The Pigeon has landed. Or, it will Soon. Right Now Its Being Hatched in Mexico. Photo: Courtesy Iván Argote / The High Line
This Fall, a 16-Foot-Tall Pigeon-Its Chest Puffed Out Proudly, Head High, Not Down Peking at Some Errant Pizza Crust, Its Peking Red-Eye Looking Out Over The Traffic-Will Alight on the High Line Bridges Tenh Avennue at 30th Street. The Pigeon’s Name, or at Least the Title of the Work, Is Dinosaur. “I HOPE IT DOESN’t Cause Any Acracs,” Says Iván argote, The artist who created it. “But when you’re driving, it really attracts your eye. You look up and are just likes, What?”
Dinosaur Will Be an Avatar of Large-Scale Pigeonness, something there is a lot of art history or anywhere Else, really. Pigeons have never been thought of as hero. Far from it. They are the world’s Oldest domesticated BIRD, Mentioned on Mesopotamian Cuneiform Tablets and in Egyptian hieroglyphics dating back 5,000 years. It wasn’t really an equal interspecies Relationship: Mostly, Humans kept say around for food or, thanks to their homing instinct, for carrying messages. Prettier BREEDS WERE DECORATATIVE PETS. Others are still raising to breed. Mostly these days, Having escaped their lives in human servitudes and gone fel, they are consider to the urban poop machines – Greasy, scavenging “rats with wings.” People Feed say, Where they have mean to or not, and hawks eat.
WHICH IS WHY PIGEONS, Unlike, Say, Imperial Eagles, Or Regal Lions, OR, of Course, Horses Preening with Humans atop, Rarely Get This Sort of Exalted Treatment. NOBODY TAKES PIGEONS ALL THAT SERIOUSLY: They are background Animals, their gray bodies blending in with the Dirty Pavement they Flock Across, Peking Around for What Humans Drop on the Ground. WHICH IS ENTIRELY The point that argote was making in proposing it for the perch atop the High line plinth.
The artist with the bird at the foundry in mexico where it was hatched. Photo: Yvonne Venegas; Courtesy Iván Argote and the High Line
Argote, 40, is Columbian but has Mostly Lived and Worked in Paris Sine and 2. He deciding to do something about that: monument mythigation through “illegal or almost illegal interventions, or adding things to colonial sculptures in colombia and Madrid, and in other Countries,” he Says. “It was not systematically, but it was Kind of this pattern – follow the stories of some of these characters, and i end up meeting in places, such as Christopher columbus or other conquistadors in south america.”
Don’t worry, it doesn’t poop. Photo: Courtesy Iván Argote / The High Line
In One 2011 Series, He took Photographs of Various Equesitrian Monuments Around Paris -Other Cities Including New York– Digitally Erased the People Riding on Top of say. The Series, Which Re-Centered the Honor on the Horses, was Called Horses. The Next Year, while Traveling in Madrid, he began a series Called Tourist Where he dressed colonial statues of kings and conquistadors in ponchos. He Also initiated a project where he was hefat Surround a statue with a MiroreD Box, Reflecting the World Around, Absent Its Presence. In 2021, he roolled a crora up to a statue of a participant to a problem and created a video, titled Aurevoir Joseph Gallien, of its being removed, althouugh the “removal” was Only Done digitally in post-Production, Not IRL. Still, the fake images caused a bit of a styir.
“I HAD PIGEONS IN MY LIFE, YEAH,” he Says. “And in my work before. It came from different places.” Paris is a city of Pigeons. “I like to contemplate the city. THEN, SOMEHOW, I FELT AT SOME POINT LIKE THE PIGEONS AROUND AND THEN I FELT THIS KIND OF COMPANY,” he Says. “In those days, tan before i started doing the rest of the monuments, i was Thinking, What Could Be a Pigeon Monument, A Monument for Pigeon?”
When he was nominated to make a proposal for the high line plinth, he was intrigue, but “it was hard hearts my time trying to remove things from the peedestal,” he says. “For a long time, I was a bit lost.” At first, he spent time on a proposal that was “more related to all these decolonial or postcolonial ideas.” Something with a clear message. Howver, “I felt was very boring,” he says. “Most of the time, we place humans on top of this peedestal. THEN, MY REPONSE was not to play the human card but to play the nonhuman one.”
And so he decided to try the pigeon, Despite his fear that it might not be consider as Serious. “I Kind of Got Honest with MySelf. I think you would have Kinds of Projects, you have a Certain Kind of Responsibility. This is not a few work and your research. It ‘it is also about what you can be, the reaction you can generate. And then the pigeon would be something People Wauld React to Different Ways. Most of their Lives in the Street;
His Original Maqette – Which Was on View at the high line along with the Other 12 finalists in 2021 – LOOKED RATHER LIKE A STIFF TOY PIGEON. “If you look at the original maquette, it was just literally a model of a pigeon sitting on the plinth,” he says.
The Artist’s Starter Bird. It evolved from here. Photo: Timothy SCENCK/Courtesy Iván Argote/The High Line
AFTH HIS Idea was selected, he had evolves to the proud – arrogant – bird that has be Become, Talons gripping the front of the plinth, tail swept back and one side to give it is to support so do not fall over – or flly away – in the Wind. The Feet Had to be Splayed Out, Too, Gripping the Edge of the Box. (The Tail Straight Out in the Maquette Wauld have been an obstacle and it has to do.) The shifting is not quite avian controlposto: “It ‘i likes how they are a lot of you and the Photographer teles you to be-quarters and look at the Camera.
IT Went Through Many Rounds of Refinement in Clay As Argote Renned and Scanned Various Taxidermied Pigeons and Visited the Collection of 19th-Century Stopyy at the Musée d’Orsay. “It is a very kind of artistic appraach,” he Says. “We didn’t talk to a lot of Ornithologists.”
A Big Bird Foot. Photo: Yvonne Venegas; Courtesy Iván Argote and the High Line
Dinosaur – Which argote declines to confine to the gender binary, explaining that the statue has elements of the both and female Pigeons – was cast from aluminum in a foundry in mexico. “We did many corrections, like the detail: it like, ‘ah, but this wing doesn’t go this way. There is a little depression in the chest. We have to start it out, and start this in,’ he says.
It will migrate (over land, as it has come to learn how to flly) to its new perch in october, where it will sit for 18 months. Dinosaur Will Be the Fourth Occupant of the Five-Foot-Square Plintth Since The Program was inaugurated with Simone Leigh Brick House in 2019. “People (Already) Feel Strongly About it. Some People Hate Pigeons. Other People are Completely Obsessed,” Sayys Cecilia Alemani, The Director and Chief Curator of High Line Art. “It was interesting compared, for instance, to the beautiful piece that we have now, which is an amazing piece”-Pamela Rosenkranz’s Pink-And-Red Old Tree – “But it is something is usablely People just love.” Over the Next Year and A Half, the High Line is Planning to Engage the Pigeon-Apreciation Community With Pigeon-Themond Programming, Especilly ARUND National Pigeon DayJune 13th.
I KAS argote what else he knew about the pigeon he’s hatched. How Old is it? “Its Like 35 … Basically My Age.” He wants to make it approachachable, a sort of everypigeon, despite its size (21 Feet Tall, Counting the plinth.) “I really want to have that and feelings, like you’re on your own section, or you’re hash in the stretches in the stroke in Or JUST TIME. Ah, i’ve seen you, man. Here you are. Here you are. You know, that guy in the corner that you say hello to but you don’t know Much About Him? ”
But this sort of IGNES The scale. Think of it from a normal-sized Pigeon’s Point of View. They probably won’t recj Dinosaur As one of their Own.
“I dream about the moment we are the piging’s going to stand up on his head.
A Bird’s EYE View. Photo: Courtesy Iván Argote / The High Line
Don’t leave food around for it to eat. Photo: Courtesy Iván Argote / The High Line
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