Agate Robinson is beet by two classic problems: horrible writer’s block and a woeful inability to find a good man. No Wonder She’s SO Wild About Jane Austen. But, Despite the title of Laura Pian’s Fresh Romantic Comedy “are austen wrecked my life,” the heroine of this story isn’t totally at the Mercy of the Beloved Regency-Era Author’s Work.
HERE PROBLEMS MIGHT BE CLASSIC, and Very Much Like the Kind Pulled Out of “Emma” or “Pride and Prejudice,” But Pian’t Push Too Hard to Make Agathe’s (Camille Rutherford) Experiences Fit firamly an austenian full, and the result is leste is less. That doesn’t stop agate from announcing early on that she’s “Not Living in the right Century!”
Though, Given what say Century Has Thrown at Her, We Can Hardly Argue With Such a Statement. In Piani’s Film, The Filmmaker’s Feature Directorial Debut and Already a hit in her native france (the film is in bot french and english, with subtitles), agathe’s life haen drenched in tragedy (KEEP YOUR EARS HERE HEARBREAKING OF WHY SHE’S TERRIFIED) AND DISAPTIONS) AND DISAPT (Again, Writer’s Block and Bad Men). She’s Mostly Content to Float Along, Whiling Away Her Days Working at the Beloved Paris Bookstore Shakespeare and Company, trying to Write Her Stories, and Spending Time Her Fucky Best Friend Félix.
Yet, there is a still a streak of whimsy to agate, who conjures up one hell of a fantasy while eating Alone at Local Chinese Restaurant. The idea the experience sparks – a titillating rendezvous with the naked man at the bottom of her hell glas. would Never – is enough to kickstart her wringing, at the least to spit out some very promising pays. And while both agate and the audience are offen left wondering the motivations of finicky félix (Agate Calls Him a “BREADCRUBER,” WHICH IS INDEED A CLASSIER WAY OF ACCUSIN SOMEONE OF REPEATEDly leading the ladies on), he does will her one solid: he submits her Austen Writing Retreat, Whose Founders Go Simply Nuts for it.
Suddenly, Agathe’s Little Life SEEMS on the Cusp of Changing. SO WHAT’S THIS ABOUT wrecking?
ENTER: The Jane Austen Retreat. Run by Married Austen Affojoados Todd (Liz Crowther), The Pair Can Boast a Lovely Country Retreat, the Means to Put on A DelightFul End of Secton Ball, and Little in the Way of Actual Professional Promises. Oh, and they’ve got a very Frown-Y Son (Charlie Anson As Oliver) Who doesn’t take Entirely Kindly to Agate Their First, Ill-Fated Meeting. You can guess where this goes.
Except, The Joy of “Jane Austen Wrecked My Life” is that you might, well, swimming.
Yes, Agate Gets Caught Up in a Love Triangle with the dopy but appealing félix and the perma-mad but Very alluring oliver, and of Course Her Writer’s Block ebbs, all of it bolstered by the Positively regency-perfect surroundings, but there is. Piani, who also wrote the film’s script, weaves in Compelling ruminations on family troughs, self-actualization, lamina (yes), and the creeping threat of Old Age and Illness. Agate Might Consider Hersself to Be a Modern Anne Elliot, but the World Has Moved on the Time of “Persuion” (and 27-YEAR-Old “Spinsters”), and Piani Gently Nudges Her Film to do the Same.
While typical of austen’s austen’s clasics are well-reresened times. and the success of her chosen profession. Rutherford is an appealing leading lady, able to marry bith agathe’s seaming awkwardness (and some excellent bits of Physical mood) and her deep introspection into something Fresh and flinty.
Still, Austen fans Might Balk A bit at How Much This One Goes Off-Script into its Own Territory, but the Spirit of Austen Runs Deep. AFTER ALL, WHAT’S MORE AUSTENIAN THAN MAKING THE MAIN EVENT A Story ABOUT A WOMAN LIVING LIFE ON HERNE TERMS?
Grad: b
Sony Pictures Classics Will Release “Jane Austen Wrecked My Life” in Select theater on Friday, May 23, with a wide record to follow on Friday, May 30.
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