Akris Group ربيع وصيف 2026: balance between engineering and art

في موسمٍ تغت عليه المدائب المنظمة و الجريئة الجريئة, جائة الجودة علبرت كريملر لدار Akris كفسحة من الصفاء البسري And the creative depth, the presentation was not just a review of the fabrics and the colors, but the architectural poem expresses a rare balance between beauty. architecture and artistic comfort.

من ذلك استلهامه لاعمال الامريكيان عنت ليون بولك سميث, قدّم كريملر عرضً يكتوس روح الفن التجريدي بلمسة من رسود السويسرية التيميز العلام منذ عقدة.

الفن بوصفه مصدر الإلهام: ليون بين ليون بولك سميته والبرت كريملر

1. استمد كريملر his vision for this season from the works of the artist Leon Bolk Smith, احد روّاد التجريد الحندسي في قرن إذهن.
2. The display platform has a huge panel of folding works, made of curves and sharp lines that interact with each other visually.
3. This visual language turned into a design map within the group from the curved lines that appeared on the fabrics, and the color divisions وُزّعت كما لو كانت على بلدة عنة.

But Karimler didn’t translate the art into literal translation, but he translated it between the surface and the structure, between the color and the length. Every part of the show looks like it’s talking in the language of art, without checking its function or daily routine.

From the blue sea to the blue sky

1. After the autumn group dedicated entirely to the blue sea color, spring and summer 2026 came to announce an explosion of colors and life, Display in red and white colors, select the season graphic, then follow the purple and cobalt shades والحمزية في تتابع بسري لافت
2. The colors in the presentation of the cross were not mere decorations, but a tool for expression, because each color seemed to emerge from the fabric itself, as if The cloth breathes the light, and it played the Japanese Al-Danim in this context, and the quiet light was brought to life. At the level of the working level, it represents the concept of “Al-Fakhamah Al-Sammtah” which is perfect.

حرفية المنزل: هذا تتفورة المتحدة للتحكم

1. For as long as the Swiss craft was the heart of the heart, and in this collection it was shown in its beautiful form, leather-based leather goods. السويد البنفسجي الغامق, والسترات الكتانية ذذ اللمعة المصقولة, وفساطين الكريب حريرية التي انسيبت بخفة على السودم, جميعها جسّدت كيف كيف للمادة أن تعليقة للمتعرف الفنيكي.
2. الحورة المقاسمة التي ميّزت عملة بولك سميث على شكل درزات و لوحة و حندسية تُشكّل السودام بدون ما تُزّنه. The balance between the fabric and the structure was very precise, so that the beauty can be born from accuracy, not from exaggeration.

كالمنحوتات وحقائب كلوحات تنسخة

1. Among the most prominent moments of the show, the series of vertical dresses that included colorful panels made directly from Paul Smith’s paintings, was the result نحتية بسريًً, إث تعريفة شكل جسم على هندسية هندسية.
2. But the leather handbags were a natural extension of this technical dialogue, as they ended with similar color divisions, so it didn’t make all the difference. The bag looks like it looks like a bag. بیسنام, کریملر کریملر کودود موسیدہ إلیہ فزاء التسلیمہ والفن التشکیلی.

باستة ثلاثة وست فيلفة لوحة

1. Despite the richness of the colors and the softness, the cream chose to balance the group with a series of short black dresses, these pieces were like A moment of silence amidst the symphony of colors, a reminder that the elegance in the world is as long as it is connected with the control and the protection.
2. The finishing touches are not flawless and flawless. And so, تعاحت الباسطة إلى بيانٍ جمالي قوي, يُُُــــفـــــــــــــــــــــــــــــــــــــــــ مــــــــــــــــــ, of the form of power.

بين قطع الترنش والفن التجريدي

1. I ended the show with rich looks like the embroidered Altar coats with shiny black threads and the dresses are re-drawn with the curves of the Tajiridiya in the movement متموجة, لم تكن هذا إناث صاخبة, بل تمعلية وراقية, فعل وكأن عرض يهما يهما يهما هما ساخبة.
2. This last gesture confirmed that Akris, in the hands of Karimler, does not seek to have a momentary spring, but to establish a continuous design language, a language تحاور الفن وحتفي بالحرفية, دون أن تنفسل عن الحياة جديدة.

Contemporary Philosophy: هندسة الإحساس

1. What distinguishes Akris in this season is not only the precision of engineering, but the ability to convert ignorance to affection, the presentation was like a statement جمعلي confirms that الحداسة لا تعليب البرود, and that the organization can embrace the emotion.
2. أبلاد كريملر عنه ليعبّر عن نفسه عنه ليعبّر عن نفسه. فتسومهمه على الفكر فر آبرينة, على على بولمن بين شامل و جوهر, ووذا ما على الفكر لرفر وسيور 2026 More groups تماسكًا وصدقً في عرض المزيد هذا مسون.

Between art and fashion: continuous

1. While many of the designers were busy reworking the past or experimenting with bold future forms, Kreimler remained faithful to the essence: the search for Al-Naqa Al-Jamaly, he brought the works of Paul Smith to a new design language that pulses in unison, reminding us that Al-Jamaal does not need سراخ ليُسمع.
2. At the end of the day, the Akris Group is set for the spring of 2026. على القدب, والدقة, والصدق فنيكي. إنها احتفاة بالباسطة كقيمة جمالية, بالفن كمصر لا يندب لللهما.

When the engineering meets the poetry

1. في عرض Akris, تمازجت الهندسة بالعطفة, والعقل بالجمال, والدقة بالحساس, قدّم علبرت كريملر قدّم تمازجت بالعطفة The most mature designers in the world.
2. The fabrics, the colors, and the lines speak in one language, the language of balance, which does not know the noise, but the quiet effect والعميق

The Akris group for the spring of 2026 is not a single chapter in history, but a philosophical statement about the meaning of contemporary elegance: to be honest, تحميلًا, وفنيًا في كل خيطٍ وحركة.