My relationship with David Bowie started at our very first shoot. I was to photograph his band Tin Machine for a cover of CREATE warehouse. I would be the last shoot of a very long press day, and I knew that I needed to do something different than what they had done all day. So I decided to paint them with light using a flashlight. I presented the idea to David; he smiled and said, “Show me a Polaroid.” I turned the lights off and I started moving light over their faces. I pulled the Polaroid and handed it to David. He smiled and said that it was one of the most unusual ways he had ever been photographed. A few months later, I got a call from Rolling Stone. David had requested me to shoot him for an article they were doing. This started our 15 years of collaborations: I would get a phone call from David’s office, and they would ask if I was available to talk to David. A few minutes later, the phone would ring, and David would tell me about the project. On the day, he would bring his clothes and some props. I would present ideas of how I would light or stage them, and we would just start to play. His openness to create in the moment and go in whatever direction it took us was one of the most amazing gifts I have ever been given as a photographer. He always wanted to go beyond our comfort zones, and he trusted me to push myself — to go out into the water until my feet could no longer touch the bottom.
—Frank Ockenfels 3, author and photographer of Collaboration: Frank Ockenfels 3 x David Bowie
Shot in New York City. Photo: Frank Ockenfels
Ockenfels 3 placed lenses in front of his camera to distort the images of David Bowie during their second photo shoot for Earthling in 1996. Photo: Frank Ockenfels
Bowie brought his own translucent mannequin, adorned with a horse tail and hooves, to his men’s fashion shoot for The New York Times Magazine. Photo: Frank Ockenfels
Photo: Frank Ockenfels
If these images of David Bowie, taken from his publicity shoot for Realityevoke Elvis Presley, that’s intentional. They’re inspired by Presley’s 1959 album 50,000,000 Elvis Fans Can’t Be Wrong. This was one of the most extensive shoots Bowie and Ockenfels 3 did together, Joe Levy writes in the book’s introduction. Frank Ockenfels 3.
If these images of David Bowie, taken from his publicity shoot for Realityevoke Elvis Presley, that’s intentional. They’re inspired by Presley’s 195… If these images of David Bowie, taken from his publicity shoot for Realityevoke Elvis Presley, that’s intentional. They’re inspired by Presley’s 1959 album 50,000,000 Elvis Fans Can’t Be Wrong. This was one of the most extensive shoots Bowie and Ockenfels 3 did together, Joe Levy writes in the book’s introduction. Frank Ockenfels 3.
Ockenfels 3 shot Bowie for a New York Magazine piece about his favorite places in the city. He mentioned Soho House (he was a founding member), Washington Square Park, the Strand, and artist Julian Schnabel’s house. Photo: Frank Ockenfels
Because Ockenfels 3 and Bowie’s collaboration spanned decades, the book includes two collages with handwritten notes and drawings over outtakes of the singer. Photo: Frank Ockenfels
Excerpt from the new book Collaboration: Frank Ockenfels 3 X David Bowie (Abrams) by Frank Ockenfels 3, available wherever books are sold. © 2025 Frank Ockenfels 3
Source link
اترك تعليقاً