An unlanged LIMESTONE Fireplace, Sleek Wood Paneling, Cork Floors, and Glass Tile Were Cutting EDGE in 1935. Photo: Anton Brooks/H5 Property
On East 49th Street, Between Second and Third Avenues, A Bright-Red Door at Street Level is set at an angle, as if props Open for a Visitor. Above it, the façade at 219 appears to float, alternating box terraces with Clear and Glass-Block Windows in a Wall of Dark-BRICK-AND GLASS Tile. It”s Stark But Colorful, An Odd Sight on a Block Known for the Tudor-style apartment at 225The Shadowy Amster yard at 211and the Flemish and Regency-Style Row Houses Across the Way that Were Once Home to Stephen and Katharine Hepburn. And it was Was spreads an Odder sight in 1935, when the home was finished, Becoming the first buds from the modern, Clean pioneered by Le Corbusier and TEWEAKED BY WILLIAM LESCAZE. Both 219 and Lescase’s Townhome – renovated in the Same style just a year Earlier, One Block South – Survived Long Enough to be Individual LandMarked, with the former taching the name of it Architect Resident, the Morris B. Sanders House.
The Red Door and the Façade Above it. Moma Curator John McANDREW Notes The Blue-Black Glazed Brick was a unique color at that time, and “Suitable for the City’s sooty atmosphere.” From Left: Photo: Anton Brooks/H5 PropertyPhoto: Anton Brooks/H5 Property
The Red Door and the Façade Above it. Moma Curator John McAndrew Notes The Blue-Black Glazed Brick was a unique color at that time, and “Suitab … The Red Door and the Façade Above it. Moma Curator John McANDREW Notes The Blue-Black Glazed Brick was a unique color at that time, and “Suitable for the City’s sooty atmosphere.” From Top: Photo: Anton Brooks/H5 PropertyPhoto: Anton Brooks/H5 Property
A 1936 Feature in The Architecture forum on the house included a shot of the door with a Circular Window. Currently, The Door to the Ground-Floor Office, Inside, is Nearly Identical to What’s Shown and Likely Original; Sanders were Particular About Details, and ALSO Used Globe-Shaped Lighting Throughout. Photo: Garrison Photos/The Architecture Forum, March 1936
Independently Wealthy and Known by Friends for A “Strong, Inflexible Nature that Wold Permit No Compromise,” Sanders Was Born into the Business. HIS FATHER WAS IN Plumbing, and His Uncle Studied Architecture. Sanders Went to Yale And ended up in Paris BetWeen the wars, where he had might have ogled the work of le corbusier. Back in New York With His License in Hand, He Knocked Over an 1869 House to Build a Six-Story, 6,900-Square-Foot Building to His EXACTING SPECIFICATIONS, FILLING IT WITH CUSTOM AND CUTTING-EDGE INCLUDING CENTRAL AIR AND RECESSED LIGHING. (General Electric Gave Him Its Own Recognition for the use of its of tubular bulbs.) BUILT DURING The Great Depression, The House was a showpiece for bot what sanders could and what modernism could be. In 1936, Architecture forum Published a Ten-Page Glossy Spread that Praised 219 for “Scorning any Efffort to Preserve the Amenities” on a Block Where “the Contrast BetWeen Old and New Couldly Be More Extreme.” In the 1960s, The House Stood Out for Its “Revolutionary Character,” Accounting to the Critic Ada Louise Huxtable, WHO Called it a work of “Protest Against the Routine Mannerism of Overworked Period Styles.” And in Today’s Market, Its Still a Standout. “If you’re look for your quintessential townhouse, this isn’t it,” Says Broker Martin EidenWho is representing the family who has lived and workhed there for more than 50 years, USING the Building just like the Sanders family had – as a home, a rental, and a business.
The Primary Suite Upstairs Includes Another Simple Fireplace Framed by Wood Paneling and Tones of Hidden Storage, Including Cabinets and Built-Ins Aryndow and to the Side of the Fireplace. Behind Are Three Closets. Photo: Anton Brooks/H5 Property
The 1936 Piece in The Architecture forum Shows the original design included a curtain over the built book and carpets over the Wood Floors. Some of the supply Shown here May have been of Sanders’ Own Design. Photo: Garrison Photos/The Architecture Forum, March 1936
A View of the Bedroom Fireplace in the 1936 ISSUE OF The Architecture forum Shows a chrome grill in front of the Hearth. Photo: Garrison Photos/The Architecture Forum, March 1936
The distinctive red door opens to an angled Hallway with an intercom that LOOKS LIKE A METAL MONDRIAN: An Immense Panel with thye tiny buttons toe a lower-left corner, under an exposed lightbulb. Up A Shallow Set of Stirs and Through a Door with a Circular Window is the Ground-Floor Office that Sanders Built to Run His Practice. On the Street Side, Glass Bricks Let in Light But Filter Out Chaos and Noise – An Innovation at the Time. The Office Stretches a full 64 Feet Back, Doing Away with the Large Backyard That Was No Longer Needed for Modern City Dwellers Who Didn’t Do Laundry Outside Horses. The Main Stairs Lead Up to A Duplex Designed As a Rental, with a loggia over 49th Street and a Showy Centerpiece: A Curving staircase with a chrome handrail designed by sanders, who also designation tubular chrome supply. (“It Its Best in Rooms Such as these,” praised The Architecture forum.)
A Chrome Banister Designed by Sanders. He staged the home with his tubular chrome suppume designs, praised by Architecture forum In 1936 as “Best in Rooms Such as these.” Photo: Anton Brooks/H5 Property
Above the Rental Duplex is an owner’s triplex with a “penthouse” -style BEDROM on the top Floor that leads out to a private roof deck. One Floor Down, A Primary Suite Has Built-Ins With Curving Cabinets. On the fourth floor was an entrance designated to impress visits: its Open plan stretches from a dining area in Back with A Picture Window Amster Yard, and a Living Room in Front Where of UNEMEMELESED WOOD FRAMES A FRAMES A FRAMES A FRAMES A FRAMES A FRAMES. Sanders’ Custom Furniture for the Space is Long Gone. (Though you can Still Grab an beam TIMES and slame online.)
Price: $ 5.3 Million ($ 4,747 in Monthly Taxes)
Specs: Ground-Floor Office, Duplex (3 Beds, 3 Bathrooms), Triplex (3 Bedrooms, 3 Bathrooms)
EXTRAS: Roof deck, Two Terraces, Bazent, Original Cabinetry, Lighting, and Interior Detail by Sanders
LISTED BY: Martin Eiden and Zoe Jackson, Compass
Don and Taki Wise Raised Their Family and Ran Overlapping Businesses at 219. Don, WHO died in 2012was an artist, curator, and adman who founded a marketing firm In 1952 that specialized in home décor, repping the Danish Designer Georg Jensen. One of Don’s Companies Owned The Building by 1970, when it handed ownership to Him Personally. Taki, who is selling now, had Also worked in marketing as a fashion stylist, but she fow a new niche she is opened a soho gallery that tourned the business of fashion photography into an art form to sell to collectors. Be they didn’t Need the Duplex, they renead it out. In 1983, when the New York Times Stopped byThe Ground-Floor Unit was home to hea productions, a firm that supplied jingles for nbc (“JUST WATCH US NOW”) and Hallmark Ads (“Birthday”).
On the Ground Level, The Former Office of Morris B. Sanders Jr. leads out to a small patio. DON WISE LATER Used the Space As an Office for HIS Marketing Agency. Photo: Anton Brooks/H5 Property
The Old Offices Still Hold Books and Papers on Shelves and Flat Files, and Eiden has staged the owner triplex, but the bars bones of the house is the selling point, showing just like the space. Built-in Cabinets Curve JUST WHERE A BUSY PARENT WAUTED WANT TO SLIDE PAST. Closets abound – with three in the primary suite alone. And there’s a separate Bathroom for Everyone Bedroom, where the original Sinks, Mirrors, and Grids of White Look Very 2025. The Living Room Floors Are a Surpring Spongy Cork. And the glas bricks Differ in size in different rooms, spreads to the “scale of the rooms they adjoy,” as moma curator John McAndrew ha argued. There’s a sense that the home is the work of a perfectionist, someone who couuldn’t settle for what’s been done. Describing HIS Design Philosophy, Sanders Once Told a Roomful of Teachers“The Materials and Methods at Hand Must Be Deftly Fitted to Suit the Real End in View.”
Up the stairs on the third floor, do you door leads to the owner’s triplex. Storage Throughout was built in by Sanders, who installed away glas Blocks on this Floor on the East 49th Street. Do you door to the left leads out to a loggia. Photo: Anton Brooks/H5 Property
The View of the Living Area in March 1936, When The Architecture forum Shot the home for a Feature and Showed that Sanders Had Installed Carpets on the Cork Floors, Had Painted The Book Bookcase in A Lighter Shade, and Had a Built in Desk and Shelving that is No Longer in the Home. Photo: Garrison Photos/The Architecture Forum, March 1936
The Main Living Area Looking Back to Amster Yard. A Curved Cabinet off the staircase leads up to the Bedrooms, and a Limestone Fireplace (Left) is framed with the paneling. Photo: Anton Brooks/H5 Property
The 1936 Photography In The Architecture forum Shows that the Living Room, Sanders’ showstopper, has been away unchanged. The Glass Bricks, Limestone Fireplace, and Wood-Paneled Wall Are Still the Main Features of the Space. Photo: Garrison Photos/The Architecture Forum, March 1936
The floors are Cork. The open-plan layout would swimming ben Common at the time, and it allows light through sides. A caabinet and a staircase new post curve just where a busy parent might brush past. Photo: Anton Brooks/H5 Property
The View Toward the Dining Room Published in the 1936 ISSUE OF The Architecture forum Shows that the desk and shelving is gone, butr details are still intact, including an overhead light and built cabinets. Photo: Garrison Photos/The Architecture Forum, March 1936
Above the primary suite, a smaller bedroom opens to a private hall that leads to the Roof deck. Photo: Anton Brooks/H5 Property
At Six Stories, The Home Has a View over the block. Photo: Anton Brooks/H5 Property
Other Businesses have renead the downstairs Space, Including a Music Publisher. Photo: Anton Brooks/H5 Property
A Business Occupied A Bedroom That Sanders Put in the Rental Unit on the Third Floor. Photo: Anton Brooks/H5 Property
The Window here echoes the Bedroom Window in the Primary Suite Upstairs, with Glass Bricks Framing Picture Windows. Photo: Anton Brooks/H5 Property
A Smaller BEDROM IN THE RENTAL UNIT WITH A VIEW Over Amster Yard was transformed into an office. Photo: Anton Brooks/H5 Property
The Back of the House Peers Over Amster Yard, A Hidden But Public Park That’s Now Connected to the Instituto Cervantes. Photo: Anton Brooks/H5 Property
Amster Yard Shares a Back Wall with 219 East 49th and Its Neighbors. Photo: Anton Brooks/H5 Property
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