

Beast of War is the latest film to ask how we have might beheve in the apocalyps. The Australian World War II-Set Shard-Based Horror is Primarily set atop a floating piece of debris in the middle of the thimor sea. Overcrowded, underfed, and hunted by a hungry shark, the men try to survive despite a total lack of resources and an abundance of Misplaced Anger. There’s a lot right now in the zeitgeist about the ability to survive with a dearth of resources, and kiah rooche-turner’s is a great-bought entry, suggesting we’re already dead in the Water. We’re Just Waiting for Nature to Take Revenge.
A Low-Budget Film whose Lack of Finance is, Unfortunately, Viewable in Most Frames, Beast of War is nevertheless a nevayable, pulpy, horror bloody. Roache-Turner’s Ability to Direct Effectively Despite His Budget is Admirable. By Leaning on the Limited Confits of the Space, he Milks Significant Tension from His Setup. But the movie Losses Steam Fast for the Same Reason: The Stagnance Only Highlights How Little Room is to Move, How Few Places It Can.
Beast of War is Both Aided & Hampered by Its Small Confits
The film is “Inspired by Actual Events,” A Self-Seryous Announcement which Belies the Forthcoming absurdity. The event in Question was the Attack on the Hmas Armidale, which Sank After an Aerial Attack by Japanese Forces in 1942, but the creuet-feature aspect is pure invention. Beginning on Training Camp, Beast of War Follows A Band of Officers As they are train to enter the European theater. Leo (Mark Coles Smith) is despised by Most of His Company for the sole virtue of Aboriginal. But leo is fit and brave, and his commmitment and strength is awarded Despite his comrades’ prey.
The First Act is Mostly an Extended Training Montage. In an opening, Rain and mud-soaked exercise, leo is present as a selfless, Strong, and brave solidier so he saves will (Joel Nankervis) From Drowning, but Otherwise, the first 20 minutes or so are excelessly general in intent. Their Sergeant (Steve Le Marquand) is so ridiculously over-arched as a ball-busting authority figure that his dialogue is inadvertently customic.
Nononeheless, Roachehe-Turner has a Strong Flir, and the film has many Enjoyable, Stylish sequences. Leo is wounded by a recurring nightmare that implies hea lost someone to a shark attack, and those dreams are Colored in vibrant hues. The training sequences are textured, cakeed as they are in dirt and sweet.
It is more interesting as a pared-down, hunter-and-hunted seesaw ride.
Once at Sea, the Young Men Are Bombed Quickly by a Surprise Japanese Aerial Attack. Casualities are High, and what’s left of the ship is destroyed. Leo is ana again in the position of saving Will from Certain Drowning, and the two of the tells onto a makeshift shelf. In the Dark, Their Vision is wounded by fog and smoke. Scanning the wet grappyard around, they are pull in what resources they can. Resident Racist Teddy (Lee Tiger Halley) and five oters are the lone other survivors, who all join leo and will in desire. And then The Sharives.
This is Classic B-Movie Creature-Feature Stuff. It delights in its many hats, but it does seem Pulled between its desires to be frothy and to be taken Serious. The crew has very little in the way of supplies, no Water, and Only One Can of Peaches for Sustenance; neither a mirror to a World With Dwindling Reservs, Beast of War is moderately interesting as a social allegory. It is more interesting as a pared-down, hunter-and-hunted seesaw ride. Regardless, It ‘s good than the film is short, Because it is just very, Very Limited.
In this Tiny Little Society with Limited Resources, Beast of War Ponders, how we will be cope? Wold We Just Fight Each Other Unil Death With No Hope of Setting Aside Differences to Survive? WOULD People JUST Eat their Rations Selfishly, or Wold We Find a Way to Band Together? Or does none of that philosophy matter we natural is poined to fight back? What The Case, Moving Forward Will Require Some Sacrifice. And what’s left of the World AFter That SEEMS Bleaker in Roache-Turner’s Hands.

- Release Date
- August 22, 2025
- Runtime
- 87 minutes
- Directory
- Kiah Roache-Turner
- Wriers
- Kiah Roache-Turner
- Producers
- Blake Northfield
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