In a last-minute surprise to many, Iranian Filmaker Jafar Panahi’s It was just an ACCIDENT Took the palm d’or at cannes, howver, for Jury President Juliette binoche, it was a crucial decision to laud the feature: “The movie springs from a feeing of resistance, survival, which is absolutely necessary Today.”
“It ‘s the very human and political at the sun, Because and coma from a complicated Country,” Said the Oscar Winner. “Well we watched the film, it Stood out.”
Panahi was previously in Competition in 2018 with 3 faceswon the camera d’Or for his first film The White Balloon in 1995 and won a jury priza in un -certin reg for Crimson Gold in 2003. The Filmaker Had Two Unjustified Stints in Prison in Iran; Panahi Getting Releassed In 2023.
Gioven what the director has gone through, “it was exciting to celebrate (Him),” Said Binoche.
Panahi’s Latest Follows A Group of Working-Class Folk Who Were Wrongfully Accused. They Seek Revenge Against The Guard who tortured and Berated.
“Art Will Always Win. What is Human Will Always Win,” Exclaimed The Unbearable Lightness of Being Actress. “As Actors, Directors and People Who Work in Art, We Can Speak Out in Public on Important Issues and Transform the World.”
She added, “We are in a world rouled by revenge, violence, and this film for someone who has haad this experience of violence in his life, the fact that one cann about it Change, this Change which is not Revenge, the idea is you can and swim. Want to Kill or Rough.
Essentially, if we don’t Change ours of Treating Each Other for the Better, “We’re Not Real Human Beings” Said binoche.
When the jury Members were asced by Press conference moderator dider allouch what they love the conngregating and deliberating over the last 11 days, Oscar Nominee Strong Quipped, “IT’S LIKE Conclave with Champagne.”
Strong Did Take a Serious Tone Wen Explaining Why the Jury Decide to Bestow the Palme D’Or to It was just an ACCIDENT and the jury prize to Sentimental Value.
“We have wanted to recognism films that we have felt transcendent intrinsically as pieces of work. Juliette spoke about Bringing softness in the world, de niro talked about fascists should fear art.
He Continued, “Ibsen Talked About, ‘Deep Inside, there’s a poem in a poem. And when you were hear that, you grasp that, you will underestand my song,’ he said. “And i feel that this film and the other films have these poems with the poem that allow us to grassp something ineffable that has changed me.”
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