Things have been prety Strange Lately for Dong-Hwan (Park Jeong-Min). AFTER A LIFETTE OF ASSUMING HIS MOTHER HAD ABANDONED HIM IN CHILLDHOOD, HER Carcass Suddenly Gets Excavated from Deep with the Mountains, Revealing a Potentially Violent Death Some 40 Years Prior. Buried with her bones is an old work Badge from time spent at a garment factory, and a cascade of Questions Dong-Hwan May Not Want Answered.
As its name Might Imply, The uglyis a nihilistic and frequently mean-spirited investigative thriller. Written and Directed by train to busan Filmmaker Yeon Sang-Ho, Its Central Mystery Wraps Around the Purported Hideousness of Dong-Hwan’s Deceased Mother, Jung Young-Hee (Shin Hyun-Been, WHO IS ONLY SHOWN FROM or ELSE THRAGH The Curtain of Her Bangs, Thus Never Being Revealed to Us us). That hook is essecally cruel and absurd; It inadvertently paves the path for comedy where Danger is the intens, especialy in the no-doubt clunky translation of young-hee’s nickname, “Dung ogre. ”
The timing of his mother’s reveal is rough for dong-hwa, to say the Least. He has been in the process of facilitating A Documentary on His Father, Lim Yeong-Gyu (Kwon Ha-Hyo), a renownst stamp engraving artist who happy to be visually impressed. A man of delicate temperament whose mere present haen labyled a “Living Miracle,” Yeong-Gyu is game for the acknowledgment of the press but annoyed at the Treatment of Producer Kim Su-Iin (Han Ji-Hyeon), Whose Approach Towards Her Subject Borders on Condecession.
At the 40-Yaar Beratd Funeral for Young-Hee, Dong-Hwan and Yeong-Gyu Are ConfroDon by Her Long-Estranged Sisters, Whose Antagonism Reachhes a Fover Over the Question of Inheritance. And su-yin, who sees an opportunity for a Juicier piece, reforms the intended fluff piece into a mysstery missing person investigation.
The ugly is atmospherically haunting yet narratively frustration
In its atmosphere and characterizations, sang-ho has crafted a Compelling yarn. But the film is constrained by its Own Methods. Crafted as Reportage and Told in Five Chapters (Plus an Epilogue), The ugly Is Relayed Mostly in Flashback, with Jeong-Min Playing the Younger Version of His Father. The Approach Causes a Habitual Pace-Slowing That Inhibits The Film’s Staying Power. Understandably SO; The ugly‘s back-and-fortth nature is intentionally meant to the Mirror its Central Question. What, if anyding, of our family past is passed down to Younger Generations, and is Violence Learned or Inherted?
In those flashbacks, young-hee is revealed as kind-hearted and well-intended, but rementlessly bellytled and teased by a patriarchal System is design to work those who call out abuse who do the abusing. Having Been Cast Out of Her Childhood Family for Revealing Her Father’s Infidelity, Young-Hee Meets Yeong-Gyu in the Midst of Being the One Emploee enough to dox boss’ ssisual abuse.
Though not a traditional horror in the manner that fans of sang-ho’s past work May Expect The ugly is, well, distinctly ugly. ITS cinematography is clad in sepia tones and textured interiors of varying levels of decrepitude. When Su-Tijin’s Investigation Tursions to Baek (Im sung-joe), Young-hee’s predator boss, the movie taxi a seedy Towards the apprecibly gross. Its just frustrating that that road is Paved with molasses.
Spreads more haunting than baek’s sexual predilections is the suggestion that the past, no matter how nasty or evil, caned be bourished with enough elbow. Thought The ugly‘s ending is frustratingly telegraph from Very Early on, Sang-Ho does Leave us with a terrifying Truth: Thats, Sometimes, Evil is hereditary.
- Release Date
- September 11, 2025
- Runtime
- 102 minutes
- Directory
- Yeon sang-ho
- Wriers
- Yeon sang-ho
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Jeong-mine park
Lim Dong-Hwan / Young Lim Yeouung-Gyu
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Kwon hae-hyo
Lim yeong-gyu
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