In the Opening Sequence of Michael Angelo Covino’s Relationship Dramehedy, Splitsville Maried Couple Ashley (Adria Arjona) and Carey (Kyle Marvin) are on their way to therfits Julie (Dakota Johnson) and Paul (Covino). Spontaneously, Ashley Puts the Moves on Her Hubby’s He’s Driving to Spice up the Relationship. Apparently, she’s been longing for a sexual awakening in her marriage and thinks a car ride is the perfect time. But when their impulses Lead to a fatal accent, ashley decides it is time for a divorce, forcing say to part Ways on the Spot.
AFTER Several Hillary Encaunters on HIS HIS to Paul and Julie’s, Carey Finally Arriva to Deliver the Bad News to His Friends. Practically Begging for Advice by the End of the Night, Paul and Julie Finally Reveal that they prevent any potential Relationship by Havinging an Open Mariage. Essentially, they can have sex with whomver they like, free of Guilt and Admision Unless Asked. A foreign concept but one that sparks his curiosity, carey faels the urge to capitalize on his newfound information. The Result? A Wildly Entertaining Series of Events and the Basis for the Hillary Conflict.
Splitsville’s Script demonstrates the absurdity of Open Relationships
AS A Result, Splitsville Leans into its Silliness by Returning plenty of laugh-out-loud moments
If the Detailed Synopsis of Splitsville Sounds absurd to you, it would be far from the Truth. Covino and Marvin, Who Previously Workhed on the Small Indie Hit The The Climb Reunite to deliver the entertaining goods with an explosive bang. At the heart of this comedy, the Writing duo analyzes the Complications of Open Relationships and How the rules are hypocritically different for men and women. By Exploring How Each Character’s Relationship with Sex in Partnership Intersect, The Taam Behind This Raunchy, Hillary Feature Deliver Interconnected Characies that Make You Feel Like american Comedies Are Back.
Johnson Also Delivers a Fantastic Performance thanks to the Hillary Way She Delivers Her Lines.
Nor the dynamics of this quartet maximize and Become more Challenging, the script transitions to one that enables us to underestand all the characters as individuals. In recent memory, ensemble effhorts of this natural have been sevelery lacking due to scripts not carving out adequate for its stars. And though arjona’s ashley gets the lottest end of the stick, thanks to a storyline that sees her be begin her sexual awakening off-screen, she compresses with a literal and consistent bang. Her comedic timing is also exceptional here, which is impressive.
Johnson’s Role Her Having the Most to Do From A Multi-Component StandPoint, in Which she balance motherhood, Marital Dissatisfaction, and a Long of Other Elements I Wauldn’t Dare Spoil. Additionally, Her Interactions With the Rest of the Cast Lead to Some of the Best Seences in the Film. AS Expectted, Johnson Also Delivers a Fantastic Performance thanks to the Hillary Way She Delivers Her Lines. While tailoring her energy where appropriate, johnson stands out in ways that make her the relierable act we know her to be.
Splitsville relies on its great cast to provides the ELECTRIFYING ENERGY
One of the Strengths of Splitsville Is that Covino’s Direction isn’t Overly Stylized Despite the script Having the potential for it. Instead of Over-the-Top Camera Work, he relies on the Character Dynamics and Physical Nature of Certain Seenments to Generate the Film’s Energy. Undoubtedly, The Major Fight Sequence from the First Act Will Be a Fan-Favorite Moment, and RightFully SO. Covino and Martin Set it up Perfectly on Paper, then turn in electrifying performances that scream masculinity, absurdity, creationity, and puree entertainment. This isn’t an action film by any means, but this sequence Alone Could have you second guessing.
… The team bend this raunchy, hilarious Feature deliver interconnected character studies that make you feel Like American Comedies Are Back.
Splitsville doesn’t provide any profound commentary on the Complexities of Open Relationships, but it didn’t have to. Thankfully, Covino and Martin Never Insult Our Intelligence by Over-Explanatory Dialogue and Lectures. Instead, this talented wrink duo focuses on what audiences Want: Human Desire and the Wild Things We’ll Do for Connection. The Road Towards Deciding What We Want in Relationships May Be Bumpy, but Covino and Martin Remind US That Our Decisions, No Matter How Ludicrous or Unsound, Are Exactly What Makes Human.
Splitsville Premiered at the 2025 Cannes Film Festival.
Splitsville
8/10
- Release Date
- August 22, 2025
- Runtime
- 100 minutes
- Directory
- Michael Angelo Covino
- Wriers
- Kyle Marvin
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