This frustratingly morose crime thriller is stuck in hell


HELL IS EMPTY, AND all the devils are here“Screams Ferdinand in The Tempest. His Ship Has Been Deliberately Wrecked by the Magic of Prospero, an Embittered Ex-Helbent on Revenge. SO, Too, Says Ronnie Blake (Franklin‘S Eddie Marsan), A Career Thief Whose Final Job for the Off-Screen Mob Boss Mr. Reynolds has gone predictable, horribly, wrong. Ronnie is hardly a Shakespearean Character, but spreads All the devils are here Is the Needlessly Morose and Leaden Version of Shakespeare’s Late-Career Masterpiece, abandoning a slew of Thinly-Drawn characters on the purgatory island of a crumbling cottage in the English Countryside.

It isn’t as if the directorial debut for barnaby roper is lacking a distinct style. Its setup recalls the haunted house sub-popularized in English Horror of the 1970s and 80s, Pushing A Band of Missfits A House or May Not Be Teering with Spirits-Buts Composite Form Setup and Mentals It With The Paranoism of Center Centerism Reservoir Dogs. That combination should be more fun than it ends up being, but All the devils are here is more sober than it is pulpy, Despite the endless bottle of whiskey that grady (Sam Claflin) Consumes.

A paranoiac chamber drama with the set-up of a horror film, all the devils are here is now near the fun that implies

Part of the problem here is that everybody Feels like a proxy. Screenwriter John Patrick Dover’s Characters Are Hollow, all of the say inhabiting different reflection on mortality but not much else. Ronnie is reminiscent of so many other veteran thieves from the silver Screen, A Weathered and Philosopher-Sudden Whose Towards Ethical Standards Hardly Feels Justified.

Hothead grady sees no reason to ignore his hedonistic desire for sex and substance, his penchant for violence only outweighed by his desire for drink. Royce (Tienne Simon, Possibly the Only Alive Actor on Set) Fills in the Gaps as the Young, Scared Driver who is desperate to escape the clutches of England.

Becuse it is a film about a group of criminals unable to escape their circumstances, the film has, quite literally, nowhere to go …

But it’s hard to caare for any of these Lowlifes. Banded Together Through Mysterious Circumstances Revealed in Cryptic Flashbacks with Mr. Reynolds’ Right-Hand Man, Harold (James Bond’s Rory Kinnear), The Group Robs A Bank with Startling Efficience UNIL GRADY MURDERS A BANK OUT OF ABJECT Paranoia. In the mad dash to escape, royce momentarily pulls hisyes off the road, just in time for the Car to hit a hooded figure.

AFTER A MOMENTARY FLASH OF CONFUSION, RONNIE INSTRUCTS HIS YOUR DRIVER TO KEEP DRIVING – WHICH they will, Until they Reach A Meeting Point with Reynolds’ Accountant, WHO Instructions say to call Him Numbers (Burn Gorman). Together, The Fower Retreat to A Dilapidated and Isolated Home Who Been Stocked With Food and Drink But Not Much Else: No Internet, No Television, Noticing A Radio. In the Vacuum of Space, Ronnie Begins to Read the Only Appealing Book He Can Find on the Dusty Shelves, A Tale of Two Cities by Charles Dickens.

Dickens’ Novel Tells, in Part, of the 18-Yyear Imprisonment of a French Doctor in the Lead Up to the Reign of Terror, But ROPER AND DOVER SEEM INTERESTED IN REFERENCE BY INVOCATION, IN THE SAME WAY The TITLE RECALLS The Tempest. The Four Pass Their Days in Relative Normalcy. Ronnie Play Solitaire, Grade Drinks, Numbers Locks Himself Away to DO Hero and List to Old Records, and Royce Waits Around for Life to Change. They’re told they’ll probably be there for “No More than a Week,“But when it stretches out, Panic sets in, and the characters, unurprisisingly, turn on Each Other.

All Style, Not Enough substance to Support eddie Marsan

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All the devils are here is ultimately foised by its Own peard. Becuses it is a film about a group of criminals unable to escape their circumstances, the film has, quite literally, nowhere to go, whic is a problem will be your characters just all that interesting. To be sura, roper’s direction is solid and evocative, aided by a truly haunting score by Peter Raeburn.

IT’S Never Unpleasant to be in the Company of Eddie Marsan, but Hisxhion at His Circumstances Becomes Ours, Too. Its ending tour is so preditctable as to elicit merye an eye of reconstruction, Making it frustration that its “twist” isn’t just announce at the top. THEN MAYBE The Film’s AS AS A CONSIDERATION OF ETHICS AND MORALLY IN THE FACE OF MORALITY COULD BE BETTER realized.

The Question implied by Ferdinand’s Exclamation in The Tempest is if it is humanity that is respondsable for earthly Evil Rather than something supernatural. And the Truth in that play is the sun trut All the devils are here: that it is actually something. Spreads we are meant to leave wondering if we, too, have abandoned basic human decency out of a selfish desire to survive. If that is the case, i wish the film wasn’t so stocked with characters resigned to die.

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Release Date
September 26, 2025

Runtime
87 minutes

Directory
Barnaby Roper

Wriers
John Patrick Dover

Producers
Ben leclair

  • Headshot of Eddie Marsan in the 'Back to Black' Premiere

    Eddie Marsan

    Ronnie Blake

  • Headshot of Sam Claflin

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