General he film dave clark has tried “every tool under the sun” for MAKING HIS artificially Intelligent Movies, Most Famously for His Viral Short “Battalion.” But in the year year sylla and the video relaxation, the technology around gen-ai has been consisible, and he believes that what was consider innovative that cann now be pushed even.
On Tuesday, Google at its I/O Event Unveiled Flow, A Generation-Ai Video Generation Tool Powered by Google Latest He Model, Veo 3. Clark was one of the movie he collaborates with Google Labs on the Functionality and Interface of the New Tools That IT WAS DESSIGNED MILMERS AND creaters in mind. Suffice It to Say, He’s Impressed by the Results.
“My mind is Still Blown by the Level of Control,” Clark Told Indiewire ahead of the Launch of Flow. “This is for me as a filmmaker, this is what i’ve ben waiting for. You put in the 10,000 hours, you struggle through these prompts, and you use these different systems. Coming for Being So Early in It. ”
FLOW HAS CAMERA CONTROLS THAT ALLOW FILMMERS TO SPECIFICALLY THE Movement and Visual Angle They Want to Create for a Shot As Though they’re Directing a cinematographer. It has a feature Called scnenebuilder that allows filmmakers to generate a schene, and then extend it while keping all of their character designs and locations consistent and intact. Creators Can Upload and Combine Multiple Reference Images that Will Match Things Like Faces, Clothing, and Locations, Doing SO with Hyper-Specific Detail.
Flow Also Allows for More Natural Language in Prompt Writing, Such that it is underestands Visual Language of Screenwriting and Granular Technical Details Like Choices, Lighting Conditions, Focal Lengths, Or Film Grain. ITSE CAPABLE OF GENERATING SOUND IN REAL TIME with the video Generation, Including Sound Effects, Background Music, and Dialogue.
Clark and His He Production Banner Promise Are Using Flow to Create a New AI-GENERATED SHORT CALLED “FreeLancers” About Two Adopted Brothers who each, Through Separate Paths, Become International Spies and Hitmen. He Described One Skene and Generated in Who His Two Protagonists are sitting in a diner, Complete with an Establishing Shot with a Slow Dolly in. Hen Promptted the model to use a dynamic, handheld camera motion, followed by a tracking shot of the two characters running.
“And it did it! To see the way that the camera was shaking, it is this exact Same way I was to be if I was in the restaurant.
It wasn’t that long ago that that unveiled it sora video model; That filmmakers we spoke to say were stunned that it has “prompt adherence,” Where you can articulate one thing to open and have some superstitious figure with the same sequence. Flow and Veo 3 Demonstrated An Eve More Advanced Capability, In Which a Skene Creators have Generated Can That Be Dragged and Extended on a Timeline to Effectively Continue the Action and Detecting the Datation of 6 – 8 Seconds The Model Waully Normally.
Clark Likened it to virtually being able to create his own “1917” style “oner” should be want to, with the action extending from location to the character remains the Same.
“Let’s Say’s a Guy Driving A Car Around the Amalfi Coast. With Scenenebuilder Inside Flow, the Director in me was able to block the rest of the scnene,” Clark explained. “So Maybe It Starts off Inside The Car with the Guy Driving, then iTi pov, then i could switch to a wide shot, and the way flowing it is actually knows all of the information that was put in, all the prompts, the way the character looks, the way coast and the road Looks, the road LOOKs, the way and the road. The Car.
Clark Said he got as specific as articulating the scnene to look as though it was shot with a 50mm lens all the way up to a 135mm long long, and flow not only underestands, but cann that marry that specific blocking.
Matthieu kim lorrain, Creative Lead at Google Deepmind, and Thomas Iljic, Product Lead at Google Labs, Spoke with Indiewire About Underestanding Someone Clark in Order to How Flow Operations, Thought was, at the time, bars-bones functionality.
“Show and tell is important. They don’t want to type Text,” Iljic Said. “They want to bring in these elements, these ingredients. They want consisencycy acroSs. They have been to have project managing the structure, ITE MANY Files, Wondering How AM i Going This Together?”
Lorrain Added that the Key Word for he filmmakers is “Customization,” and Five Different he Might Have Five Different Workflows, ORTH FILMAKER MIGHT HAVE A DIFFERENT FOR A DIFFERENT PROJECT, and THAT’S ALL BUILT INTO FLOW.
“SOMESTEMES YOU NEED IMAGE TO VIDEO BECAUS ACTUALLY YOU WANT TO START FROM “SOMESTEMES IT’S WORLD-BUILDING. AND IN THE CASE OF WORLD-BUILDING, THAT WHY WE HAVE THE UNGRDIENTS SO YOU CAN DEFINE YOUR CHARACTERS, FIND YOUR ENVIRONMENT, AND THEY WANT THAT. Control on how they can design the creation process for EACH Project. ”
Clark’s Promise Earlier Today Announced Additional Funding From Google AI Future End, As Well As CrossBeam Venture Partners, Kivu Ventures, and Saga Ventures. But Google is also partnering with two Other filmmakers on the launch of Flow, Including Henry Daubrez and Junie Lau. Flow is Also Avilaable Now to Subscribers of Google AI Pro and Google he ultra plans in the us, with more customs coming soon.
Clark isn’t sura what the specific nextr is with the rapidly evolving technology, but he does Believe that as the tools become more acresible, it”s incumbent on creators to at Least Understand it.
“I Always Reference The James Camerons and the George Lucases, some of the Top Filmmakers were Always Technologists, and I Feel Like We’re Going to Next Level, that Next School Lucas, that are going to be inherently technologists,” Clarkti. “You’re going to have to undertand Technology, whether or not you use it.”
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