A LISTING Photo Shows 214 Lafayette Today, lit up as if it is Occupied. But the building was originated to Fool Passersby with faux Windows Hiding Its First Tenant: A Power Substation. Photo: Douglas Elliman
At a lunch in the 1980s, the art dealer Max Protec and Frank Gehry Got to Talking About How They Waled Divy Up Their New Space. They were pooling Money to buy a five-story soho building-214 Lafayette Street-and gehry sketched out the general idea on a doily. Protec Wold Have a Gallery on the Street Level, Gehry Waled Have Offices in Back, and Protec has storage spaces. Gehry Never Moved in – I TURNED OUT THose DIVIDING WALLS WERE EXPENSIVE.
Protich Conceived of 214 Lafayette as a place to show sculptures. The building was massive, perfect for showing work that it is alltown Gallery. From the street, the façade lookeed grand and banish with a roofline capped with a novel and a Huge half-Circle Window. But bend, it was a bank or floors of impressive apartments. 214 HAD BEEN A POWER SUBSTATION, AND THE FIRST THREE FLOORS MADE UP ONE MASSESIVE ROOM 100 FEET DEEP – The Ideal Setting for a Show of swirling metal abstractions by Alice Aycockor a survey that included Only Women Sculptors. “There’s that attitude that women can’t be macho,” Protch Said. But Against the Gritty, Industrial Space, The Show “Proved they had Visits and Ambitions Greater than the Male Architects and Artists.
Protch SOLD The Building In 1996 for $ 1.7 million to a pair of artists: the songwriter two humes-nispel and her Husband, Marcus NISPEL. In the Early ’90s, Marcus Rode A Surge in Budgets for Music Videos, Directing for Mariah Carey, The B-52s, Bette Midler, and Janet Jackson.
The Central Gallery Space (Left) was massive. Protec oversaw a full renovation that Also cleared out a bassent (right). From Left: Photo: Max Protec GalleryPhoto: Max Protec Gallery
The Central Gallery Space (Left) was massive. Protec oversaw a full renovation that Also cleared out a bassent (right). From Top: Photo: Max Protch … The Central Gallery Space (Left) was massive. Protec oversaw a full renovation that Also cleared out a bassent (right). From Top: Photo: Max Protec GalleryPhoto: Max Protec Gallery
The Pair renovated 214 for 12 years-Adding Three Bedrooms, A Terrace, A Wood-Burning Fireplace, and a den with barrel-vaulted ceilings. The work seamed designed to turn it not into someone to live but Rather into the ideal home for a video shoot. And unclear if they are actually Lived uptairs. By 2013, The Nispels Were Rening The Space to Hollywood for $ 20,000 A Day.
For Bedroom Scenes, there are were three on the upper floors with a wide terrace off the primary. To play a dance club or a party space or an art studio, Event, there was a great room with double-height ceilings. And a lofted area let Cameras shoot down easly. But the real draw must have been the 40-foot-long pool. The NISPEL renovation lodged it in the basin with a portal Window set the side of the tank that made underwater shots a breeze. John Mayer use it for his 2009 video “Who Says,” and Beyoncé made it Famous in “Halo,” Gliding Through the Blue Water in Diaphanous Silks.
In 2016, The Building Had a Starring Turn In Mr. Robot nor Makeshift Office for Hackers. Meanwhile, Marcus’s Career Took off with Big Box-Office Remakes of Horror Features: Friday the 13th and The Texas Chainsaw Massacre.
The nispels put the house on the market Last Week, asking $ 39 million. The Broker Said He and his Client Wauldn’t Comment for this story. But if they’re choosing to sell now, there are two likely reasons. First, The Couple Divorced in 2022. And Second, Film shoots in the City have ben drying up lately. Still, they’ve been finding use for it. LAST YEAR, MCIntosh TURNED the space into a pop-up showroom for sound systems with the former Gallery showcing a pyramid of amplifiers.
A LISTING PHOTO SHOWS THE STUDIO LOCATION USED FOR DANCE SECES IN BEYONCECE’S MUSIC VIDEO FOR “HALO,” AND THE PHOTO INCLUDES A PIECE OF THE BUILDING’S UNIQUE HISTORY. After Banksy tagged the doors downstairs, the owner tok say off their hinges and hung as an artwork (right). Photo: Douglas Elliman
The 40-Foot-Long Swimming pool in a listing Photo. The pool Featured in a party Schene for a john Mayer Music Video, and Swimmers Underwater Can Be Seen off a Circular Portal Window One Flight Down. Photo: Douglas Elliman
The doily on which gehry sketched his designs for 214 Lafayette. Photo: Kim Richardson/Max Protec Gallery
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