فايز بن جريس توركي اليوسف يخودان صرعاً ويواجهان خالد صقر

In one of the border areas, there are conflicts over power, leadership and leadership, and over who is the strongest in the forbidden trade between Abbas and Yusuf, who decided to implement the will of his father Al-Hansh, in the Saudi drama “Al-Dariya”, based on the story of Latlal Al-Awaji, the scenario of Al-Fawz Tanjur and directed by Majdi Al-Samiri Watanjur, commissioned by the original content unit directed by Rasha Ali and under the supervision of Samar Aqroq, which is from the original works of Shahid in cooperation with “MBC studios” witness

تحميل الحكاية من طفولة يوسف هذا كان عقرف أصدقائه تركي يومزايك, عددها رسم كل منهما ترقة وحدّد اقتصاده. وم مرور السنين, جديد الصديقان نصفيهما في قمائة عرض المزيد بين بين بين بين بين بين. وفي وقت يسعيافيه فيه تركي, جديد يوسف نفسه منغمساً في الإتجار بالمخدرات والسلاح ومدفوعاً to face Abbas, قطعل ابيه الحنش وست صراع ممتد بين أكثر والغوسبة. ويضم العمل كوكبة من أبول لبن على راسهم: فايز بن جريس, تركي اليوسف, خالد صقر, ريم الحبيب, آيدا القصي, خيرية ابو لبن, وعبد الله متعب.

Fayez bin Jarees

Fayez bin Jarees

Fayez bin Jarees explains that “Yussef’s personality is strong in nature and he learned wisdom from life and the experiences he had, not least from the one he lived with his father who promised to complete the road after him and the road to Alhansh”. ویردف فایز بالقول إن “Joseph is not an emotional person, but the owner of a strange principle, he is satisfied with the fact that he trades in drugs and refuses to trade in weapons, believing that he does not trade with death, and the responsibility increased against him after the death of his father, where he was obliged to carry out his duties and inherit from him.”

He describes the first meeting with Abbas as a stranger, in contrast to his strong relationship with his brother, Khaled and Dalal, and he is keen on protecting and defending them, and he considers it a red flag, while he lost his brother, Ibrahim, when he gave up his father’s blood. ویری فایز ان “The personality is different from everything I have done before, because the personality is mature, protected even by sharing love and affection with the closest people, and this is what attracts me to it the most.” As for the story of love with Balqis, he says: “He is the love of childhood who grew up with him, and he was convinced that he was going to be in the possession of some of them despite the obstacles.”

تركي اليوسف

تقري تركي اليوسف: “I tried to make a person like a human being, the person who lacks the human qualities, and in my stage, he knew how to convince Ibrahim that he would greet his brother Joseph, and then he would confess his secrets to Joseph.” ویدیف: “عباس مهرّب, the head of a dangerous gang and one of the biggest criminals on the border, appears with the features of a strong, powerful, and coercive personality.”

ویردف اليوسف بالقول إن “The conflict started between Abbas and the Hansh as the competing forces, and the fire was fired between them, enabling Abbas to kill the Hansh, and then, Yusuf tried to avenge his father.” ویدیف: “اباس could have eliminated Yusuf from the beginning, but he may have seen it in this way.” ويسف عباس كرجل لا بيت له, بل جموعة واكار, ولا زوجة يخاف عليها ولا بن, ووه متفرّد في والتريب والصراع في التحريب على كونه دموياً وقاسياً.

تركي اليوسف sees that “the real hero of this action is the place, and it is different from the rest of the popular dramas, and it was filmed in the south of the Kingdom of Saudi Arabia near the region of Al Bahah, and it was completed in Jizan”. ويختتم اليوسف الحديثة ويختتم اليوسف الحديثة ويختم اليوسف الحديثة على على كونها ومغرية وممتعة للمثلة.

ريم الحبيب

ريم الحبيب

تقدّم ريم الحبيب the personification of Maryam, and she says: “she is a rural woman and the mother of three children, her husband was killed in a gang war on the border in the south, and she seeks throughout the journey to take the gold, and she chooses between the gold and the safety of her children.” And about her attraction to the character, Reem says that “most of the female roles are supporting and not the main ones in the course of the events, and this does not mean that this role is not supported either, but it has a special role and a fundamental effect in turning the story and pushing the main characters forward, in addition to the fact that I like works that highlight the stories of gangs and the influence in the form of movement and interest in general, and unfortunately it is not written especially for women, and therefore it seems different from the approach المتعارَف عليه”. وتعفي الحبيب: “Mariam في احد الشكور عمّرت العسلم, وقانت تنوي أن تعليقه على راس عبس.” وتتترق الحبيب الى كوت تحديرها في شركة بالقول: “I read the basic idea of ​​the work, and I get to know its characters, then I dive into the character that I wanted to present, and from there I lead the work according to my feelings, so that some of the observers become nervous, like the witness of death or punishment in the series “Shar’ Al-Aashy”, for example. وتري ريم الحبيب أن “البتولة لا تصنع الثلاثية”, وحيث ثلاث عن الأدوار تطبيق تحميل وبُداً درامياً

Khalid Saqr

Khalid Saqr

On his part, Khaled Saqr talks about a Turkish character in “Al-Dazariya”, saying that he is “a policeman who has a very difficult task in his village, and it represents the arrest of drug dealers in it, to put a final end to the topic of drug trafficking and violence together”. He points out that “the Turks and Yusuf were childhood friends, they played together, and they both grew up with their big memories together, they grew up and grew up with their dreams, and they took their own path, and they decided to entrust the task to the Turk in the village where he grew up, and it is necessary that his opponent in carrying out justice is his closest friend at the time of his upbringing, and he has an old relationship with the whole family, and not only with Yusuf.”

ویدیف صقر: “After a period of time during his stay in Al-Riyadh, he acquired the Turkish language of the people of the capital, and he changed his mind to that of the people of the city.” And he stops at the internal conflicts that he goes through, “who does not want it to affect the life of the prophet in any way, and provokes the stranger who clings to Joseph and that he refuses to trade in arms or in death, but he is content to be one of the leading drug dealers.” And Khalid Saqr confirms that “the first goal of the Turks is to succeed in the elimination of drugs and prevent drug trafficking, even if Yusuf or Abbas or any other person, or even his father, were behind these matters.”

Al-Dairyah Al-Drama Saudi Arabia “Al-Dazariyah” includes, along with Fayez Bin Jaris, Turki Al-Yusf, Khalid Saqr, Warim Al-Habib, including: Badr Mohsen, Al-Fahd Bin Bandar, Abd Allah Mutaab, Aida Al-Qassi, Aziz Bahis, Saeed Saleh, Khairiyah Abu Lubn, Mansour Batal, Sara Al-Bahlki, Ahmed Al-Turki, Abd Allah Al-Baraq, Fahad Al-Abdali, Abd Al-Aziz Al-Khatlan, with the participation of Omar Al-Dinini, Abd al-Aziz Al-Skirin, Gibran Al-Jabran, Hind Muhammad, متعب القميزي, يحيى غماري, وعدلة في القديرين مريم الغامدي, وعبد اليله السناني.

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