



I’ll let you in on a little secret: In the world of true electronic heads, ‘EDM’ hits the ear more like a slur than a genre tag. Much like old-school hip-hop heads or rock purists, the same rules apply to those of us who grew up chasing drum & bass in sketchy warehouses, or sweating out a 24-hour vinyl-only house set in some grimy club basement. Festivals like Tomorrowland? They weren’t even on the radar yet.
Which brings with the coveted island of Ibizaaka Clubbers Paradise. The destination for all things dance music. How do I even begin to explain?
If Ibiza were a person, she’d show up late to dinner, draped in sequins and sage smoke, and blow your life apart with a wink. She’s a playground, a portal, a spiritual glitch in the matrix that leaves glitter in your shoes and ghosts in your chest.
For all its sparkle, the White Isle is less about glitz than it is about alchemy. A place where the world dances to the beat of its own drum machine across the shimmering ocean and confetti-filled crowds of ecstatic people. That’s right, no one is sad in Ibiza. No one has an age either—it’s like Botox for the soul, just being there.
People go to party, but they also go to remember, and to forget. To try veganism. Or techno. Or both. And that tension between the fleeting and the forever is what defines its sound. The best Ibiza tunes are rarely found topping mainstream charts. They’re the ones that pierce your heart, seep into your bloodstream and stay there. Tracks you Shazam under strobelights, then cry to on the plane ride home.
I could wax poetic all day about “Beefa” magic. And if that’s it what you want, dear readers, please do comment below this article (I aim to please only you). For now, though, instead of trying to explain what makes Ibiza feel like a beautiful, high-voltage fever dream, I asked the people who understand it best: The DJs. Or more aptly, party overlords who’ve soundtracked the island’s dancefloors, daybeds, and deeply spiritual come-downs.
What does the summer season sound like? And for this one time onlynot everything that happens in Ibiza stays there.
These are the songs they chose.
Nina Kraviz
Resident at Amnesia, founder of трип (trip recordings), dentist-turned-electronic visionary—Nina Kraviz is nothing if not unpredictable. And her favorite summer selection proves it. João Lágrima de Ouro’s “Pitbull de Glockada” feat. MC Pogba is an unreleased acid-laced funk anthem that hits crowds like an electric jolt.
She calls Screen Rant: “It sounds so fresh and wild at the same time. Especially when played on Amnesia’s impeccable sound system. Most of my sets I’ve been playing really trippy music so when finally this number comes in it creates a hurricane of appreciation on the dancefloor!”
Danny Howard
BBC Radio 1 tastemaker and Pacha headliner Danny Howard spent summer 2025 at the center of Ibiza’s cheeky, sweaty chaos. The track that defined his residency? Luke Dean’s “Wanna Fuck”—a bass-driven bomb that started as an ID and quickly became a fan-demanded moment.
“It’s been one of the hottest tracks on the island all summer,” Howard tells Screen Rant. “And when the whole crowd shouted it back at the Pacha closing party? Unreal.”
Blond: ex
The once-duo turned solo force behind Blond:ish is redefining what mindful hedonism sounds like. A solo queen of ABRA X and house music’s eco-conscious wave, her sets blend elevation with straight-up euphoria. Enter “Rise” by Ronnie Spiteri—a track built exclusively for her summer sets.
“I’ve been playing Ronnie’s stuff all year, but this one? Shaped my Pacha sets completely,” she says. “So we signed it to my label. It just felt right.”
I wrote
From dubstep don to techno disruptor, Skream’s evolution has been loud, fast, and impossible to ignore. He lit up DC-10 and Hï this season with “Bass Tool,” his collab with Alex Culross that caused complete terrace mayhem.
“The breakdown caused carnage every single time,” he asserts. “That goes for Hï, too.” The track’s ruthless simplicity made it Skream’s biggest weapon this year—and proof that his rave instincts are sharper than ever.
Fatima Hajji
A high-voltage techno priestess with a global cult following, Fatima Hajji brings ritual intensity to every set. Her personal Ibiza anthem? Her own production, “Holi”—a tribal-tech weapon with primal pull.
“Every time I played this at Amnesia, it felt like leaving a signature,” she says. “The tribal-style vocal makes people instantly recognize it and go all in with overwhelming energy.” It’s bold, relentless, and completely unmistakable—just like Hajji herself.
Estella Boersma
Model, Berlin-based DJ, and techno tastemaker Estella Boersma has been riding a killer wave from Berlin to the Balearics. This summer, her setlists had a secret MVP: Ken Ishii’s “Autopilot.”
“It’s a rolling, peak-time banger that just works,” she explains. “I played it everywhere—from Pyramid at Amnesia to UNVRS—and it never failed.” For Boersma, it was the underdog anthem of the season. For the crowd? A masterclass in bounce, engineered by a sexy-wise professor.
Credit reporting: Taken over Amnesia Ibiza’s 15-hour closing party that kept ravers dancing until 1:30 pm A historic sign-off for the iconic venue as it enters its 50th anniversary year. The event closed with a message from the club: “Ibiza, don’t lose your soul.”
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