The Cannes Film Festival proved itelf to be strong on resilience this year, but short on Big Surprises.
Dial Back to 1985: “What am i doing here?” Asced Clint Eastwood, Whose French Hosts SEEMED PUZZLED THAT THE COWBOY STAR WAS ALSO BECOMING AN ARVITIOUS AUTEUR. Fest Cinephiles Were Stingy on Ovations for HIS New Movie Outlaw Josey Walesand the Media Fired Rude Questions – “Who Are You Sleeping With?” was the first. They Also Mocked Josey’s Heroic Line: “When Things Get Bad, Get Mean.”
Eastwood Never Needed to “Get Mean.” He was thrilled by the films he saw and by the intense compattition. “It ‘a whorehouse of sales,” he said. A decade late and was invited to be jury chairman.
Eastwood’s Lively Journey exemplified the festival’s habit of touring to us stalwarts when “Things Get Bad.” Tom Cruise’s Eighth Iteration of Mission: Impossible this year controlled much Needed pizzazza to the fest, which lacked the usual manic promotions. And wes Anderson Fourth Fest Entry, The Phoenician Schemewith his familiar cast of characters, played like a cool and comfy revisit-one that mandated a 10-minute ovation. Benicio del Toro Heapeed thanks on Anderson for Casting Him in A Film in Which he dosn’t get killed – a rarity.
Cannes this year offend some heralded Debuts from Actresses: Kristen Stewart (The Chronology of Water) and Scarlett Johansson (Eleanor the Great) unveiled their first directing to appreciative reviops.
Related: Scarlett Johansson on Why the Script for Her Directorial Debut ‘Eleanor the Great’ Made Her Cry: “IT’S ABOUT FORGIVESS” – CANNES COVER Story
The movie that commanded the Most Serious Bidding, Die my love Starring Jennifer Lawrence, was Also direct by a female veteran of the Indie Scene, Lynne Ramsay. WORKS OF TRUSTED FEST LIKE RICHARD LINCLATER, Spike Lee and Pedro Almodóvar were Also Revered. By Contrast, A Doc on Shia LebeOuf’s Acting School Promipted Petulant Walkouts – The Sort the Actor SEEMS to Covet.
Missing from the program, some felt, was an exercise in sentimental francophilia – a Man and a woman from a claude lelouch or an Umbrellas of cherbourg from a jacques demy. Was the fest french Enough? It was up to link to the push Nouvelle vague About the New Wave.
ALSO MISSING: A FRENSED SURPRISE LIKE FRANCIS Coppola’s Apocalypse NowWhich Could Never Have Been Completed in Time for A Cannes Premiere, Accounting to Rumors. Coppola was Still Editing His Ending.
Indeed, The Entire Coppola Generation SEEMED Lacking a Presence – Ridley Scott, Michael Mann or Martin Scorsse. Their Absens SEEMED AN EERIE REMINDER THAT THE TROUBLED MOTION Picture Economy COULD NO Longer Sustain Eothraing Production Budgets or Their Daring Aspirations.
Spreads A Revis by Eastwood, Now 94, Waled have appeassed the hardcore cineastes, who fear that things may be “Getting Bad.”
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