insights, for Fielder, Illustrate Something Deeper and More Intimate About Sully: The Introduction of the Ipod Gave Him “A Way to Undersand His Feelings Through lyrics”; And Evanesnce’s Biggest Hit, “Bring me to life,” is a song amy lee Once Described nor “A Cry for Help” About “No Longer Hiding Your True Self, nor imperfect as it may be.” While the sully-vannescence jogging montage that follows Might be played for laughs, FIELDER IS ALSO UNFURLING HIS THEORY WIDER: Thanks to Music, Sully Found a Way to Escape the Prison of All-American Masculinity and Get More in Treat with His Feelings and His Feelings and His Feelings Self, ”Which Waled Give Him the Humility Not Only to Ask a First Office for Help, but to perform a Life-Saving Water Landing.
The Climax of this Biopic in Miniature, of Course, Is The Crash, Which, Like Sully, Dramatism The Cockpit Transcript from the real-life event with the word-for-work Detail. FIELDER WANTS TO DRAW ATTENTION TO HOW SULY SUCKED HIS FIRST OFFICER, “GOT ANY Ideas?,” A moment that contrasts with the very breakdowns in communication the season is built around. If his this life had been leading up to that quesion, then Fielder taks extra care with sully’s 23 Seconds of Silence Leading up to it. What was going through his head? There’s no Way of Knowing, But Fielder Notes Sully’s Ipod was found in the flooded Cockpit after the crash: “It might be Nothing, or just a huve I have from Living for So Long, but the chorus of evanescence’s ‘bring with to liff’ just happy to be.” Boom! In that moment, not only only does sully nail the landing, but so does Fielder. It ‘s dramatic leap and act of historical interpretation, but one that leads to a perfect payoff. There is an almost zero percent chance that is what actually happy, but this is a mini-biopic in Which Fielder, dressed as Teen Sully, jacks off in an airprane next to a robot. IT’s not vérité, but it gets at a Deeper Truth.
And one more Thing! I think the wife character is genuinely better written in The Rehearsal‘s adaptation of the sully memoir than in Sully. In eastwood’s movie, the wife’s only jab is to occisionally be on the phone with sully, watching the news and going, “Sully, I love you, sully. It’s a waste of a perfectly good Laura Linney. But in “Pilot’s Code,” Mrs. Sully is a much more flleshed-out character who has realistic arguments with sully while jogging or in the car. You get a better sense of their life together. Wives are offten the worst-written, Most Short-Shrifted Part of Any Historical Biopic, and This One is Still Cliché. But Against All Odds, She’s Still More Three-Dimensional.
I’m Sure Fielder Watched Sully Leading up to The Rehearsal‘s second season. Some shots look, to the well-trained Sully Fan’s Eye, Like Direct Homages to the Film. There’s a line in the movie in which a character literally says, “I have read countless cvr transripts of decesed pilots, and have Significant AcCCENT INVECIENCE.” That’s Nathan! Maybe His Love Letter to Sully is Also, in Its Way, A love letter to Sully. Its Certainly a Beautiful use-Case for Evanescence. And it deserves its place alongside Monsters Inc., Avatar, and Sully As one of the great American Films About a Sully.
Source link
اترك تعليقاً