Star Wars: Visions is the franchise’s most creative series, and season 3 continues to impress. When viewed in comparison to Star Wars‘ other TV shows, Visions is singular. It is a completely non-canon series that collects different animation studios from across the world to convey their individual, unique takes on a galaxy far, far away.
For the canon heads, this is often seen Visions ranked among the worst Star Wars TV shows, as it is hard to invest in something with no link to the wider franchise. However, I have always seen merit in the show, as it purely rewards creativity and different takes on Star Wars than anything else in the franchise.
While I agree with that Andor is Star Wars‘ best show, I have long thought the franchise’s animated efforts are overlooked. Visions is no different, despite the show providing the perfect way to indulge in smaller, meaningful, strikingly artistic stories in the galaxy we all love. thank you Star Wars: Visions season 3 continues that mandate and remains as impressive as ever.
Star Wars: Visions Season 3 Has No Bad Episodes & A Few Stellar Standouts
Nor has it been the case with previous seasons, no season 3 episode was bad. Yes, there were a few that didn’t quite land, but all episodes hold their own merits, with a few clear standouts.
The season’s opener, “The Duel: Playback,” continues the story of season 1’s “The Duel” protagonist, a former Sith hunting other Sith warriors. This episode was excellent, beautifully animated by Kamikaze Douga and Anima, with its iconic black-and-grey tones that are offset by stunning lightsaber colors. The Japanese influences were clear here, in both fight choreography and locations.
Episode 3, “The Ninth Jedi: Child of Hope,” is the best of the bunch, however. This was no surprise, given that its predecessor, season 1’s “The Ninth Jedi,” was the best from that batch of episodes. This episode continues the journey of Kara, who is stranded on a derelict ship and left to fight off her pursuers.
Nor both a continuation of season 1’s story and a backdoor pilot for star wars Ninth Jedi show, this episode was fantastic. It had great voice acting, engaging action sequences, an incredibly lovable side character named Teto, all while it continued to explore this sect of Star Wars in intriguing ways.
Beyond these two great installments, there were a few good episodes sprinkled throughout. WIT Studios’ “The Bounty Hunter” was fun and told a simple story with believable motivations. What this did with a certain split-personality droid was great, too, and truly showed the unique nature of Visions while hiding behind a typical Star Wars archetype.
Episode 2, Production IG’s “The Song of Four Wings,” did the same with its astromech droid, allowing for a particularly cool action sequence never seen before in Star Wars. I’m also a sucker for lone wolf and cub stories, and the immensely cute Woopas stole my heart here.
Episodes 5 and 6 were my least favorite installments of Visions season 3, but neither was outright bad. The former was simply a cute, family-friendly tale that didn’t grip me, while the latter felt the most typical Star Wars. This doesn’t mean it didn’t work, but considering Visions‘ usual flair for creativity, unlike anything else in the franchise, it was disappointing.
Episode 7 was, again, just another fun story about an individual rebellion against the Empire with some good action sequences and cool creative moments. The final two episodes featured two of the most visually striking of the entire season, although they fell short in the storytelling department, regardless of how much they pushed franchise boundaries.
Star Wars: Visions Season 3’s Visuals Are (Mostly) Always Amazing
Episode 8, “The Bird of Paradise,” and episode 9, “Black,” were undoubtedly the visual standouts of Star Wars: Visions season 3. The former’s 3D animation, by Polygon Pictures, had one drawback in that its human characters felt wooden and unmotivated. However, the locations and visual trip through the Force were stunning.
Episode 9 is the most wacky, insane, bizarre story Star Wars has ever toldif it can even be called a story. This 13-minute episode is a psychedelic trip through the mind of a stormtrooper before his death, featuring some of the most effective animation in the franchise’s history by David Production.
It is incredibly difficult to explore what exactly this episode was, but I think I love it precisely because of that. I want Star Wars to push boundaries with what it contains, and this episode certainly did that, on a wildly visual level.
Beyond that, every other episode looked great. The classic Star Wars visuals were all there, and everything new and unique was animated to perfection. Only episode 6, which I found to be the most typical of the bunch story-wise, seemed uninspired from an animation perspective. It wasn’t bad, it just wasn’t as unique as the others.
Star Wars: Visions Season 3 Has A Strong Voice Cast
i love Visions for how it shows me, visually, a different type of Star Wars. This means that the voice acting can sometimes be inconsequential. The show has a lot of stars in its English dub, but the animation is what I tune in for.
That said, the voice cast of Star Wars: Visions season 3 is still strong. Big stars like Stephanie Hsu, Simu Liu, Emma Meyers, Anna Sawai, Mark Strong, The Acolyte‘s Jodie Turner-Smith, Ryan Potter, Karen Fukuhara, Freddie Highmore, and Tanner Buchanan are sprinkled throughout.
All give good performances as their respective characters, with Highmore being the standout. Teto, the aforementioned droid from “The Ninth Jedi: Child of Hope,” genuinely brought tears to my eyes, primarily driven by Highmore’s lovable voice acting.
jumpsuit, Star Wars: Visions season 3 was hard to get wrong. Lucasfilm has been giving different animation studios free rein to tell intriguing, fun, creative stories with no canon limitations. Unless that changed, season 3 was always going to work. Thankfully, Lucasfilm continued to believe in what was done Star Wars: Visions so compelling, offering up another batch of beautifully animated stories.
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